1,720,970 research outputs found
The fulgur conditum ritual: two new examples from Rome
Edizione di due nuovi esemplari di iscrizioni latine relative al rituale del fulgur conditum, rinvenuti in situ in occasione dei lavori per la fermata Porta Metronia della linea C della metropolitana di Rom
Il senatore Cornelio Pusione e la sua domus. Novità dagli scavi della metro C a Roma
A new fistula aquaria, found, during the works for the construction of the metro line C, in the garden of a private house to be dated around the middle of the I century AD, in Rome, on the Caelius hill, re-opens the problem of the location of the domus belonging to L. Cornelius Pusio. The house of this senator was traditionally located in the area of via IV Novembre, where a bronze dedication was found, together with a portrait. But the suspect that these findings were not in their original location is now confirmed by the new discovery
Domus e horrea lungo il vicus Patricius
L'articolo ha avuto come oggetto l'analisi architettonica dei resti di strutture rinvenute lungo Via Urbana. L'edificio è identificabile con una delle insulae presenti nella Forma Urbis marmorea severiana relativa a questo settore del Viminale. Si è proposta, inoltre, una ricostruzione delle architetture conservate
Domus and horrea along vicus Patricius
L'articolo ha come oggetto l'analisi architettonica delle strutture rinvenute presso via Urbana e propone un'ipotesi ricostruttiva del complesso analizzato
The Roman Houses of the Caelian Hill (Rome, Italy): Multitemporal Evaluation of Biodeterioration Patterns
Like other hypogeal environments, the Roman Houses of the Caelian Hill are prone to unwanted biological growth. Wide conservative interventions have been carried out at the beginning of this millenium to reduce biodeterioration and physical-chemical damages. Retracing the last monitoring work, we assessed the site's current state of conservation and biodeterioration intending to check the previous treatments' effectiveness and deepen the common knowledge of the subterranean biota and their possible biodeteriogenic effects. Starting from the past test areas and the previous identifications of the occurring biodeteriogens, we further isolated and identified the main eubacterial, fungal, and phototrophic settlers, focusing on some detrimental traits for wall paintings (i.e., acid production and carbonate precipitation). The achieved results proved the success of the performed interventions in reducing the wall's water content. Otherwise, the new conditions raise, in the long term, new concerns about lampenflora, carbonate precipitations, and salt efflorescence. Here, the Caelian Houses' new status is documented. The possible favouring conditions for the different groups of biodeteriogens, along with the taxonomical novelties, additional risks tied to the anthropization of the resident culturable microbial community, and the possible relation between the black fungus Cyphellophora olivacea and roots, are reported and discussed
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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