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«Alie ystorie ac dotrine»: Il "Livre d'Enanchet" nel quadro della letteratura franco-italiana
Full text linkThe subject of this thesis is the so-called "Livre d’Enanchet", the oldest text of Franco-Italian literature, already composed in the first half of 13th century. It was nevertheless overlooked by former critics because of its extraneousness to Epic literature whom most of the other Franco-Italian texts composed in the following century instead belongs.
The present study is therefore an attempt to fill the gaps still present in our current historical and cultural picture of the diffusion of French language in several parts of Medieval Italy, with special regard to didactic texts and prose works.
The introduction deals with a historical and literary setting of "Livre d’Enanchet"; a description of its two manuscripts, stored in Wien and Zagreb; an onomastical study of the Author’s name; a general analysis of text’s contents and internal structure (estates materials, universal history and love doctrine or "ars amandi"); a study of its Latin sources (Saint Paul’s "Epistles", Peter Comestor’s "Historia scolastica", Andreas Capellanus’ "De amore", Boncompagno da Signa’s "Rota Veneris", the anonymous "Facetus Moribus et vita" and another alleged one on the basis of some analogies with the following Antonio Pucci’s "Libro di varie storie"); a discussion about the general nature of the text, which could be either a compilation in vulgar language or a translation of a pre-existent Latin compilation; a comparative analysis of main linguistic features of the MSS, generally similar to those of other Franco-Italian or French texts copied in Northern Italy (the so-called "francese di Lombardia"); finally editorial principles and translation criteria.
The central part of this work consists of a interpretative and synoptical edition of the MSS, supplemented by a critical translation founded on the hypothetical original text and then by an analytical commentary of each chapter in relation to sources and historical and cultural context. This commentary includes also the philological discussion of variants and emendations.
The last part of this work is a quite complete glossary, which is a kind of supplementary linguistical study through a faithful representation of a language not very omogeneous and not regularly ranging from the French rule to Italian interference.L’oggetto di questa tesi è il cosiddetto "Livre d’Enanchet", il testo più antico della letteratura franco-italiana, composto già nella prima metà del XIII secolo, ma trascurato dalla critica precedente a causa della sua estraneità al genere epico cui appartengono invece i principali testi di questa letteratura, composti invece nel secolo successivo. Il presente lavoro si configura pertanto come occasione per un’integrazione delle molte lacune che ancora caratterizzano il quadro storico-letterario e culturale della diffusione del francese come lingua letteraria in diverse aree dell’Italia medievale, in particolare per quanto riguarda la composizione di testi didattici nonché per l’uso della prosa.
L’introduzione comprende un inquadramento storico-letterario del "Livre d’Enanchet"; la descrizione dei suoi due manoscritti, conservati a Vienna e a Zagabria; la discussione onomastica relativa al poco trasparente nome dell’autore; l’analisi generale del suo contenuto e della sua struttura interna, suddivisibile in tre parti, consistenti rispettivamente nell’esposizione dei doveri dei vari status socio-professionali, in una breve trattazione di storia universale in cui sono esposte le origini di alcuni di questi accanto a quelle di altri status e di alcune istituzioni, infine in un’ars amandi; la presentazione delle sue fonti (le "Lettere" di San Paolo, l’"Historia scolastica" di Pietro Comestore, il "De amore" di Andrea Capellano, la "Rota Veneris" di Boncompagno da Signa, l’anonimo "Facetus Moribus et vita", nonché un’altra fonte finora non rinvenuta ma ipotizzabile sulla base dei riscontri con il più tardo "Libro di varie storie" di Antonio Pucci); la discussione relativa al problematico statuto complessivo del testo, che potrebbe essere tanto quello di una compilazione in volgare quanto all’opposto quello del volgarizzamento di una compilazione latina preesistente; l’analisi comparativa dei principali tratti linguistici che caratterizzano i due testimoni, in buona sostanza riconducibili alla fenomenologia del cosiddetto "francese di Lombardia" degli altri testi francesi composti o copiati in Italia settentrionale; infine i criteri di edizione e traduzione.
La parte centrale del lavoro consiste nell’edizione interpretativa sinottica dei due testimoni, con a fianco una traduzione critica, basata cioè sul testo dell’originale, e da un commento analitico di ciascun capitolo in rapporto alle fonti e al contesto storico-culturale. Il commento comprende anche la discussione filologica delle varianti e degli interventi testuali.
L’ultima parte del lavoro è costituita da un ampio glossario, tendenzialmente completo, che costituisce una sorta di integrazione dello studio linguistico attraverso una rappresentazione fedele di una lingua così poco omogenea e oscillante tra il rispetto della norma francese e l’interferenza italiana
Premessa
No full textTraduzione del saggio 'Die Liedersammlungen der Troubaours' di G. Grober ad opera di G. Lachin, con revisione e curatela di N. Ballestrin, A. Bampa, G. Borriero, L. Morlino
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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