10,653 research outputs found
Selectarum Legum Libellus Omne ferè ius mira brevitate complectens
No full textDie Rückseite des Titelblatts ist unbedrucktEnthält eine Widmung an: "Illvstrissimo ... Heroi Melchiol de Myolans, S. Chaumond, Domino de Cheurieres, Comiti d'Anjou ..."Das Wappen ist ein Holzschnitt auf dem TitelblattVorlageform der Veröffentlichungsangabe: Lvgdvni, Apvd Clavd. Morillon, Typogr. Sereniss. Ducis Montisp. M.DCVII
Recheute de Genève plagiaire, Par Pierre Cotton, forisien, de la compagnie de Iesus.
No full textEx-libris manuscrit au titre: "ad usum capucinorum aginnensium" "à l'usage des capucins d'Angers"Couvent des Capucins (Angers, Maine-et-Loire)
Page de titre avec une allégorie sur la Vraie Église ; structure de retable avec une figure en pied de Moïse pour l'Ancien Testament à gauche et de Saint Pierre pour le Nouveau Testament debout à droite ; au-dessus d'une personnification féminine de l'Église catholique trônant au centre, portant la tiare papale et tenant les clés de Pierre ; le personnage flanqué de Religion à gauche et d'une femme personnification (Foi ?) avec un nimbe et une colombe à droite ; dans la section prédelle au-dessous de trois intérieurs ; de gauche à droite un atelier de monnaie, une imprimerie et une chambre de torture
La critique de télévision dans l'Humanité en 1977 : nouvelle formule, nouveau regard ?
No full textTELEVISION CRIT1CISM IN L 'HUMANITÉ IN 1977 : NEW FORMULA, NEW ATTITUDE ?, by GIL DELANNOI and PIERRE MORILLON
The change in formula of l'Humanité in February 1977 was marked, among other editing modifications, by the appearance of a page devoted entirely to television. The contents of this « TV page », analysed in February and November 1977, constitute a break with the previous period and show a pronounced change between the beginning and the end of the year. The communist daily's attitude towards television is more open as to programme content, less critical with respect to the institution and the men who run it and, lastly, more pedagogic than polemical.
[Revue française de science politique XXIX (2), avril 1979, pp. 203-212.]LA CRITIQUE DE TÉLÉVISION DANS L'HUMANITÉ EN 1977 : NOUVELLE FORMULE, NOUVEAU REGARD ?, par GIL DELANNOI et PIERRE MORILLON
Le changement de formule de l'Humanité en février 1977 a été marqué, entre autres modifications rédactionnelles, par l'apparition d'une page entièrement consacrée à la télévision. Le contenu de cette « page TV », analysé en février et en novembre 1977, marque une rupture par rapport à la période antérieure et révèle une évolution sensible du début à la fin de l'année. L'attitude du quotidien communiste envers la télévision est plus ouverte au contenu des programmes, moins critique à l'égard de l'institution et des hommes qui l'animent, enfin, plus pédagogique que polémique.
[Revue française de science politique, XXIX (2), avril 1979, pp. 203-212.]Delannoi Gil, Morillon Pierre. La critique de télévision dans l'Humanité en 1977 : nouvelle formule, nouveau regard ?. In: Revue française de science politique, 29ᵉ année, n°2, 1979. pp. 203-212
Título: L'Art de bien dresser les Cheuaux , felon les preceptes des bonnes écoles des deux Nations
No full textSign.: [calderón]\p2\s, A-T\p4\s, U\p2\sPort. con grav. xilGrav. xil. en cabeceira de textoAs f. de lám. son gav. cal
“Enquête sur l’auteur. Entretien avec Pierre Bayard”
No full textInternational audience05/04/2019 “Enquête sur l’auteur. Entretien avec Pierre Bayard” [“Investigation into the Author. Interview with Pierre Bayard”], event for bachelor’s and master’s students in French and comparative literature, Lorraine University
Discussion sur la dénonciation du citoyen Laligand-Morillon par la Société populaire de Charolles, lors de la séance du 8 prairial an II (27 mai 1794)
No full textBernard de Saintes André Antoine, Ferdinand Guillemardet, Carrier Jean-Baptiste. Discussion sur la dénonciation du citoyen Laligand-Morillon par la Société populaire de Charolles, lors de la séance du 8 prairial an II (27 mai 1794). In: Tome XCI - Du 7 prairial au 30 prairial an II (26 mai au 18 juin 1794) p. 70
Is There Market Power in the French Comte Cheese Market?
No full textAn NEIO approach is used to measure seller market power in the French Comté cheese market, characterised by government-approved supply control. The estimation is performed on quarterly data at the wholesale stage over the period 1985-2005. Three different elasticity shifters are included in the demand specification, and the supply equation accounts for the existence of the European dairy quota policy. The market power estimate is small and statistically insignificant. Monopoly is rejected, as well as weak forms of Cournot oligopoly. Results appear to be robust to the choice of functional form, and suggest little effect of the supply control scheme on consumer prices.Supply control, NEIO, protected designation of origin, Marketing,
The aesthetics of Pierre Boulez
No full textTo enable the reader to find references as quickly and easily as possible, I have grouped all references together in the bibliography in alphabetical order. Texts by the same author are distinguished first by year and second, if there are several texts from the same year, by letter. Interviews and writing collaborations (including published correspondence) involving Boulez are also ordered alphabetically. The year given at the beginning of each bibliographical entry is, in the majority of cases, the year in which the text was first published (not necessarily the year of the edition cited). For all writings written by Boulez, I have provided the original title under which the text in question was first published (usually in French). Many articles have subsequently been translated into English and therefore I have decided to provide page references for both versions. For all texts by writers other than Boulez, I have cited the version of the text I have used. Wherever possible, I have cited the existing English translations of texts originally written in French. However, on many occasions I have considered it necessary to make alterations to the published translations. This is particularly applicable to Boulez on Music Today (1971) and Orientations (1986), both of which display an often heavy-handed and rather inaccurate approach to the task of translating specific concepts employed by Boulez. In contrast. Stocktakings of an Apprenticeship (1991) has required only occasional minor amendments. All changes to the published English translations are acknowledged in the corresponding footnote. None of the material m this thesis has previously been submitted for a degree in this or any other University. The copyright of this thesis rests with the author. No quotation from it should be published without prior written consent and information from it should be acknowledged. I have received permission to exceed the word limit from the Graduate School Committee at the University of Durham
Etnografia e fotografia: reflexões sobre as fotografias etnográficas de Pierre Fatumbi Verger
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-graduação em Antropologia Social, Florianópolis, 2009A relação entre a fotografia e a etnografia nos estudos da Antropologia, apesar de antiga e densa, é incerta e complexa. Se por um lado a fotografia é a cada dia mais utilizada nos trabalhos antropológicos, por outro sua potencialidade como algo além da ilustração e de uma técnica de interação com o Outro é pouco explorada. A partir do exemplo, do legado, da trajetória de vida e, principalmente, da obra de Pierre Fatumbi Verger, esta pesquisa se dedica a analisar essa relação. Francês radicado na Bahia na década de 1940, Verger é conhecido mundialmente tanto por seu trabalho como fotógrafo quanto pelas suas pesquisa etnográficas. Há, entretanto, uma indefinição quanto à razão desse reconhecimento, e examinar as suas razões oferece um profícuo campo de reflexão sobre a pesquisa etnográfica, especialmente quando relacionada ao universo das imagens fotográficas. A Fundação Pierre Verger é a instituição que atualmente abriga o acervo do fotógrafo-etnógrafo e onde foi realizada a pesquisa de campo através da qual, aliada à leitura de fotografias relacionadas ao candomblé em suas manifestações na África e na Bahia, foi criada uma metodologia de análise das fotografias que privilegia as interações e os diálogos como espaço de construção de definições sobre a etnografia. Pelo contato com a Fundação, seus freqüentadores e o acervo fotográfico ali disponibilizado, esta pesquisa pretende refletir sobre a etnografia e a construção de um olhar etnográfico em relação direta com o exercício da fotografia.The relationship between photography and ethnography in anthropological studies, albeit ancient and deep, is uncertain and complex. Photography has been increasingly used in anthropological researches but it´s potencial as something beyond illustration and it´s interaction with the Other as a technique is very little explored. This research is dedicated to the analysis of this relationship by taking the work of Pierre Fatumbi Verger, his life and legacy. A French man, rooted in Bahia, Brasil, in the decade of 1940, Verger is known worldwide for his work as a photographer as well as for his etnographic studies. However, the reason of this recognition is undefined and examining the reason for these indefinitions can be a fruitful field of reflection concerning ethnographic researches, especially when related to the photographic universe. The Pierre Verger Foundation is the institution that hosts his photographic and ethnographic collection and it´s also where the field research of this work took place. Through the field research combined with the readings of photographs related to candomblé and it´s manifestations in Africa and Bahia, a photographic analysis methodology was created that privilege interaction and dialogue as a way to build definitions about ethnography. By the contact with the Foundation, it´s users and it´s available photographic collection, this research intends to reflect about the ethnography and the creation of an ethnographic view in direct relation to the exercise of photography
La cavalerie françoise et italienne ou L'art de bien dresser les chevaux, selon les preceptes des bonnes écoles des deux nations...
No full textMinisterio de Cultur
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