1,720,963 research outputs found
De-bordering narratives on tourism and migration. A participatory action-research on two innovative Italian practices
In a world where freedom of movement becomes the main factor of social stratification, tourism and migration can be analysed as two sides of the same coin. These interrelated phenomena are often linked to opposite and conflicting images, stereotypes and emotions. Polarized narratives, stigmatizing migrants and asylum seekers as invaders or victims, and tourists as bearers of economic benefits. This perception denies a holistic vision of the impacts on territories and communities. Examining the link between narratives, representations and actions, this article sheds light on how alternative representations of migration and tourism can be co-constructed by social actors. Analysing the narrative turn in social sciences, this paper presents participatory action-research on two innovative practices, inviting a reflection on the rhetoric and policies related to tourism and migration. More specifically, it explores how the Festival of Responsible Tourism IT.A.CÀ_migrants and travelers and the Experiential Course on Tourism Development and Intercultural Hospitality - adopt, de-construct, reconstruct and enact alternative narratives concerning migration and tourism, while also promoting social coexistence between citizens and newcomers
L’innovazione sociale tra sviluppo territoriale e trasformazione sociale: il caso del Québec
The paper aims at analysing the role of social innovation processes within territorial development. Departing from a theoretical examination of the concept of social innovation, the analysis deals with the relations between socially innovative processes and territorial dynamics. In particular, through the analysis of the case of Québec, characterized by a heterogeneous network of socioeconomic and institutional actors, the paper examines the mobilization of collective capacities and its consequences in terms of social change
Crises redefined: towards new spaces for social innovation in inner areas?
This article explores the relationship between the emergence of a ‘crisis society', social innovation and community resilience in Italian inner areas. Arguing that the concept of ‘crisis society'–as a further development of a ‘risk society’–can help to frame both the increasing of uncertainty and the possibility for social change, the paper outlines a theoretical reflection on how context of crisis can influence social arrangements and forms of solidarity. In particular, it proposes to adopt the analytical lenses of social innovation and community resilience to discuss the relation between crisis, local dynamism and collective action. Secondly, it identifies Italian inner areas as an interesting field of research were to analyse how innovative initiatives and narratives can emerge in context of crisis, with a special focus on the Covid-19 pandemic. Without denying the negative consequences of this crisis, this early research paper sheds light on how crisis can be redefined on a double level. Firstly, by opening new windows of opportunities for collective action and bottom-up resilience. Secondly, by reframing inner areas, usually represented as vulnerable territories, as spaces where the creative capacity of local community can emerge. Finally, the paper identifies further trajectories of investigation for empirical research
Performing Arts, Diversity and the Right to the City
The chapter proposes a re!ection on how performing arts can produce alternative
representations on migration and “otherness”, challenging the humanitarian and
securitarian emergency frame conveyed by contemporary mediatic and political rhetoric.
#ese sensationalist and stereotyped images depict migrants as “victims” and/or “potential
criminals”, in!uencing public opinion. Within this context, arts, and particularly performing
arts, can play a role in challenging these forms of representation, overturning the
spectacle of the migration into collective performances. Drawing upon these conceptual
premises, the chapter starts with a general re!ection on how arts can promote alternative
representations of migration. It will, then, continue with a re!ection on the role of
performing arts in enhancing spaces of intercultural conviviality, experiencing di$erent
languages and narratives, new communicative spaces and alternative perspectives on experiential
citizenship
Borders Kill. Tania Bruguera’s Referendum as an Artistic Strategy of Political Participation
Since the rise of modern nation-states, borders have played the important role to order society because they have the power to define territories, not only on the ground, but also on the level of the imaginary by shaping national identities and perceptions of the world. Borders can be intended not as places, rather as processes, as socially constructed and shifting structures of practices and discourses that produce norms of difference and exclusion. Within this context, arts, and particularly performing arts, can play a role in challenging these forms of representation, overturning the spectacle of the border into collective performances. Drawing upon these conceptual premises, the article presents the empirical insights related to Tania Bruguera’s ‘Referendum’. Referendum was intended both as a performance and as a form of political activism, inviting people to vote on the following question: “Borders kill. Should we abolish borders?”. After analysing the collaborative procedure that led to the final results of the performance, we reflect upon the role of arts as pedagogical and political tool capable of changing the existing imagery on borders - and specifically on the Mediterranean Sea - and human mobility, stimulating new forms of debate and responsabilization in terms of co-citizenship
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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