3,831 research outputs found
Congressman Blake Moore
No full textCongressman Blake Moore is a native of Ogden, Utah. Before being elected to Congress, Blake worked for small businesses and in the foreign service, experiences that now guide his work on domestic and foreign policy. He has expertise in education, financial services, public policy, healthcare, transportation, supply chain, and waste industries, and this work informs his customer service and problem solver approach in Washington, D.C., as he identifies ways to help the federal government better work for Northern Utah. His passion for helping organizations manage the change process drives his ambition to overcome partisan gridlock, improve federal agencies, and smartly streamline the nation’s bureaucracy. Blake obtained a Master’s in Public Policy and Administration from Northwestern University. He graduated from the University of Utah after serving a mission for the Church of Jesus Christ of Latter-Day Saints in Seoul, South Korea, and signing a scholarship to play as the quarterback at Utah State University
William Blake and the visionary poetry of the law.
No full textPhDThis dissertation examines the meaning of law in Blake's work. I argue that Blake's poetry
intersects with contemporaneous challenges to the traditional model of the ancient constitution,
a debate which I present as a conflict between custom and code. Blake's support for the French
Revolution's overthrow of the customary systems of the ancien regime is countered by his
nervousness about the rights-based discourse advanced by leading radical intellectuals such as
Thomas Paine, a belief that the new systems which they proposed merely re-stated those which
they sought to replace within an even narrower compass.
Law is also a contested ground within radical political discourse of this period; although the
dominant proposals advocated the enshrinement of fundamental rights and the codification of
law, there was also a tendency towards a more enthusiastic radicalism These millenarian
groups, emerging from antinomian heresy, rejected the notion of life being framed within a set
of moral laws. I argue that Blake cannot easily be placed in either group; his work exhibits a
fidelity to the redemptive potential of law, coupled with a real concern that to define freedoms
in legal terms serves to limit rather than to liberate.
Blake's work thus engages with a problem of the period: how to understand the new
discourses of law. The customary account of the ancient English conunon law is predicated on
the idea that it is codified, yet not written down; secular, though grounded in divine principle.
These ambivalences are exploited by Blake in his poetic exploration of the law in the 1790s. In
his nineteenth-century epics, Blake finds increasing help in dissenting religion's reconstruction
of a radicalized Jesus. Through this radical prophetic voice, Blake is able to construct a
redemptive legality founded on a deinstitutio-nalized Christianity, a constitutionalism that is
also recovered from the conventional customary account
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The twelve large colour prints of William Blake: a study on techniques, materials and context
No full textThe aim of this thesis is to study in entirety the group of large colour prints which William Blake made between 1795 and 1805. The series of prints represents the single most important and complete development of Blake’s skill as an innovative printmaker. Although they include some of Blake’s best-known images, they have not been studied before in their entirety or from the point of view of analysing the techniques and methods Blake had used. My study will show how Blake executed these truly impressive prints in terms of materials, method and motives. The first half of the thesis deals with the materialistic aspects of Blake’s colour printing. In chapter one tracing the controversial two-pull discussion to the root, I will make clear the focus points as well as revealing the early tradition of experimental criticism on Blake’s colour printing method. Focusing on two important critics, W. Graham Robertson and Ruthven Todd, and the periods they lived, I attempt to reveal the role they played in a wider context. Also I show how the tradition of Blake’s art was inherited directly through the Ancients to the Pre-Raphaelite Brotherhood, which leads to Robertson and Todd. In the second chapter I deal with the development of Blake’s colour printing experiments. It is obvious that the Twelve Large Colour Prints were produced as a result of Blake’s series of colour printing experiments, starting with monocolour simple prints, going through the illuminated books progressing with more colours and higher skills
Faith, feeling and gender in the writing of Hartley, Wollstonecraft and Blake
No full textThis thesis examines David Hartley’s Observations on Man (1749) and elucidates how Hartley’s mechanical approach to mind, his conception of emotion, and the religious status he awards the body were newly relevant after 1791. In this way it identifies a ‘Hartlean culture’ within the Romantic period and seeks to explore how such an intellectual climate influenced the radical writers William Blake (1757–1827) and Mary Wollstonecraft (1759–1797). Blake and Wollstonecraft were acquainted with the famous bookseller Joseph Johnson, who republished Observations on Man in various forms and versions between 1775 and 1801. They also had an association with Johnson’s circle; the Hartlean concepts found throughout their work evidence Hartley’s latent popularity within intellectual culture, as well as the writers’ engagement with contemporary philosophical ideas. I propose that the renewed curiosity in Hartley during the 1790s reveals a specific religious and revolutionary culture wherein non-conformist views about Christianity and new ideas about the body, emotion and women flourished. Such a cultural moment renders Hartley a particularly important figure for debate since he integrated progressive values about equality and faith alongside advancing understanding of anatomy and mind. Hartley identified how God and happiness could be found physically within each person. He did this by combining a complex theory of vibrations and theory of association, where the body and mind functioned mechanically through a person’s feelings of pleasure and pain. These feelings manifested as physical vibrations and eventually led every person to desire goodness until finally, they can become ‘Godlike’ themselves. Hartley’s amalgamation of Christian and new theoretical concepts appealed to Blake and Wollstonecraft, and was much unlike the approach of Joseph Priestley who abridged Observations in 1775 to promote a wholly ‘scientific’ text. In this way, we can see resonances between Hartley, Blake and Wollstonecraft, even if they existed in different cultural contexts. In rethinking Blake and Wollstonecraft through Hartley, I offer new insights into their feminism. In particular I attend to how Hartlean culture enabled these writers to re-imagine gender and emotion: Wollstonecraft reinstates the female experience back into Hartlean concepts in order to promote women’s emotional potential and what she understands as the special power of the female-female bond. Blake responds to both Wollstonecraft and Hartley with his elevation of the feminine, one that envisions new potential for both sexes, emotionally and spiritually. In both cases, the writers share a fascination for the image of the female saviour, and they use terminology and concepts found in Hartley’s work to communicate their views. In being attentive to the shared vocabulary and ideas of these three writers’ works, this thesis highlights the importance of David Hartley and Hartlean culture for the field of Romantic Studies. It also illuminates Observations on Man as a vital contribution to the intellectual context of the 1790s
Caeli Blake Interview
No full textCaeli Blake (Class of 2021) was interviewed by Valeria Reynosa in the Oral History Studio at Fondren Library at Southern Methodist University on March 3, 2022. Although she was born in Woodbridge, Virginia, Blake calls Fort Washington, Maryland, her home. Her most memorable experiences during childhood include her time at the Duke Ellington School of the Arts in Washington D.C., a performing arts institution. She enjoyed being able to perform throughout her early school career, especially living in the DMV (D.C., Maryland, and Virginia) region. Because she wanted to attend a university with a recognized dance program, Blake decided to go to SMU. Ms. Blake remembered hearing about the school when she came to perform for the International Association of Blacks in Dance in Dallas, Texas. While at SMU, Ms. Blake became involved in organizations like the Association of Black Students in the school and the B. Moore Dance organization in Dallas. In her interview, she described how the dance program lacked racial and ethnic diversity. However, the university selected Silas Farley to teach ballet as a Visiting-Artist in Residence in Ballet. Ms. Blake enjoyed being able to learn methods in dance from a Black teacher, the first Black educator she learned from throughout her academic journey. At the time of the interview, Ms. Blake had accepted a job offer to perform professionally outside of Texas
Job’s Gethsemane: tradition and imagination in William Blake’s illustrations for the book of job
No full textBlake created two versions of his Illustrations of the Book of Job, and it is now agreed that about twenty years separates his first watercolour series and the final engraved set of plates. The first chapter is biographical and technical: it establishes that the Butts series of water-colours was the product of the tumultuous and creative years 1805-10, following a time wh6n Blake experienced a strong sense of vision and Christian regeneration; whereas the engraved set was produced 1821-1826, at the end of his life. It also reviews all Blake's treatments of the Job theme. The friends-turned-accusers seem to have been a central pre-occupation. Blake's illustrations contain important elements which are not found in the Old Testament text. I have followed Bo Lindberg's principle that explanation should be sought in the artistic tradition, and in the work itself The second chapter concentrates on the tradition available to Blake, following and supplementing Lindberg's examination of the influence of the apocryphal Testament of Job, and of the artistic tradition of seeing Job as alter Christus and as Christian. Chapters three to five, interpreting Blake's imaginative use of this material, are new both in focussing on the Butts set, and in exploring the importance to Blake of St.Teresa, Fenelon, Mme. Guyon, Hervey and other people of prayer. Also discussed are Joseph Hallett's radical biblical commentary, of which Blake owned a copy, variant proofs discovered by Robert Essick of the first and last engraved plates, and the thirteenth century Job wall- paintings discovered in 1800 in St. Stephen's Chapel, Westminster. Blake's Job was unique in the corpus of his work. Previous studies have followed Wicksteed in concentrating on the engraved set, and no one has explored the implications of the earlier dating now agreed for the watercolour series. The thesis is essentially concerned with Blake's Christocentric theme, and Job's inner journey of prayer, in these illustrations. Conclusions drawn differ substantially from Wicksteed's
A Hundred Years of Photo Wallets:Quentin Blake Centre for Illustration's Book of the Month
No full textAn interview with Annebella Pollen, author of More Than a Snapshot: A Visual History of Photo Wallets, which was selected as the May 2023 Book of the Month by the Quentin Blake Centre for Illustration
Tiger Talk 11-15-23
No full textKatie Moore interviews Blake Woodard and Will Kaster from the DePauw football team in their first interview since Monon! Broadcast 11-15-23
Cirriformia moorei Blake
No full textCirriformia moorei Blake Cirriformia moorei Blake, 1996 Cirriformia spirabrancha non Moore, 1904 Ecology: FT Distribution: NA Habitat: ES Additional references: Dice (1969)Published as part of Glasby, Christopher J., Timm, Tarmo, Muir, Alexander I. & Gil, João, 2009, Catalogue of non-marine Polychaeta (Annelida) of the World, pp. 1-52 in Zootaxa 2070 on page 26, DOI: 10.5281/zenodo.18708
Dr. Holly Blake and Dr. Melissa Ooten - Faculty Author Interview
No full textDr. Holly Blake, Director of the WILL* program and Associate Dean for Outreach Education and Development, and Dr. Melissa Ooten, Associate Director of the WILL* Program and gender research specialist, discuss their new book, Audacious Voices: Profiles in Intersectional Feminism, published recently by She Writes Press. The book is a collection of twelve stories from WILL* alums. WILL* is a nationally recognized program for students interested in exploring gender through an intersectional lens, both in and out of the classroom. Students strengthen their leadership skills as they actively work to create a more equitable world
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