1,720,959 research outputs found
Portrait of Hugh McCrae [picture] /
Title devised by cataloguer from signature on mount.; Inscriptions: "Monteath, Melbourne ; Hugh McCrae" --In ink on mount.; Condition: Good.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an24282458; Related material: Robert Broinowski papers National Library of Australia Manuscripts section MS 599
Portrait of Alice G. Bailey [picture] /
Condition: Fair.; Title from inscription on photograph.; Inscriptions: "Alice G. Bailey" --In ink centre left. "Monteath, Melbourne"--Embossed lower right corner.; Related material: Sir Kenneth Bailey papers National Library of Australia Manuscripts section MS 4622; Related material: Personal photograph albums of Sir Kenneth Bailey National Library of Australia Pictorial section PIC/P776 Albums 665, 863, 976. Part of a collection of portraits and photographs relating to Sir Kenneth Bailey, his family and career.Mother of Sir Kenneth Bailey
Portrait of Andrew Fisher [picture] /
Title from inscription on mount.; Condition: Fair.; Inscriptions: 1. "Dear Prime Minister, At the dawn of manhood in bonnie Scotland. Andrew Fisher. Hon. W.H. Hughes, Prime Minister, 1915." --In pencil below image. "Taken in 1879" --In pencil on reverse. 1. & 2. "Fred H. Monteath, 75 Swanston St. Melb." --Printed lower right on mount.; Exhibited: Scottish Australia, Art Gallery of Ballarat, Mid July - late July 2014
[Portrait of Kenneth Binns, 3 ] [picture]
Title devised by cataloguer.; Inscription: "Monteath, Melbourne" --Embossed on lower right corner. "62" --Stamped on reverse.; Condition: Good
Portrait of Elizabeth, Esther and Betty Paterson, wife and daughters of Hugh Paterson [picture] /
Inscriptions: "Photograph by F. Monteath, Melbourne" --Printed bottom centre. "Elizabeth Paterson, Esther & Betty Paterson, wife & daughters of Hugh Paterson" --In pencil on reverse.; Condition: Good, but small tear on centre left of mount.; Title from inscription on reverse.; Related material: Paterson family papers; National Library of Australia Manuscripts section MS 6882. Part of a collection of portraits of various members of the Paterson family of artists as well as unidentified portraits of other people
Portrait of Lindsay Bernard Hall, Melbourne, ca. 1910 [picture] /
Title from inscription on reverse of mount.; "Photograph by F. Monteath, Melbourne" -- On label on mount.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an2874311
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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