1,721,034 research outputs found
M. Orans, Not Even Wrong : Margaret Mead, Derek Freeman, and the Samoans
No full textMonnerie Denis. M. Orans, Not Even Wrong : Margaret Mead, Derek Freeman, and the Samoans. In: L'Homme, 1997, tome 37 n°143. Histoire d'homme Jean Pouillon. pp. 219-220
Réponse à Martin Orans
No full textMonnerie Denis. Réponse à Martin Orans. In: L'Homme, 1998, tome 38 n°148. Lignage, mariage, héritage. pp. 251-252
Alban Bensa & Jean-Claude Rivierre, Les Filles du Rocher Até. Contes et récits Paid
No full textMonnerie Denis. Alban Bensa & Jean-Claude Rivierre, Les Filles du Rocher Até. Contes et récits Paid. In: L'Homme, 1999, tome 39 n°150. De la différence et de l'exlcusion. pp. 295-297
M. Houseman & C. Severi, Naven ou Le donner à voir. Essai d'interprétation de l'action rituelle
No full textMonnerie Denis. M. Houseman & C. Severi, Naven ou Le donner à voir. Essai d'interprétation de l'action rituelle. In: L'Homme, 1998, tome 38 n°148. Lignage, mariage, héritage. pp. 268-270
Alban Bensa & Jean-Claude Rivierre, Les Filles du Rocher Até. Contes et récits Paid
No full textMonnerie Denis. Alban Bensa & Jean-Claude Rivierre, Les Filles du Rocher Até. Contes et récits Paid. In: L'Homme, 1999, tome 39 n°150. De la différence et de l'exlcusion. pp. 295-297
Documentary dialogic photography : an approach covering artistic, political and anthropological perspectives
No full textLa dialogie a été développée dans les années 1920 par Mikhaïl Bakhtine, théoricien russe de la littérature. Il a développé ce concept afin d’étudier les oeuvres de Dostoïevski, avant de l’étendre plus généralement à la communication. Dans le contexte artistique, la dialogie se manifeste à travers la représentation de dialogues, favorisant une description dense et des réponses non totalisantes. Dans la photographie documentaire, l’auteur.e adopte une approche dialogique, en reconnaissant l'autre comme un sujet autonome. L'oeuvre résulte d'une interaction constante avec les interlocuteur.ice.s du terrain. Cette thèse explore l'approche dialogique dans la photographie documentaire à travers une perspective ethnographique, méthodologique et épistémologique. La première partie se concentre sur mon terrain de 2012 à 2017 avec un groupe de "zonard.e.s" : le projet ZONE 54. La seconde partie établit des liens entre les principes de la dialogie, le projet ZONE 54, et d'autres documentaires dialogiques de photographes tels qu’Allan Sekula, Susan Meiselas, Marc Pataut et Gilles Saussier.Dialogy was developed in the 1920s by the Russian literary theorist Mikhail Bakhtin. He developed the concept in order to study the works of Dostoyevsky, before extending it more generally to communication. In the artistic context, dialogy entails the representation of dialogues, favoring thick description and non-totalizing responses. In documentary photography, the author adopts a dialogic approach, recognizing the other as an autonomous subject. Dialogic works promote sustained interaction with the interlocutors in the field.This thesis explores the dialogic approach in documentary photography from an ethnographic, methodological and epistemological perspective. The first part focuses on my own fieldwork from 2012 to 2017 with a group of "zonard.e.s": the ZONE 54 project. The second part links the fundamental principles of dialogy, the ZONE 54 project, and other dialogic documentary works by such photographers as Allan Sekula, Susan Meiselas, Marc Pataut and Gilles Saussier
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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