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    Le théâtre de Marivaux, une « phénoménologie du cœur » ?

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    Monique Jutrin-Klener : The theatre of Marivaux — A «Phenomenology of the heart » ? This article studies Marivaux's theatre in the light of Hegelian thought as expressed in the Phenomenology of the Spirit. The author suggests that Marivaux's theatre is ' phenomenological ' in the Hegelian sense of the term. She emphasizes the analogy between the Hegelian process and the development of Marivaux's characters, and examines several ' Hegelian situations ' in his theatre : surprise and self-awareness, love and recognition, and especially the dialectic of master and slave. After the initial surprise, the characters progress, through various trials and by means of dialogue and a dialectic movement, towards the discovery of the truth.Jutrin Monique. Le théâtre de Marivaux, une « phénoménologie du cœur » ?. In: Dix-huitième Siècle, n°7, 1975. pp. 157-179

    Benjamin Fondane, Images et Livres de France, traduit du roumain par Odile Serre, présentation de Monique Jutrin

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    Vanhese Gisèle. Benjamin Fondane, Images et Livres de France, traduit du roumain par Odile Serre, présentation de Monique Jutrin. In: Romantisme, 2003, n°119. Le privé et le social. pp. 110-111

    Benjamin Fondane, Images et Livres de France, traduit du roumain par Odile Serre, présentation de Monique Jutrin

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    Vanhese Gisèle. Benjamin Fondane, Images et Livres de France, traduit du roumain par Odile Serre, présentation de Monique Jutrin. In: Romantisme, 2003, n°119. Le privé et le social. pp. 110-111

    Benjamin Fondane: au cœur de l'écœurement, les aventures d'une pensée existentielle et l'avant-gardisme européen

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    Benjamin Fondane : au cœur de l’écœurement, les aventures d’une pensée existentielle et l’avant-gardisme européen. – In: Rencontres autour de Benjamin Fondane, poète et philosophe / éd. par. Monique Jutrin. – Paris : Paroles et silence, 2003. – S. 61-7

    Benjamin Fondane: Portrait of a Jew and a Poet

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    Beyond the Avant-Garde: Benjamin Fondane

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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Self-Portrait in Fondane's Poetry

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