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A pandemic shakes our pedagogy: Attempts to honour the integrity of a South African tertiary institution’s Applied Drama and Theatre curriculum in online learning platforms as a result of COVID-19
No full textA thesis submitted in fulfilment of the degree of Doctor of Philosophy to the Wits School of Arts, Faculty of Humanities, University of the Witwatersrand, Johannesburg, 2023.A pandemic shook our pedagogy. The arrival of COVID-19 changed the face of higher education in South Africa and in many parts of the world. As an Applied Drama and Theatre department whose work is predominantly embodied and experiential, we were faced with the question: How do we migrate our kind of work online and honour its fundamental objectives? A characteristic Applied Drama and Theatre practice is embedded in principles of participation and collaboration, reflection through praxis and immersion in social contexts. All of these are largely experienced with physically present bodies in a common space for the purposes of social transformation and education. Due to the pandemic, the effects of the digital divide were rapidly exposed and its limitations on access, connectivity and synchronicity delayed the progress of teaching and learning. Can we honour the integrity of the complete Applied Drama and Theatre pedagogy online and remotely, especially when the digital divide impacts connection with students and the marginalised communities that the pedagogy is suited for? While we acknowledged that digitising our educational practices had become a progressive necessity, would online learning alone be sufficient for the teaching and learning of embodied curricula? Through ethnographic case study and as teaching assistant, I observed University of the Witwatersrand’s Drama for Life department and their Applied Drama and Theatre educators during their encounter of the COVID-19 pandemic and lockdown periods of 2020 and 2021. By use of interviews, field notes and documentation, this study inquired how we reacted to the pandemic and its anticipated implications on the pedagogy and the academic programme. Furthermore, I established the evident threats that online learning poses to the pedagogy and investigated the disconcerting effects of the digital divide on student access and content delivery. Central to the study is the exploration of these educators’ practical strategies and collective approaches in maintaining the integrity of the Applied Drama and Theatre pedagogy. Through a journey of trial and error, the department and its educators were tasked to re-envision the pedagogy and negotiate appropriate multimodal online modes of delivery, in efforts to save the academic programme and achieve its pedagogical intentions. Even though the data and literature demonstrate the possibilities of migrating similar pedagogies online, remote learning has certainly compromised the practical and physical demands of a conventional Applied Drama and Theatre experience. Additionally, even though the theoretical components could be negotiated online, the findings highlighted that the pedagogical objectives as a whole were fragmented. Thus, in the case of the professionalisation of students and the provision of the full Applied Drama and Theatre pedagogy – the educators’ efforts fell short. The pedagogy, though shaken, still stands. The study concludes that the pedagogy is highly dependent on uninterrupted physical presence and even if the digital divide is managed its integrity remains tainted without connection. The findings emphasise that we cannot do away with contact teaching post-pandemic and any idea of a pedagogical utopia requires a carefully negotiated balance of appropriately designed online and offline approaches. The discussions and findings in this study do not only impact the Applied Drama and Theatre fraternity, departments and practitioners alike, but also shed light on the available possibilities for other multidimensional pedagogies. Institutions are encouraged to take the full repertoire of the pedagogy into account when designing their Learning Management Systems, to provide adequate support for staff and student training and their digital affordances. Moreover, it is noteworthy to address the feasibility and equity of online learning within a particular South African context as a whole.National Research Foundation of South Africa - NRFMM202
The role of drama in education in fostering a soft skills curriculum in the paperless classroom of South African primary schools
No full textA Research Report submitted in Partial Fulfillment of the Requirements for the Degree of
Master of Art in Applied Drama and Theatre Studies to the University of the Witwatersrand
University of the Witwatersrand
Faculty of Humanities
Wits School of the Arts
2019We welcome the Fourth Industrial Revolution (4IR) and its technological advancement with open arms. Well, we do not have much of a choice because whether we like it or not, it plans to stay. With this digital progression, South African educational bodies migrate its educational framework to the ‘paperless classroom’: a teaching and learning transition from pen and paper to blended learning (technologically enhanced) systems (Shonfeld & Meishar-Tal 2017:185).
Emerging conversations around 4IR have one wondering what this educational shift will result in, especially around our human connection and interaction. I question the implications of the paperless classroom and its technologies on a learner’s interpersonal aptitudes and how it will achieve the development of a holistic learner. The research warns that the paperless classroom may put a higher value on hard (technical) skills over soft (interpersonal) skills, which may result in learners’ limited ability to foster positive relations, communication and collaborative effort (Elmore, 2014).
Using a summative evaluation through an analytic approach, I present the possibilities of introducing Drama in Education as a relevant and dynamic educational strategy in the paperless classroom, alongside the voices of practitioners, researchers and educational specialists. Although the research is not conducted practically, it proposes that when specific Drama in Education strategies are successfully implemented by educators, they may further motivate a soft skills enhancing curriculum. This may foster a beneficial hard-soft skill balance in the learner.
The research is catalyzed by the observation of a leading paperless primary school, in their Blended Learning Facility and focuses on their endeavors to create an alternative educational experience. I investigate the school’s paperless model, identify possible gaps and recommend Drama in Education as a mediating learning instrument. Finally, in the commitment to hone in on a holistic individual in an ever-changing educational environment, this transformational approach to education is recommended to core educational bodies in South Africa for consideration.M T 201
Lessons learnt from teaching an Applied Drama and Theatre pedagogy online in a digitally divided South Africa
Get PDFAn Applied Drama and Theatre pedagogy is rooted in principles of embodiment, participation and collaboration, praxis and immersion in social contexts. Over the past fourteen years, the Drama for Life department at the University of the Witwatersrand prioritised the implementation of an Applied Drama and Theatre teaching andclearning practice that is premised on our bodies operating within social and cultural contexts. Furthermore, the experiential pedagogy is reliant on physical presence and human contact for the purposes of reflection, transformation and education. With the arrival of the COVID-19 pandemic, this complex pedagogy faced a threat. How can we migrate an Applied Drama and Theatre curriculum to online learning platforms? Can we fully honour its pedagogical objectives remotely? The study explored how Applied Drama and Theatre educators re-envisioned and implemented strategies to maintain the integrity of the embodied pedagogy as it moved online. These collective approaches transpired amidst a disruptive digital divide within a South African context, which impacted connectivity, access and the hopes of a synchronous learning experience. From 2020 to 2021, the ethnographic study tracked and observed Drama for Life and its Applied Drama and Theatre educators as they; 1) responded to the pandemic and identified its threats to the pedagogy; 2) through processes of experimentation, transitioned the curriculum to online learning platforms; and 3) reflected on their discoveries, challenges and interim solutions throughout the journey. The study found (based on literature and data) that the pandemic provided higher education institutions and practitioners with an opportunity for directed change. Central to the collective strategies remained student centredness and pedagogical alignment. Although certain aspects of the Applied Drama and Theatre pedagogy have undeniably been compromised online, the study demonstrated that with increased efforts to bridge the digital divide, the strategies can be navigated continually with a carefully negotiated balance
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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