1,720,981 research outputs found

    Numerical Quadrature for Singular Integrals on Fractals

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    We present and analyse numerical quadrature rules for evaluating regular and singular integrals on self-similar fractal sets. The integration domain Rn\mathbb{R}^n is assumed to be the compact attractor of an iterated function system of contracting similarities satisfying the open set condition. Integration is with respect to any ``invariant'' (also known as ``balanced'' or ``self-similar'') measure supported on Γ\Gamma, including in particular the Hausdorff measure Hd\mathcal{H}^d restricted to Γ\Gamma, where dd is the Hausdorff dimension of Γ\Gamma. Both single and double integrals are considered. Our focus is on composite quadrature rules in which integrals over Γ\Gamma are decomposed into sums of integrals over suitable partitions of Γ\Gamma into self-similar subsets. For certain singular integrands of logarithmic or algebraic type we show how in the context of such a partitioning the invariance property of the measure can be exploited to express the singular integral exactly in terms of regular integrals. For the evaluation of these regular integrals we adopt a composite barycentre rule, which for sufficiently regular integrands exhibits second-order convergence with respect to the maximum diameter of the subsets. As an application we show how this approach, combined with a singularity-subtraction technique, can be used to accurately evaluate the singular double integrals that arise in Hausdorff-measure Galerkin boundary element methods for acoustic wave scattering by fractal screens

    SPURIOUS QUASI-RESONANCES IN BOUNDARY INTEGRAL EQUATIONS FOR THE HELMHOLTZ TRANSMISSION PROBLEM

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    We consider the Helmholtz transmission problem with piecewise-constant material coefficients and the standard associated direct boundary integral equations. For certain coefficients and geometries, the norms of the inverses of the boundary integral operators grow rapidly through an increasing sequence of frequencies, even though this is not the case for the solution operator of the transmission problem; we call this phenomenon that of spurious quasi-resonances. We give a rigorous explanation of why and when spurious quasi-resonances occur and propose modified boundary integral equations that are not affected by the

    Acoustic transmission problems: wavenumber-explicit bounds and resonance-free regions

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    We consider the Helmholtz transmission problem with one penetrable star-shaped Lipschitz obstacle. Under a natural assumption about the ratio of the wavenumbers, we prove bounds on the solution in terms of the data, with these bounds explicit in all parameters. In particular, the (weighted) H1H^1 norm of the solution is bounded by the L2L^2 norm of the source term, independently of the wavenumber. These bounds then imply the existence of a resonance-free strip beneath the real axis. The main novelty is that the only comparable results currently in the literature are for smooth, convex obstacles with strictly positive curvature, while here we assume only Lipschitz regularity and star-shapedness with respect to a point. Furthermore, our bounds are obtained using identities first introduced by Morawetz (essentially integration by parts), whereas the existing bounds use the much-more sophisticated technology of microlocal analysis and propagation of singularities. We also recap existing results that show that if the assumption on the wavenumbers is lifted, then no bound with polynomial dependence on the wavenumber is possible.Comment: 26 pages, 2 figure

    Density results for Sobolev, Besov and Triebel–Lizorkin spaces on rough sets

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    We investigate two density questions for Sobolev, Besov and Triebel–Lizorkin spaces on rough sets. Our main results, stated in the simplest Sobolev space setting, are that: (i) for an open set Ω ⊂ R^n, D(Ω) is dense in {u ∈ H^s(Rn) : supp u ⊂ Ω} whenever ∂Ω has zero Lebesgue measure and Ω is “thick” (in the sense of Triebel); and (ii) for a d-set Γ ⊂ R^n (0 < d < n), {u ∈ H^s1(R^n) : supp u ⊂ Γ} is dense in {u ∈ H^s2(R^n) : supp u ⊂ Γ} whenever −(n−d)/2−m−1 < s2 ≤ s1 < −(n−d)/2−m for some m ∈ N_0. For (ii), we provide concrete examples, for any m ∈ N_0, where density fails when s1 and s2 are on opposite sides of −(n−d)/2−m. The results (i) and (ii) are related in a number of ways, including via their connection to the question of whether {u ∈ H^s(R^n) : supp u ⊂ Γ} = {0} for a given closed set Γ ⊂ Rn and s ∈ R. They also both arise naturally in the study of boundary integral equation formulations of acoustic wave scattering by fractal screens

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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