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    The Ethnographer as Conceptual Persona: On the Many Shopping Centres

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    There is a long tradition of ethnographic work that is premised upon the reflexive acknowledgement that the ethnographer changes, grows, and develops as they learn about and experience the field, enabling them to form new connections, associations, and relations to the actors within it. Yet the figure of the ethnographer, imbued with coherency and author(ity), means that there is always an assumed fixity and stability to the field, as it is observed by a subject that is understood to be reflexively aware of its own becomings and yet still an unchanging entity that observes the fieldsite. In this chapter, we present an ethnographic account of a shopping centre as experienced by various ‘conceptual personae’. Drawing on the work of Deleuze and Guattari (1994), we will develop an account of how conceptual personae make available different shopping centres, by allowing new connections and disconnections, conjunctions and disjunctions, associations and dissociations, giving rise to their own concepts and imminently produced ways of knowing. We will explore the shopping centres of the disembodied, the insomniac, and the paramnesiac, each of which offers different ways of noticing a shopping centre and the capitalist milieu of which it is a part

    Storying against hope in the anthropocene: On the mechanology of hyperstitions

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    Nick Land (2012) once described hyperstitions as “semiotic productions that make themselves real” – stories that actualize themselves and produce their own realities, imagining new futures for us all. As the full effects of human industrial civilization continue to unveil themselves in the anthropocene as the beginnings of a process that will soon render the planet Earth uninhabitable, it becomes essential to track the stories that are developing and expanding their own mutant machinic systems of reproduction, in order to understand what futures will have been available to us. In this chapter we seek to become students of the mechanisms of the replicative processes of some of the hyperstitions that are at work in organizations, individual and collective, of the anthropocene. To do this we will track the imbrication of a series of stories of Thomas the fieldmouse, a meeting about something called “sustainable innovation”, and journal entries about a mall that lives forever at the end of the world, in order to understand hyperstitions and the role that they can play in the storying of the future

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Leadership and Schizoanalysis

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    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Understanding microfascism: reading Deleuze and Guattari alongside management guru texts

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    The ‘management guru’ text has long been a source of interest for academic audiences. In this tradition, this paper argues that the content and underpinning ideology of the guru guide hold important insights for organizational scholars interested in the works of Gilles Deleuze and Felix Guattari (and vice versa). Specifically, this paper will demonstrate that a close reading of entrepreneur and guru, Tim Ferriss’s, Tools of Titans, can provide meaningful exegesis and development of the concept of ‘microfascism’ presented by Deleuze and Guattari across their shared and independent corpuses. Building upon extant organization studies literature, this paper will endeavour to contribute to the commentary on the management guru by suggesting that the desire for fascism, power, conformity, and rule-following of which Deleuze and Guattari speak offers a productive way of understanding the success of the management guru and the broader allure of the management advice industry

    Unthinking images of time in organizations: ‘The shopping centre keeps time with a rubato waltz’

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    Drawing on a recent ethnographic enquiry, this article reports on a series of encounters with organization at a British shopping centre that can shed light on the ways in which time is understood by organizational scholars. This article argues that research on time has a tendency to reproduce certain images and metaphors which indicate an unquestioned set of metaphysical assumptions about the nature of time that dictate how it can be understood. These habits of thinking time render organization studies unable to conceptualize or adequately describe the encounters that characterize ethnography as a mode of research inquiry. As such, following in the tradition of Gilles Deleuze, this article advances the idea of a ‘conceptual entanglement’ and suggests thereby that the problem of time is an aesthetic one which is part of a complex and almost ineffable series of sensoria and connections; describable only by saying that the shopping centre keeps time with a rubato waltz. This work of unthinking time will be presented as a part of an account of ethnography as the tracing and parsing of the entanglements of many different concepts and field encounters

    Stories and Organization in the Anthropocene: A Critical Look at the Impossibility of Sustainability

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    This book is about the stories being told in the Anthropocene. Stories of irreparable damage being done to the global ecosystem, of sustainable growth, of dystopian collapse, of continued interspecies flourishing, of Gaia, and of accelerating capitalism’s dynamics in order to discover its outside. Stories of change. Stories of hope. Against them all, this book seeks to braid together a particular thread of storying in order to speak to the emergence of the mall at the end of the world; a space where a new politics of “spectral capitalism” is played out. In doing so, we reflect that there never was any outside to Capital, that it can live forever, its performances and spectacles being preserved despite global ecological collapse. This book seeks to understand the nascence of the mall at the end of the world and the new people, thoughts, and dreams that come with it
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