1,720,959 research outputs found
The trauma of gender a feminist theory of the English novel
Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel principally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The intimacy which is knowledge : female friendship in the novels of women writers
The thesis offers a historical account of the
representation of friendship in the novels of English
women writers from the nineteenth century to the
present. Questioning the prevalent understanding of the
history of women's friendship in terms of a single major
rupture, from nineteenth-century 'innocence' to
twentieth-century 'guilt', the thesis identifies
narrative configurations which recur throughout this,
period, and which define friendship as a formative
learning experience integrally related to the
acquisition of gendered identity. It concludes that
there can be no final and 'perfect' representation of
friendship, since the nature of the "knowledge' shared
has continually shifted in relation to changing
understandings of femininity.
Chapter 1 identifies the origins and nature of the
Victorian concept of the "second self", in which the
friend acts as the mirror of, and means of access to, an
idealised female subjectivity. Chapter 2 analyses the
ways in which this concept informs the narrative
patterns and rituals in Victorian fictions of
friendship. Chapter 3 offers a new reading of novels by
Elizabeth Gaskell, George Eliot and Charlotte Bronte, in
which the conventions identified in Chapter 2 are
adapted to question the existing boundaries of feminine
identity. Chapter 4 examines the impact of changes in
women's education upon the representation of friendship
in turn-of-the-century feminist and anti-feminist
novels, and in a new genre, the school story for girls.
Chapter 5 shows that the scientific construct of
lesbianism produced a new distinction between the
'healthy' and the 'unhealthy' relationship, but that the
terms of this distinction were contested; in
twentieth-century novels of the 'gyriaeceum', the
tradition continues, but is newly eroticised. Chapter 6
looks at friendship as 'revision' in recent English and
American novels, in which earlier configurations are
redeployed in the light of contemporary feminist concern
to recuperate and re-imagine the past
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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