1,946 research outputs found
"L'eternità dei corpi. Per un'ipotesi evoluzionistica della specie"
Il corpo come metafora di una condizione complessa e molteplice che riguarda mutazioni e cambiamenti è stato lo spunto per organizzare nel 2001 un Convegno sul tema della modificazione (dei linguaggi e dei modi di operare) in architettura, a cura di Antonino Terranova e Alessandra Criconia presso il Dipartimento di Architettura e Analisi della Città della Università di Roma "La Sapienza". IL testo prende in esame la questione della trasformazione in architettura come inevitabile condizione dell ́essere e del crescere per animare il dibattito che riguarda la conservazione e quindi l ́immutabilità dei centri storici italian
Lettera di Alessandra
Un ritratto critico dell'opera di Alessandra Carnaroli, autrice fra le più apprezzate delle ultime generazioni della poesia di ricerca. La sezione a lei dedicata, nel numero della rivista, contiene inoltre saggi di Cecilia Bello Minciacchi, Andrea Cortellessa, e Ivan Schiavone; e vari inediti dell'autrice. Il saggio è pubblicato con lo pseudonimo di Tommaso Ottonieri.A critical portrait of the work of Alessandra Carnaroli, author of the most appreciated in the latest generations of italian research poetry. Published under the pseudonym Tommaso Ottonieri
Brian Friel. Teatro - volume 1
Il volume raccoglie in traduzione italiana alcuni drammi di Brian Friel che affrontano in modi diversi ma complementari quella difficoltà a riconoscersi in un’identità stabile che, accanto alla riflessione sull’inaffidabilità del racconto e sull’incapacità di rappresentare con la parola il mondo, sono stati temi centrali nell’opera del drammaturgo irlandese. Le traduzioni dei tre anni unici dei primi anni Duemila – “The Yalta Game” (“Il gioco di Jalta”), “The Bear” (“L’orso”) e “Afterplay” (“Postludio”) – sono a cura di Alessandra Ruggiero, che ha contribuito al volume anche con il saggio introduttivo “Il teatro di Brian Friel: la magia della parola”. Questi drammi, che sono versioni in inglese irlandese di alcune opere di Chechov, costituiscono un importante strumento di decolonizzazione intellettuale e sottolineano l’esigenza che Friel sentiva di stabilire un’estetica indipendente per il teatro irlandese
Selected letters of Alessandra Strozzi
The letters of Alessandra Strozzi provide a vivid and spirited portrayal of life in fifteenth-century Florence. Among the richest autobiographical materials to survive from the Italian Renaissance, the letters reveal a woman who fought stubbornly to preserve her family's property and position in adverse circumstances, and who was an acute observer of Medicean society. Her letters speak of political and social status, of the concept of honor, and of the harshness of life, including the plague and the loss of children. They are also a guide to Alessandra's inner life over a period of twenty-three years, revealing the pain and sorrow, and, more rarely, the joy and triumph, with which she responded to the events unfolding around her.This edition includes translations, in full or in part, of 35 of the 73 extant letters. The selections carry forward the story of Alessandra's life and illustrate the range of attitudes, concerns, and activities which were characteristic of their author
Challenging the author: Gavin Douglas's Eneados
Gavin Douglas’s Eneados, a translation into the “Scottis” tongue of Virgil’s Aeneid, completed in 1513 and first published in London in 1553, presents, as well as the translation of the additional thirteenth book by Maphaeus Vegius, original prologues and marginal notes to the text, rubrics and articulate conclusive material. The present paper analyses this complex paratext as evidence of Douglas’s almost philological attention to the original and his preoccupation with a faithful reproduction; it is also suggested that the models for his organization of the commentary might be both medieval (i.e., manuscripts such as Petrarch’s Virgilius Ambrosianus) and early modern, as in the case of editions of classical works: the most apt example being Jodocus Badius Ascensius’ edition of the Aeneid, printed in 1501. The Eneados thus stands on the threshold between manuscript and print, and might have indicated new possibilities of use of the printing medium in Scotland, and of the value of the translation of a classical text, had history not intervened with the Scottish defeat at Flodden Fields in 1513, which put a temporary stop both to the circulation of the Eneados and to the development of Scottish printing
Esequie nel Duomo di Milano per la regina di Sardegna Giovanna Polissena Cristina, 1735
Questa sezione del catalogo comprende tre schede con l’analisi di altrettante incisioni relative alle esequie per la regina di Sardegna Giovanna Polissena Cristina, tenutesi nel Duomo di Milano nel 1735. Con l’ausilio anche della relazione a stampa dell’evento e di altre fonti documentarie, si descrive il corteo funebre che si snodò dal palazzo Regio Ducale al duomo; si illustrano e analizzano gli apparati in facciata e all’interno del duomo, nonché il catafalco. Si chiariscono i significati di simboli e allegorie presenti, nonché dell'intero rito, in cui permangono seppur in modi più pacati, le tracce di quello che storici e antropologi chiamano ‘culto regale
Aggiornamento al Commento degli artt. 1230-1259 c.c. (Titolo I, Capo IV, Dei modi di estinzione diversi dall'adempimento: Della novazione; Della remissione; Della compensazione; Della confusione; Dell'impossibilità sopravvenuta per causa non imputabile al debitore)
Commento degli artt. 1230-1259 c.c. (Titolo I, Capo IV, Dei modi di estinzione diversi dall'adempimento: Della novazione; Della remissione; Della compensazione; Della confusione; Dell'impossibilità sopravvenuta per causa non imputabile al debitore
Nicetas Nicaenus, De azymis
The RAP online repertorium offers the first comprehensive catalogue of polemical literature related to the schism between the Roman Catholic and Orthodox Churches from the 9th to the 16th century and can be described as an ideal continuation of the *Clavis Patrum*.
Each entry identifies the work (often unpublished or newly discovered in manuscript catalogs), lists its various titles (since medieval texts often lack stable titles), provides incipit and explicit (with possible variations), and examines the manuscript tradition and foliation (by reviewing catalogs or manuscripts, verifying dates, folios, etc.). It also includes relevant bibliography (critical editions and studies), identifies the author (using prosopographical studies, dictionaries, repertories, sigillography, etc.), and provides essential biographical details. Each work is classified by literary genre (e.g., treatise, dialogue), the corresponding Byzantine term, and the main polemical themes (e.g., Filioque, Azymes, Purgatory), and is assigned a unique RAP identification number.
The Repertorium Auctorum Polemicorum is identified by the International Standard Serial Number (ISSN) 3035-2096 [continuously updated publication
Polemica scripta anonyma, Dialogus inter Graecum et Cardinales quosdam de processione Spiritus Sancti
The RAP online repertorium offers the first comprehensive catalogue of polemical literature related to the schism between the Roman Catholic and Orthodox Churches from the 9th to the 16th century and can be described as an ideal continuation of the *Clavis Patrum*.
Each entry identifies the work (often unpublished or newly discovered in manuscript catalogs), lists its various titles (since medieval texts often lack stable titles), provides incipit and explicit (with possible variations), and examines the manuscript tradition and foliation (by reviewing catalogs or manuscripts, verifying dates, folios, etc.). It also includes relevant bibliography (critical editions and studies), identifies the author (using prosopographical studies, dictionaries, repertories, sigillography, etc.), and provides essential biographical details. Each work is classified by literary genre (e.g., treatise, dialogue), the corresponding Byzantine term, and the main polemical themes (e.g., Filioque, Azymes, Purgatory), and is assigned a unique RAP identification number.
The Repertorium Auctorum Polemicorum is identified by the International Standard Serial Number (ISSN) 3035-2096 [continuously updated publication
Theophylactus Bulgariae archiepiscopus, Allocutio ad quemdam ex suis familiaribus de iis quorum Latini incusantur
The RAP online repertorium offers the first comprehensive catalogue of polemical literature related to the schism between the Roman Catholic and Orthodox Churches from the 9th to the 16th century and can be described as an ideal continuation of the *Clavis Patrum*.
Each entry identifies the work (often unpublished or newly discovered in manuscript catalogs), lists its various titles (since medieval texts often lack stable titles), provides incipit and explicit (with possible variations), and examines the manuscript tradition and foliation (by reviewing catalogs or manuscripts, verifying dates, folios, etc.). It also includes relevant bibliography (critical editions and studies), identifies the author (using prosopographical studies, dictionaries, repertories, sigillography, etc.), and provides essential biographical details. Each work is classified by literary genre (e.g., treatise, dialogue), the corresponding Byzantine term, and the main polemical themes (e.g., Filioque, Azymes, Purgatory), and is assigned a unique RAP identification number.
The Repertorium Auctorum Polemicorum is identified by the International Standard Serial Number (ISSN) 3035-2096 [continuously updated publication
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