1,720,959 research outputs found
Aesthetics, Modernity, and Trauma: Public Art and the Memory of War in Contemporary China
No full textin Vishakha Desai, ed., Asian Art History in the Twenty-First Century (Williamstown, MA: Sterling and Francine Clark Art Institute, 2008)
Picturing victory: the visual imaginary of the War of Resistance, 1937-1947
No full textThe Sino-Japanese War of 1937-1945 has not been sufficiently understood as a narrative in its own right, but rather, as a transitional conflict between Nationalist and Communist rule. The examination of the visual imagery of warfare disseminated through newsprint and books is one way to reinterpret the history of this period. Through a close reading of images printed in a Shanghai newspaper, Zhonghua ribao, during the final days of the battle for the city in 1937, we see how the news was shaped to impose a narrative of order with a positive teology at a time when China was plunged into chaos with no guarantee of the eventual outcome of the war. The nature of this narrative is explored through examination of images of the body, as well as the positioning of images in the context of the printed page. The conclusion then contrasts these images with a pictorial history of the Sino-Japanese War published during the Civil War, in 1947. It suggests that although this book is able to bring narrative closure to the earlier conflict, its own narrative is imbued with an unease caused by the reality of the new war that had broken out within months of the ending of the war against Japan, and suggests that narrative closure is never truly obtained
Maps, minds and visions: Chiang Kaishek, Mao Zedong and China’s place in the world
No full textin J Wright and S Casey ed , ‘Mental Maps’ of the Era of Two World Wars (Basingstoke: Palgrave, 2008
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Maoism in the Cultural Revolution: A Political Religion?”
No full textin Robert Mallett, John Tortorice and Roger Griffin, ed., The Sacred in Twentieth-Century Politics: Essays in Honour of Professor Stanley G. Payne (Basingstoke: Palgrave, 2008)
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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