3,494 research outputs found
Das ist de Deme De ist gern Phlume
No full textSong performed Fall 1963.Collected by: Mary A. Mitchell
Herman Wiederkehr
Wine Cellars, Inc., Altus
Fall, 1963
Das ist de Deme De ist gern Phlume Depeid who neh de seid go stille Und de chlie chlie laekers Bub hets vater und mutter g seidFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Ritti ritti rossli z bade stod a
No full textVoiceSong performed Fall 1963.Collected by: Mary A. Mitchell
Herman Wiederkehr
Wine Cellars, Inc., Altus
Fall, 1963
Ritti ritti rossli z bade stod a schlossli z herisaw a glake hais gug sit drei Mari li drus, Emi spinet Tide die drit flneht Haber Stroi - Phuti Gott mis SchatzliFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Do siet er em henschen an Felsen gebant,
No full textVoiceSong performed Fall 1963. Continues Eine Strauschers..Collected by: Mary A. Mitchell
Herman Wiederkehr
Wine Cellars, Inc., Altus
Fall, 1963
Do siet er em henschen an Felsen gebant, van reben urn rancket van trachen um laubt, cont tehts ihm gefallen do zieht er sich hien aber vant muss er wieder must weiter ziehn - aber vant muss er wieder muss weiter ziehuuFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Em Liebliches Matchen das redet ihn ahn
No full textVoiceSong performed Fall 1963.Collected by: Mary A. Mitchell
Herman Wiederkehr
Wine Cellars, Inc., Altus
Fall, 1963
Em Liebliches Matchen das redet ihn ahn Sein Freundit Wilkomen do wauders mann Sie siet ihm ins auge er drisckt ihn die hand aber fant muss er wieder muss weiter ziehu Abr vant muss er wieder in ein Frencles LandFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Wei der Sehnee van den Alpen
No full textVoiceSong performed Fall 1963.Collected by: Mary A. Mitchell
Herman Wiederkehr
Wine Cellars, Inc., Altus
Fall, 1963
Wei der Sehnee van den Alpen meder taut md dasi She blaiedem Himel shaut Weirs der Adler treiset ubiem Walken meli schau dich Oh L iehi Heimat Teure Heimat Shank ich dich Wohl mimes mehi Like Heimat Temre Heimat Show ich dich Wohlumen mikeFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Eine strauschers ann hut und em stab
No full textVoiceSong performed Fall 1963.Collected by: Mary A. Mitchell
Herman Wiederkehr
Wine Cellars, Inc., Altus
Fall, 1963
Eine strauschers ann hut und em stab in der hand ziet rast las em wanderer van lande zu land. Er siet so monch Berge er siet manhers ant aber vont muss ei wieder muss weiter zien. i aber vort muss er wieder muss weiter ziehnFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
German folk songs; Vo mine berge mus I scheide
No full textVoiceCollected by: Mary A. Mitchell
Herman Wiederkehr
Wine Cellars, Inc., Altus
Fall, 1963
Vo miehue berge muss I scheide Wohs gar so lieblick ist umd schaki chan nimer in die hirmat Bleibe muss in die weite Ferne gehn zun trals lio lo tra li a lo la zuni train liea lo
Tralin an morge frue wenn zuve Lacht und sick alles
lustig macht gohni zu de chiheu usse
und elosmer aunnt grusse zu dine chiclne
ref der alu o dass ist E fieude
zun trals lio lo tra li a lo la zune
train liea loFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Author Talk: Daniel Herman Discusses His Novel, The Feudist
No full textPoster for an event where CWU History professor Daniel Herman discusses his historical novel The Feudisthttps://digitalcommons.cwu.edu/libraryevents/1223/thumbnail.jp
“The Pondering Repose of If”: Herman Melville’s Literary Exegesis
No full textThis study examines how Herman Melville’s oeuvre interacts with Old Testament (OT) wisdom literature (the Books of Job, Proverbs, and Ecclesiastes). Using recent historical findings on the rise of religious skepticism and the erosion of Biblical authority in both Europe and the United States, I read Melville as an author steeped in the theological controversies of the eighteenth-century. Specifically, I am interested in teasing out the surprising disavowals of overt religious skepticism in Melville’s writing. By tracing the so-called Solomonic wisdom tradition throughout Melville’s oeuvre, I argue that Melville had developed an epistemology of contemplation towards that body of Biblical texts. Scholarship has traditionally painted Melville as a subversive if not downright skeptical religious thinker. Most studies have produced authorial readings, using texts as forensic evidence to make assertions about the author’s psychology. Incidentally, such assessments have confirmed the narrative of Herman Melville as a grand failed author of the nineteenth century, while ignoring the ambivalent attitudes toward Biblical authority, textual history, and skepticism that emerge in Melville’s writing. The present study intervenes by re-addressing several procedural questions about Melville’s literary dealings with the Bible: How does Melville deal with the distinct topics of religion, theology, religious skepticism, and doubt? How does he think through the relationship between science and religion as well as that of personal religion and theology? I claim that Melville’s work can be read as a continuous contemplation of Biblical wisdom. His writing, I argue, deals productively rather than a destructive with the Bible, its textual history, and authority. Melville’s thinking on theological and religious subjects was not merely subversive but constructive. In mounting this argument, I contradict current scholarship that reads Melville as trying to invent a new American Bible. In contrast, I show how Melville’s philosophical forays, even when critical, are dependent on the ethics, language, and thinking of the OT.Doctor of Philosophy (PhD)Englis
Letter re: tribute
No full textLetter from Herman Gartner of Mitchell, Gartner, & Thompson in Fort Worth to Amon Carter enclosed with a tribute to Betty Rogers, widow of Will Rogers
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