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Attendees Speaking at the En Plein Air: Selected Paintings by Kate Freeman Clark Exhibit
No full textLauren Geiger speaks with a patron while attending the En Plein Air: Selected Paintings by Kate Freeman Clark exhibit. Geiger, pictured on the left, is wearing a black sweater and a light colored face mask. The patron, pictured on the right, is wearing a striped dress and black face mask. A large framed painting is seen behind them
Small Art on Display With Attendees in Background at the En Plein Air: Selected Paintings by Kate Freeman Clark Exhibit
No full textTwo framed small paintings are on display at the En Plein Air: Selected Paintings by Kate Freeman Clark exhibit while attendees can be seen enjoying refreshments behind them. Attendees pictured, clockwise from left are, DeeDee Baldwin, Fred Smith, Jennifer McGillan, Robin Cunningham, and Danny Davis
A Row of Paintings on Display at the En Plein Air: Selected Paintings by Kate Freeman Clark Exhibit
No full textA row of various framed landscape paintings are pictured on easels with description cards beside them at the En Plein Air: Selected Paintings by Kate Freeman Clark exhibit. Observers can be seen on the edge of the photograph
Tommy Anderson Viewing Description Card of Painting at the En Plein Air: Selected Paintings by Kate Freeman Clark Exhibit
No full textTommy Anderson, Interim Dean of Libraries and Dean of Bobby Shackouls Honor College, is pictured leaning forward to read the description card of a painting on display at the En Plein Air: Selected Paintings by Kate Freeman Clark exhibit. Anderson is wearing a blue pinstripe shirt and a bright blue facemask. A painting of trees in a light colored frame is seen to the left of him
Exhibit Sign at the En Plein Air: Selected Paintings by Kate Freeman Clark Exhibit
No full textThe exhibit sign details the name of the exhibit as En Plein Air: Selected Paintings by Kate Freeman Clark exhibit and designates it as a Special Exhibit of Paintings from the Kate Freeman Clark Gallery in Holly Springs, MS located in the John Grisham Room, Mitchell Memorial Library, Fall 2021. The logo for the Kate Freeman Clark Art Gallery is in the lower left corner and the logo for Mississippi State University Libraries is in the lower right corner
Patron Viewing Painting at the En Plein Air: Selected Paintings by Kate Freeman Clark Exhibit
No full textA young woman wearing a striped dress and a black facemask is standing in front of a waterscape painting that is in a gold frame and displayed on an easel at the En Plein Air: Selected Paintings by Kate Freeman Clark exhibit. Other framed paintings can be seen in the background
Fred Smith and Robin Cunningham Observing Paintings at the En Plein Air: Selected Paintings by Kate Freeman Clark exhibit
No full textFred Smith and Robin Cunningham observe paintings on display at the En Plein Air: Selected Paintings by Kate Freeman Clark exhibit. Smith, [left], is wearing a light blue shirt, dark pants and a white facemask. Cunningham is wearing a white blouse, pink pants, and a beige facemask. Another patron can be seen behind Cunningham\u27s left shoulder and a piano and display cases can be seen behind Smith and Cunningham
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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