1,720,963 research outputs found
Mircea Anghelescu. Note de subsoldespre posibilitățile istoriei literare
No full textIn an era of overqualification, Mircea Anghelescu chose to be a philologist, keeping his call on a continuous organic growth. His profile was defined with no stages skipped, as he was, chronologically, a lower education teacher, a librarian, a researcher, and finally a professor. The four stages were defining in the metamorphosis of an intellectual who, regardless of the technical opportunities of the last twenty years, stayed true to bibliographical notes. Mircea Anghelescu was interested in the endoderm of literary texts, deeming literary history as the sovereign subject in getting to know the world. Most of his work start from the belief that writers include epistemological fragments. Hence it can be claimed that reading involves a socio-literary perspective, searching for contexts, yet without overexposing them, to the detriment of an artistic vein. Thus, the interpreter has the task to remedy, like a restoring painter, all warped paintings and to rehydrate the frescoes drowned in incense and candle smoke. To take out from a book depository an anthology of literary works, while also taking a close look at all cultural dimensions, is an audacious undertaking. In an era of overqualification, Mircea Anghelescu chose to be a philologist, keeping his call on a continuous organic growth. His profile was defined with no stages skipped, as he was, chronologically, a lower education teacher, a librarian, a researcher, and finally a professor. The four stages were defining in the metamorphosis of an intellectual who, regardless of the technical opportunities of the last twenty years, stayed true to bibliographical notes. Mircea Anghelescu was interested in the endoderm of literary texts, deeming literary history as the sovereign subject in getting to know the world. Most of his work start from the belief that writers include epistemological fragments. Hence it can be claimed that reading involves a socio-literary perspective, searching for contexts, yet without overexposing them, to the detriment of an artistic vein. Thus, the interpreter has the task to remedy, like a restoring painter, all warped paintings and to rehydrate the frescoes drowned in incense and candle smoke. To take out from a book depository an anthology of literary works, while also taking a close look at all cultural dimensions, is an audacious undertaking
Estul discret. Călătorie, aventură și memorie inițiatoare în interpretarea lui Robert D. Kaplan și a lui Mircea Anghelescu
No full textThe article presents new perspectives on East-European and Romanian studies in relation with travel literature by discussing two recent books: a complex memoir written by the journalist and American historian Robert D. Kaplan, recently translated into Romanian: În umbra Europei. Două războaie reci și trei decenii de călătorie prin Româniași dincolo de ea (In Europe`s Shadow. Two Cold Wars and a Thirty-Year Journey Through Romania and Beyond ) and the literary history book on Romanian travel literature Lâna de aur. Călătorii și călătoriile în literatura română (The Golden Fleece. Travelers and Travels in Romanian Literature) written by Mircea Anghelescu. The article presents new perspectives on East-European and Romanian studies in relation with travel literature by discussing two recent books: a complex memoir written by the journalist and American historian Robert D. Kaplan, recently translated into Romanian: În umbra Europei. Două războaie reci și trei decenii de călătorie prin Româniași dincolo de ea (In Europe`s Shadow. Two Cold Wars and a Thirty-Year Journey Through Romania and Beyond ) and the literary history book on Romanian travel literature Lâna de aur. Călătorii și călătoriile în literatura română (The Golden Fleece. Travelers and Travels in Romanian Literature) written by Mircea Anghelescu. 
Mircea Anghelescu, Lâna de aur – Călătorii și călătoriile în literatura română: Iași, Cartea Românească, 2015, 336 p.
No full textMircea Anghelescu, profesor emerit la Facultatea de Litere a Universității din București, publică în 2015 la editura Cartea Românească, volumul de critică și istorie literară Lâna de aur – Călătorii și călătoriile în literatura română. Titlul,alăturat subtitlului, rezumă conținutul volumului, iar textul este o ordonare a tipurilor de călători-cititori și, implicit, o privire atentă spre esența literaturii de călătorie „și a contribuției sale la maturizarea unor teme, la dezvoltarea unor percepții în spațiul public și, în ultimă instanță, la construirea și la afirmarea unui puternic sentiment național pe baza căruia s-a împlinit statul în sine, România de astăzi” (p. 6
Alexandru Busuioceanu in Spain: poet and teacher
Full text linkRomanian author, Alexandru Busuioceanu (1896-1961), had a long trajectory as poet, art historian and essayist in Romanian language when he was appointed cultural counselor in Madrid in 1942. The present article proposes an overview of his professional and literary trajectory in Spain, and also an account of the perception that the critics of this country had of him
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Dime lo que comes y te diré quién eres. Alimentación y literatura en los Balcanes.
Full text linkSin resume
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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