28,010 research outputs found
THE PROBLEM OF TAXING FARMERS IN CHINA
No full textReplaced with revised version of paper 08/25/03.Agricultural Finance, H22, O53,
CPS797950_Online_appendices – Supplemental material for Policy Coalition Building in an Authoritarian Legislature: Evidence From China’s National Assemblies (1983-2007)
No full textSupplemental material, CPS797950_Online_appendices for Policy Coalition Building in an Authoritarian Legislature: Evidence From China’s National Assemblies (1983-2007) by Xiaobo Lü, Mingxing Liu and Feiyue Li in Comparative Political Studies</p
CPS_Replication_Files – Supplemental material for Policy Coalition Building in an Authoritarian Legislature: Evidence From China’s National Assemblies (1983-2007)
No full textSupplemental material, CPS_Replication_Files for Policy Coalition Building in an Authoritarian Legislature: Evidence From China’s National Assemblies (1983-2007) by Xiaobo Lü, Mingxing Liu and Feiyue Li in Comparative Political Studies</p
Supplemental Material - ZIF-8 modified poly (m-phenylene isophthalamide) (PMIA) hybrid membrane for dye wastewater treatment
No full textSupplemental Material for ZIF-8 modified poly (m-phenylene isophthalamide) (PMIA) hybrid membrane for dye wastewater treatment by Kailu Yang, Xibo Liu, Xinya Wang, Tianxu Hao, Wei Zhang, Mingxing Chen in Journal of Industrial Textiles</p
Liu Kang
No full textLiu Kang: Essays on Art and Culture is a testament to the inexorable passion of an artist who knew no boundaries. This collection of essays, which Liu Kang wrote over 44 years, offers an insight into the artist’s myriad interests as well as his contributions as a first generation Nanyang artist and art educator. Translated into English for this volume, Liu Kang’s essays are accompanied by commentaries and photographs of the artist-author and his subjects
Data for: Research on The Software Reliability Quantitative Evaluation of Nuclear Power Plant Digital Control System Based on Non-Homogeneous Poisson Process Model
No full textthe safety software V&V dat
Fig. 2 in Molecular differentiation of Panax notoginseng grown under different conditions by internal extractive electrospray ionization mass spectrometry and multivariate analysis
No full textFig. 2. Chemical structures of eight ginsenosides used in this study as reference standards. G, ginsenoside; NG, notoginsenoside; glc, glucoside; rha, rhamnoside; xyl, xyloside; ara, arabinoside.Published as part of Zhang, Xiaoping, Chen, Ze-Yan, Qiu, Zi-Dong, Liu, Mingxing, Xu, Jiaquan, Lai, Chang-Jiang-Sheng, Frankevich, Vladimir & Chingin, Konstantin, 2022, Molecular differentiation of Panax notoginseng grown under different conditions by internal extractive electrospray ionization mass spectrometry and multivariate analysis, pp. 1-9 in Phytochemistry (113030) 194 on page 3, DOI: 10.1016/j.phytochem.2021.113030, http://zenodo.org/record/823554
Phoebus 10: A Journal of Art History
No full texttableOfContents: Homage to the Past: The Art of Yin Xiaofeng by Ralph Gabbard and Liu Liu.. pages 5-1
Cultural exploitation in chinese politics: Reinterpreting liu sanjie
No full textLiu Sanjie is a typical Chinese legendary figure, adapted from folk custom and transformed during many historical and political stages. By comparing the musical film Liu Sanjie with the landscape performing art Impression Liu Sanjie, this paper explores how Liu Sanjie is reconstructed in the Impression to be in accord with contemporary demands (shidaixing). In the film, made during the 1960s, Liu Sanjie was promoted as a heroine fighting against the privileged classes, but in the Impression, her class struggle has been erased and only a harmonious and abstract legend remains. Her ethnicity is promoted by Han elites as not exclusive Zhuang, but shared equally with Han, Miao and Dong ethnicity in an imagined community to propagate a sense of ethnic harmony and unified Chineseness. Her transformation from a realistic character, full of a rebelling spirit, to an abstract and disembodied ‘sense of harmony’, is a complete reinterpretation of a Chinese historical legend. Utilizing a term from Wang Ban (1997), ‘the sublime figure of history’, which refers to an ideology aestheticized by the party state for securing its governance, this paper refers to the bold artistic treatment of Liu Sanjie for cultural exploitation as ‘Liu Sanjie’s sublime’. The paper explores the evolutionary progress of Liu Sanjie from class revolution to art revolution in response to political requirements. The author is a stage-trained performing artist, specialized in both Western opera and Chinese classical and folk singing and dance. He is also a critic and art consultant in the Chinese landscape performing arts industry. These professional roles have allowed privileged access to the top people in this industry
Test Make Sense?
No full textCorresponding author Changyu Liu should be listed as the first corresponding author.No Full Tex
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