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Min-yu Chen, piano, April 19, 2017
Full text linkThis is the concert program of the Min-yu Chen, piano performance on Wednesday, April 19, 2017 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Cinq mélodies populaires grecques by Maurice Ravel, Don Quichotte à Dulcinée by M. Ravel, Fantasiestücke Op. 73 by Robert Schumann, and Violin Sonata No. 2 in A major, Op. 100 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Min-yu Chen, collaborative piano, April 19, 2018
Full text linkThis is the concert program of the Min-yu Chen, collaborative piano performance on Thursday, April 19, 2018 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Hermit Songs by Samuel Osborne Barber II, Vier Lieder, Op. 27 by Richard Strauss, and Piano Trio in A minor by Maurice Ravel. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Raquelle Grace Viteri, soprano and Min-Yu Chen, piano, April 8, 2017
Full text linkThis is the concert program of the Raquelle Grace Viteri, soprano and Min-Yu Chen, piano performance on Saturday, April 8, 2017 at 6:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Ev'ry Sight These Eyes Behold from "Solomon" by George Frideric Handel, Soirée Musicales by Gioachino Rossini, "Zueignung," "Nichts," "Die Nacht," "Die Georgine," and "Allerseelen" from Op. 10 by Richard Strauss, Fetês Galantes by Reynaldo Hahn, D'une Prison by R. Hahn, En Sourdine by R. Hahn, Songs About Spring by Dominick Argento, Dame el amor by Ernesto Lecuona, Mi corazón se fue by E. Lecuona, Dame de tus rosas by E. Lecuona, Por eso te quiero by E. Lecuona, and Que Risa Me Da by E. Lecuona. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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