6,422 research outputs found
David Miller : Installation (sans titre) à la galerie Articule
No full textBasing his reflection on the thoughts of Barthes and Lyotard, Marcus Miller links David Miller's work to a questioning of credibility in photography. Biographical notes. 4 bibl. ref
Les mémoires vives de Marcus Miller
No full textAvec Afrodeezia, Marcus Miller continue les pérégrinations qu’il avait commencées dans son précédent album, Renaissance. Marcus Miller (© Patrizio Gianquintieri) En tant qu’artiste de l’UNESCO pour la paix, et porte-parole du projet « La Route de l'esclave », lancé en 1994 au Bénin, il s’est rendu à Gorée et a visité la Maison des esclaves. Il y a vu comment hommes, femmes et enfants africains, entassés comme des animaux pour être empilés sur des navires négriers, devaient franchir une port..
Souvenir of Dallas
No full textClipping from an unidentified newspaper by Elizabeth Penrose, better known as Lee Miller, offering praise for her visit to Dallas and Neiman Marcus in particular
Chazz Miller talks about his relationship with Detroit
No full textChazz Miller speaks about his relationship with Detroit for Marcus Lyon's i.Detroit project. Miller talks about the value of art and how the arts are connected to Detroit
Teknik Slap Bass Elektrik Pada Lagu Trip Trap Karya Marcus Miller
No full textMarcus Miller adalah salah satu pemain bass elektrik yang menggunakan teknik slap. Teknik slap bass Marcus Miller sangat khas dengan warna suaranya yang bright. Marcus Miller telah memiliki banyak karya, salah satu karyanya adalah Trip Trap. Dalam penelitian ini penulis menggunakan jenis metode kualitatif. Langkah penelitian yang digunakan yaitu dengan mengumpulkan data, melakukan transkrip dan analisis. Tujuan dari penelitian ini adalah bisa memainkan teknik slap bass elektrik pada lagu Trip Trap. Penulis sangat tertarik untuk membahas teknik slap bass karena teknik ini sangat khas dan teknik tersebut cukup sulit untuk dimainkan. Pada akhir penulisan, penulis mendapat kesimpulan yaitu untuk bisa memainkan lagu Trip Trap, yang terpenting adalah harus menguasai teknik slap lebih dahulu
Natasha Miller talks about her relationship with Detroit
No full textNatasha T. Miller speaks about her relationship with Detroit for Marcus Lyon's i.Detroit project. Miller discusses the importance of family and how she takes care of the people in Detroit while understanding that Detroit can't take care of itself
Eric Miller talks about his relationship with Detroit
No full textEric Miller speaks about his relationship with Detroit for Marcus Lyon's i.Detroit project. Miller describes his childhood, and the values he acquired mowing lawns. Miller talks about founding "Lawn Academy," a program that aims to encourage compassion and building character in Detroit youths
The life and works of James Miller, 1704-1744, with particular reference to the satiric content of his poetry and plays.
No full textPhDJames Miller was born the son of a Dorset rector in 1704. He
was himself ordained, but acquired no benefice until just before his
early death, probably because of a scathing portrayal of the Bishop
of London in one of his verse satires. At Oxford he wrote a vivacious
comedy of humours, set in the University. Its production in 1730
began his dramatic career, at a time when the number of London
theatres had just doubled, and new dramatic forms were being invented.
In 1731 his poem Harlequin-Horace, a witty inversion of
the Ars Poetica, attacked pantomime and opera, but also painted a
lively portrait of the entire theatrical world, in the tradition of
the Dunciad.
After collaborating in a translation of Moliere's works Miller
wrote two plays based on this author. Of all his dramatic works
these were the most successful with his contemporaries, and were
followed by a modernisation of Much Ado, and a ballad-opera adapted
from an afterpiece by Jean-Baptiste Rousseau, and rendered highly
topical. Miller made similar use of a recent French comedy showing
a Red Indian's reactions to civilisation, a satiric "fable" by Walsh
and Voltaire's Mahomet. A large quantity of original material was
incorporated into most of these, and this is generally satirical in
nature. The Indian is made to voice almost egalitarian sentiments.
An afterpiece, "The Camp Visitants", satirised military inaction
in the war, and was apparently banned. The manuscripts of the six
plays produced after the Licensing Act bear the examiner's deletions,
and illustrate the nature of the censorship at this time.
Miller's greatest strength is probably his flexible, vigorously
colloquial dialogue. His political satire is mostly contained in
the poetry, which attacks Walpole's administration with increasing
vehemence through the seventeen-thirties, until its fall. In 1740
two poems that used Pope in symbolic contrast to Walpole caused a
sensation. In both poetry and plays Miller is also a social satirist,
who lays unusually strong emphasis on false taste and the deterioration
of culture
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