1,208 research outputs found
sj-docx-1-jix-10.1177_10925872231157596 – Supplemental material for The Impact of Message Framing on Wildlife Approach During Ungulate Viewing Experiences in the Greater Yellowstone Ecosystem
No full textSupplemental material, sj-docx-1-jix-10.1177_10925872231157596 for The Impact of Message Framing on Wildlife Approach During Ungulate Viewing Experiences in the Greater Yellowstone Ecosystem by Stephanie Freeman, Brendan Derrick Taff, Ben Lawhon, Jacob A. Benfield, Melissa Kreye, Jennifer Newton, Lauren Miller and Peter Newman in Journal of Interpretation Research</p
Intersecting Axes: Narrative and Culture in Versions of the Lizzie Borden Story (A Performative Approach)
No full textThis thesis examines versions of the story of 32-year-old New Englander Lizzie Andrew Borden, famously accused of axe-murdering her stepmother Abby and father Andrew in 1892. Informed by narrative and feminist theories, INTERSECTING AXES draws upon interdisciplinary, contemporary re-workings of Judith Butler’s concept of “performativity” to explore the ways in which versions of the Lizzie Borden story negotiate such themes as repetition and difference, freedom and constraint, revision and reprisal, contingency and determinism, the specific and the universal. The project emphasizes and embraces the paradoxical sense in which interpretations are both enabled and constrained by the contextual situation of the interpreter and analyzes the relationship between individual versions and the cultural constructs they enact while purporting to describe.
Moving away from symptomatic reading and its psychoanalytic underpinnings to focus upon the interpretive frames by which our understandings of Lizzie Borden versions (and of narrative/cultural texts more broadly) are shaped, this project exposes the complex performative processes whereby meaning is created. The chapters of this thesis offer contextual readings of a short story by Mary E. Wilkins Freeman, a ballet by Agnes de Mille, a made-for-television by Paul Wendkos, and a short story by Angela Carter to argue for the theoretical, political, narratological, cultural, and interpretive benefits of approaching the relationship between texts and contexts through a uniquely contemporary concept of performativity, bringing a valuable new perspective to current debates about the intersection of narrative and culture
Cult: A Composite Novel
No full textCult (redacted)
The first component of the thesis is a composite novel called Cult which falls into two parts with seven narratives in each. Part 1 tracks the protagonist, Ellen, from her first involvement with the cult through to her eventually leaving it. Although fiction, the first half of the book answers the kinds of questions the author is asked when people discover that she was once a sannyasin (a follower of the guru Bhagwan Shree Rajneesh). While the experiences of meditation, group therapy and communal living are all faithfully rendered within the stories, the need for strong characters, narrative drive and a lightness of touch takes precedence.
Part 2 picks up Ellen’s story some twenty or so years later and explores what becomes of her in middle age. It also looks at other groups in society, such as academia, the law and the internet dating community which each have their own jargon, hierarchies, rituals and rules but are not considered to be cults.
The book examines the question raised in the Epigraph, ‘how do we be together when we feel so alone’ with a focus on relationships other than the familial and the romantic.
Collisions, Chasms and Connections: a Performative Exploration of the Composite Novel Form
The second part of the thesis is both a critical and creative response to three contemporary American books: Olive Kitteridge by Elizabeth Strout; A Visit from the Goon Squad by Jennifer Egan; and Legend of a Suicide by David Vann. The critical element comprises a close reading of the three books; a chronological reconstruction of their overarching storylines; and a consideration of what their authors have said about writing the books. It concludes that, in the composite novel, the simultaneous presentation of multiple views and storylines operate much like a 3D image to give the impression of depth to the characters and situations rendered. The creative element of the essay is a playful and personal response to the texts
books piece featuring an interview in question-and-answer format with Jennifer
No full textbooks piece featuring an interview in question-and-answer format with Jennifer Anna Gosetti-Ferencei, a poet and philosophy professor at the University of Maine at Orono, and author of After the Palace Burns, a book of poetry published by Zoo Press
The c-Jun kinase signaling cascade promotes glial engulfment activity through activation of draper and phagocytic function
No full textCo-author Johnna Doherty is a student in the Neuroscience program in the Morningside Graduate School of Biomedical Sciences (GSBS) at UMass Medical School, and Jennifer MacDonald is in the MD/PhD program.After neuronal injury or death glial cells become reactive, exhibiting dramatic changes in morphology and patterns of gene expression and ultimately engulfing neuronal debris. Rapid clearance of degenerating neuronal material is thought to be crucial for suppression of inflammation and promotion of functional recovery. Here we demonstrate that Drosophila c-Jun N-terminal kinase (dJNK) signaling is a critical in vivo mediator of glial engulfment activity. In response to axotomy, we find glial dJNK signals through a cascade involving the upstream mitogen-activated protein kinase kinase kinases Slipper and Tak1, the mitogen-activated protein kinase kinase MKK4, and ultimately the Drosophila activator protein 1 (AP-1) transcriptional complex composed of Jra and Kayak to initiate glial phagocytosis of degenerating axons. Interestingly, loss of dJNK also blocked injury-induced upregulation of Draper levels in glia, and glial-specific overexpression of Draper was sufficient to rescue engulfment defects associated with loss of dJNK signaling. This work identifies that the dJNK pathway is a novel mediator of glial engulfment activity and a primary role for the glial Slipper/Tak1short right arrowMKK4short right arrowdJNKshort right arrowdAP-1 signaling cascade appears to be activation of draper expression after axon injury.Cell Death and Differentiation advance online publication, 26 April 2013; doi:10.1038/cdd.2013.30.MD/PhDNeuroscienc
The development of ICF Core Sets for multiple sclerosis: results of the International Consensus Conference
No full textTo systematically and comprehensively describe functioning and disability in Multiple sclerosis (MS), practical tools based on the International Classification of Functioning, Disability and Health (ICF), such as ICF Core Sets, are needed. Objective: to report on the results of an evidence-based International Consensus Conference to develop the Comprehensive and Brief ICF Core Set for MS. A formal and iterative decision-making and consensus process was undertaken, involving the integration of evidence from preparatory studies (expert survey, systematic literature review, qualitative study, empirical cross-sectional study) and expert opinion. The decision-making and consensus process included discussions and voting in working groups and plenary sessions involving selected international experts from different health professions. Twenty-one experts from 16 countries selected 138 ICF categories for the Comprehensive ICF Core for MS (40 Body functions, 7 Body structures, 53 Activities and Participation categories and 38 Environmental factors) and 19 categories for the Brief ICF Core Set for MS (8 Body functions, 2 Body structures, 5 Activities and Participation categories, 4 Environmental factors). An evidence-based and formal decision-making consensus process led to the approval of ICF Core Sets for MS which should be further validated
Problematización de la memoria histórica: intertextualidades y transiciones políticas en Insensatez de Horacio Castellanos Moya y La dimensión desconocida de Nona Fernández
No full textThis thesis proposes a new perspective and critical reflection on two contemporary Latin American novels, Insensatez (2004) by Honduran-Salvadorean author Horacio Castellanos Moya and La dimensión desconocida (2016) by Chilean author Nona Fernández. Situating each novel within its respective historical context of political transition following years of violent national conflict, the politics of memory and the concomitant concern for human rights directly informs the argument. The theoretical framework which directs the analysis of each work centers on the intertextual relationship between the narrative and the novel's foundational document. In Insensatez, the intertext of interest is the official report of the Recovery of Historical Memory Project (REMHI) titled Guatemala: Nunca Más (1998) and in La dimensión desconocida the intertext is the interview with the former Chilean intelligence agent, Andrés Valenzuela, published in the magazine Cauce (1985). This thesis first reveals how Castellanos Moya utilizes various literary strategies in combination with the libreta as a narrative element to question the privileged position of testimonio in the memory works that have proliferated in postwar Central America. This thesis also demonstrates how Nona Fernández constructs a complex intertextual dialogue with the testimony of the victimizer Valenzuela to interrogate the ethical binaries that have sustained Chilean literary production on historical memory since the dictatorship. The combined analyses of these two novels enable new perceptions of how contemporary Latin American fictions can creatively employ intertextuality as a narrative tool to problematize the cultural and literary representation of a traumatic past.Master of ArtsThis thesis proposes new critical perspectives on two contemporary Latin American novels, Insensatez (2004) by Honduran-Salvadorean author Horacio Castellanos Moya and La dimensión desconocida (2016) by Chilean author Nona Fernández. Situating each novel within its respective historical context of political transition following years of violent national conflict, the analysis centers on the textual relationship between the narrative and the novel's foundational document. In Insensatez, the document of interest is the official report of the Recovery of Historical Memory Project (REMHI) titled Guatemala: Nunca Más (1998) and in La dimensión desconocida the essential document is the interview with the former Chilean intelligence agent, Andrés Valenzuela, published in the magazine Cauce (1985). This thesis first reveals how Castellanos Moya utilizes various literary strategies in combination with the libreta as a narrative element to question the favored position of testimonio in the memory works that have proliferated in postwar Central America. This thesis then demonstrates how Nona Fernández constructs a complex dialogue with the confession of the victimizer Valenzuela to challenge the ethical oppositions that have sustained Chilean literary production on historical memory since the dictatorship. The combined analyses of these two novels enable new perceptions of how contemporary Latin American fictions can creatively use textual relationships as a tool to interrogate the cultural and literary representation of a traumatic past
Department of Dental Hygiene Class of 2001
No full textFirst row (left to right): Barbara Gonzalez, RDH, MHS, Assistant Professor; Lourdes Vazquez, Assistant Professor; Patty Seery, Assistant Professor; Scott W. Wiggins, DDS, Supervising Dentist; Denise Maseman, RDH, MS, Assistant Professor/Chairperson; Diane E. Huntley, RDH, PhD, Associate Professor; Pamela Bumpurs, RDH, MHS; Mary Casey, Clinic ManagerSecond row (left to right): Jennifer Freeman, President; Talisha Sherry, Vice Presdent; Alicia Rippert, Treasurer/Secretary; Alicia Kranz, SADHA President; Sharon Simons, Class Liaisons; Kimberly Ford, SADHA TreasurerThird row (left to right): Lisa Babbidge, Ashley Barkman, Lacie Bartel, Niki Browning, Kerry Bruce, Dawn BussFourth row (left to right): Karen Calhoun, M. Emily Dennes, Amber Emerson, Kristy Ford, Rosalie Gaulier, Joanna Ging, Lesah Grubb, Sara Gumpenberger, Genny Hall, Tammy HopkinsFifth row (left to right): Jennifer Irwin, Staci Krieg, Sonya Lowry, Annie Marin, Angela McPherson, Katie Miller, Hoang Nguyen, Ronda Owens, Crystal Reichenbergr, Apryl TurnerDigitized by University Libraries' Technical Services Institutional Repository & Digitization group.Personal and non-profit use only
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