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Yeni dalga sinemasının görünmeyen feminen yüzü: Agnès Varda sinemasında kadın temsili
No full textYeni Dalga sineması 1950’li yıllarda Fransa’da ortaya çıkan bir sinema akımıdır. Yeni Dalga, yerleşik sinema kurallarına karşı yeni bir sinema dili ortaya koyması bakımından büyük önem taşımaktadır. Gerek sinemaya kazandırdığı yenilikler, gerekse diğer ülke sinemalarında da benzer ‘yeni’ hareketlerin ortaya çıkmasına yol açarak dünya çapında ses getiren bir sinema akımı haline gelmiştir. Genel olarak Yeni Dalga literatürü içerisinde akımın en önemli temsilcileri olarak Jacques Doniol Valcroze, Pierre Kast, Jean-Luc Godard, François Truffaut, Eric Rohmer, Jacques Rivette, Jacques Demy, Claude Chabrol, Alain Resnais, Louis Malle ve Chris Marker’ın isimleri ön plana çıkmaktadır. Bu tez çalışmasının amacı, Yeni Dalga sineması içerisinde erkek yönetmenlerin dışında akımın dişil yüzünü temsil eden bir kadın yönetmen olduğu vurgusunu yaparak Agnès Varda sinemasını Yeni Dalga literatürü kapsamında görünür kılmaktır. Bunun yanı sıra çalışmada Agnès Varda sinemasında kadın imgesi feminist söylem analizi yöntemi ile incelenecektir. Geleneksel sinemada erkeğin temsili, erkek egemen iktidarın yansıması şeklinde olmaktadır ve ataerkil toplumun en önemli dinamiği kabul edilen erkek, geleneksel sinemada da en önemli dinamiği oluşturmaktadır. Varda ise Mulvey’in ortaya koymuş olduğu geleneksel sinemanın özellikle kadın üzerinden kullandığı yıpratıcı dilini reddederek ve sinemadaki bu yerleşik kodları kırarak yeni ve alternatif bir sinema arayışında olmuştur. Çalışmada bu bağlamda yine Varda’nın sinemasında toplumsal cinsiyet normlarına feminizm temelinde nasıl bir karşı söylem oluşturduğu ele alınacaktır. Yeni Dalga, Agnès Varda, Feminizm, Toplumsal Cinsiyet, Kadın Temsili.New Wave is a cinema movement emerged in France in 1950s. New Wave is of great importance in terms of producing a new cinema language against permanent cinema rules. It became a world-shaking cinema movement by causing that similar “new” movements and innovations come up. In general, names such as Jacques Doniol Valcroze, Pierre Kast, Jean-Luc Godard, François Truffaut, Eric Rohmer, Jacques Rivette, Jacques Demy, Claude Chabrol, Alain Resnais, Louis Malle, Chris Marker stand out as leading representative of the movement in the New Wave literature. The purpose of this thesis study to make Agnès Varda cinema visible within the context of New Wave literature by underlining that there is a woman director who represents female side of the movement except for male directors in the New Wave Cinema. Besides, woman image in Agnès Varda cinema will be researched with feminist discourse analysis in the study. Male figuration in conventional cinema consists of reflection of male domination potency and male accepted as principle dynamics of patriarchal society forms leading dynamics in the traditional cinema, too. Varda has been in search of new and alternative cinema by refusing the killing language of conventional cinema produced by Mulvey and by breaking built-in codes. Within this context in Varda’s cinema how she has created a counter-discourse to gender norms on the basis of feminism. Key Words: New Wave, Agnès Varda, Feminism, Gender, Female Representation
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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