1,720,965 research outputs found
Hardraw Fall
No full textMedium: engravingMedium: etchingMedium: chine colléprints"Hardraw Fall" [1993.2238.000.000], Pye, John, Middiman, SamuelArtist and Role: Pye, John,Artist and Role: Middiman, Samuel,Artist and Role: Turner, Joseph Mallord William, ArtistExtent: shee
An offering before Capt. Cook in the Sandwich Islands [picture] /
No full textPl. no. 60 of: A voyage to the Pacific Ocean / James Cook. London, 1784.; Joppien and Smith, 3.294A.; Exhibited:'Cook & Omai: The Cult of the South Seas', NLA 2001; Rex Nan Kivell Collection NK5630, NK1426.; U1182 hand col.; S1087; U1675
The natche, a ceremony in honour of the king's son, in Tongataboo [picture] /
No full textPl. no. 22 of: A voyage to the Pacific Ocean / James Cook.; Joppien and Smith, 3.61A.; Rex Nan Kivell Collection NK1426.; U1646
View of Malay Road from Pobassoo's Island [picture] /
No full textA plate from: Views of Australian scenery / painted by W. Westall ..., a separate issue of the 9 plates by Westall from Matthew Flinders' A voyage to Terra Australis.; Drawings by William Westall, p.63.; Exhibited: Changing coastlines, NLA 1993-1994, ANMM Sydney, 1994, W.A. Museum 1994.; Rex Nan Kivell Collection NK4104, NK1730.; U2144; S2269; S2285; U2153; S10477
Venus Fort, erected by the Endeavour's people to secure themselves during the observation of the transit of Venus at Otaheite [picture] /
No full textPl. no. IV in: A journal of a voyage to the South Seas / Sydney Parkinson.; Joppien & Smith, 1.22A.; Exhibited:'Cook & Omai: The Cult of the South Seas', NLA 2001; Rex Nan Kivell Collection NK2140/A.; U3047
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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