305,548 research outputs found
La Révolution française et l'Allemagne : du paradigme comparatiste à la recherche des transferts culturels
No full textMatthias Middell, La Révolution française et l'Allemagne : du paradigme comparatiste à la recherche des transferts culturels.
Der Artikel beschreibt die Entwicklung der deutschsprachigen Historiographie, die in den letzten 15 Jahren den Übergang von einem impliziten Vergleich, der den Sonderweg Deutschlands betonte, zur Erweiterung des klassischen Komparatismus der Sozialgeschichte im Verfahren der Kulturtransferforschung erlebt hat. Vorgestellt werden vor allem neuere Untersuchungen zur Wahrnehmung der Franzôsischen Revolution in der « Deutschen Übersetzungsbibliothek » und zur Mediengeschichte.Matthias Middell, The French Revolution and Germany .from Comparativist Paradigm to the Study of Cultural Transfers.
The article describes developments in German-language historiography which over the last fifteen years has undergone a shift from an implicitly comparative approach, typical of the German model, to a broader interpretation of social history using the methodology of cultural transfer research. Recent studies on perceptions of the French Revolution in works translated into German and on the history of the media are highlighted.Mathias Middell, La révolution française et l'Allemagne : du paradigme comparatiste à la recherche des transferts culturels
L'articolo riassume gli sviluppi dell'istoriografia di lingua tedesca la quale ha avviato una trasformazione del comparatismo classico nel campo della storia sociale (spesso implicito nei suoi termini) viene sottolineata l'esistenza di una via tedesca specifica indirizzata ad un allargamento dei propri strumenti metodologici con un awicinamento al transfert culturale. Si dà particolare risalto agli studi dedicati alla ricezione della Rivoluzione francese dalla « Deutsche Übersetzungbibliothek » e alla storia dei media.Matthias Middell, La Révolution française et l'Allemagne : du paradigme comparatiste à la recherche des transferts culturels.
L'article décrit le développement de l'historiographie de langue allemande qui, au cours de ces quinze dernières années, est passée d'une comparaison implicite, qui mettait l'accent sur une voie propre à l'Allemagne, à un élargissement du comparatisme classique en histoire sociale à travers la méthode de l'exploitation des transferts culturels. Sont avant tout présentées ici les recherches les plus récentes concernant la réception de la Révolution française dans les fonds allemands de traduction (Deutsche Ûbersetzungbibliothek), ainsi que l'histoire des médias.Mathias Middell, La Révolution française et l'Allemagne : du paradigme corporatiste à la recherche des transferts culturels
El artìculo resume los desarollos que ocurrieron en la historiografîa de los países de habla germana : una transformación del clásico comparatisme de historia social que subrayó la existencia de una vía germana específica hacia una ampliation de sus instrumentos metodológicos gracias a los traslados culturales. Se insista ante todo sobre los trabajos centrados sobre la reception de la revolución francesa y sobre la historia de los media.Middell Matthias. La Révolution française et l'Allemagne : du paradigme comparatiste à la recherche des transferts culturels. In: Annales historiques de la Révolution française, n°317, 1999. France-Allemagne. Interactions, références. pp. 427-454
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
No full textThis work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
[Report to Chief J. E. Curry, by an unknown author #2]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
[Report to Chief J. E. Curry, by an unknown author #1]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
Mining e-mail content for author identification forensics
No full textWe describe an investigation into e-mail content mining for author identification, or authorship attribution, for the purpose of forensic investigation. We focus our discussion on the ability to discriminate between authors for the case of both aggregated e-mail topics as well as across different email topics. An extended set of e-mail document features including structural characteristics and linguistic patterns were derived and, together with a Support Vector Machine learning algorithm, were used for mining the e-mail content. Experiments using a number of e-mail documents generated by different authors on a set of topics gave promising results for both aggregated and multi-topic author categorisation
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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