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    Danielle Arnaud Screening Programme

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    Screening of the video One-Thing-After-Another, mp4, 7min 07 secs in the context of a group screening with: Mick Finch, Alex Schady, Daria Blum, Oona Grimes, Mario Rossi, Paulette Phillips, Louisa Fairclough and Mark Dea

    Mick Finch in conversation with Jessica Warboys

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    An event at the Norwich Castle Museum & Art Gallery during the British Art Show (BAS8). This was in conversation with the artist jessica Warboys who was included in the British Art Show. Jessica Warboys and Mick Finch discuss the role of painting in BAS8

    Editorial

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    Editorial for Volume 1, number 1 of the Journal of Contemporary Painting, Painting and Cinema', edited by Mick Finch and Beth Harland

    Simon Hantaï: Round table discussion

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    Edited transcript of the round table discussion about the work of Simon Hantaï held at the French Institute, 3 June 2014 François Rouan, Isabelle Monod-Fontaine, Mick Finch, Philip Armstrong, Stuart Elliot, Andy Harper, Laura Lisbon and Daniel Sturgis. The round table discussed the work of the Hungarian painter Simon Hantaï (1922-2008) has gained increasing recognition in the last few years, particularly in terms of major retrospectives at the Centre Pompidou in Paris and the Villa Medici in Rome as well as an important exhibition at the Paul Kasmin Gallery in New York. After Hantaï moved to France in 1949, the series of paintings he made from the 1960s on – where processes of folding were materially at the heart of his practice – became a major and continuing influence on successive generations of French artists

    Éric de Chassey on Simon Hantaï

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    This is a transcript of an interview with Éric de Chassey conducted by Mick Finch on the occasion of the Simon Hantaï exhibition curated by de Chassey at the Villa Médici in Rome between the 12 February to 11 May 2014. De Chassey is Professor of Art History at the Ecole Normale Supérieure in Lyons and has, since 2009, been the Director of the French Academy in Rome, the Villa Medici. The Villa Medici exhibition took place after the major Hantaï exhibition at the Centre Pompidou in 2013 for which de Chassey had contributed an catalogue essay on Hantaï’s silkscreen work. The interview discusses the context of the Villa Medici exhibition and particularly the way Hantaï’s latter years were represented. The interview took place at the Villa Medici on Sunday 11 May 2014

    Artist talk

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    Artist talk with Peter Ashton Jones, Chris Bucklow, Mick Finch and Derrick Harris

    The British Society of Self-Deprecation: Works on Paper by Contemporary British Artists

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    Mick Finch exhibited a work, Book of Knowledge 24, in this group exhibition

    Tableau

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    Mick Finch was the organiser of this conference and presented the key note paper for each session

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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