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[Dallas Sings: Featuring Michelle Magee and Andrea Wallace Tape #2]
No full textVideo footage from The Black Academy of Arts and Letters recorded during the Dallas Sings evening concert event featuring Michelle Magee and Andera Wallace. The concert was held at the Clarence Muse Café Theatre on September 24th, 2010. The footage shows a small stage under a brick archway with a small band and three microphones set up. Michelle Magee sings first followed by a 15-minute intermission and then Andrea Wallace
[Dallas Sings: Featuring Michelle Magee and Andrea Wallace Tape #1]
No full textVideo footage from The Black Academy of Arts and Letters recorded during the Dallas Sings evening concert event featuring Michelle Magee and Andera Wallace. The concert was held at the Clarence Muse Café Theatre on September 24th, 2010. The footage shows a small stage under a brick archway with a small band and three microphones set up. Michelle Magee sings first followed by a 15-minute intermission
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[Dallas Sings: Featuring Michelle Magee and Andrea Wallace Tape #1]
No full textVideo footage from The Black Academy of Arts and Letters recorded during the Dallas Sings evening concert event featuring Michelle Magee and Andera Wallace. The concert was held at the Clarence Muse Café Theatre on September 24th, 2010. The footage shows a small stage under a brick archway with a small band and three microphones set up. Michelle Magee sings first followed by a 15-minute intermission
Recommended from our members
[Dallas Sings: Featuring Michelle Magee and Andrea Wallace Tape #2]
No full textVideo footage from The Black Academy of Arts and Letters recorded during the Dallas Sings evening concert event featuring Michelle Magee and Andera Wallace. The concert was held at the Clarence Muse Café Theatre on September 24th, 2010. The footage shows a small stage under a brick archway with a small band and three microphones set up. Michelle Magee sings first followed by a 15-minute intermission and then Andrea Wallace
Recommended from our members
Folder 25: Dallas Sings: An Evening with Michelle Magee & Andrea Wallace, September 24-25, 2010
No full textProgram for a performance featuring Michelle Magee and Andrea Wallace produced by the Black Academy of Arts and Letters on September 24-25, 2010 at the Clarence Muse Cafe Theatre
Folder 25: Dallas Sings: An Evening with Michelle Magee & Andrea Wallace, September 24-25, 2010
No full textProgram for a performance featuring Michelle Magee and Andrea Wallace produced by the Black Academy of Arts and Letters on September 24-25, 2010 at the Clarence Muse Cafe Theatre
Supplemental Material - European NCAP Driver State Monitoring Protocols: Prevalence of Distraction in Naturalistic Driving
No full textSupplemental Material for European NCAP Driver State Monitoring Protocols: Prevalence of Distraction in Naturalistic Driving by Megan Mulhall, Kyle Wilson, Shiyan Yang, Jonny Kuo, Tracey Sletten, Clare Anderson, Mark E. Howard, Shantha Rajaratnam, Michelle Magee, Allison Collins and Michael G Lenné in Human Factors.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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