1,720,997 research outputs found

    On application of nonlinear k-ε models for internal combustion engine flows

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    The linear k-ε model, in its different formulations, still remains the most widely used turbulence model for the solutions of internal combustion engine (ICE) flows thanks to the use of only two scale-determining transport variables and the simple constitutive relation. This paper discusses the application of nonlinear k-ε turbulence models for internal combustion engine flows. Motivations to nonlinear eddy viscosity models use arise from the consideration that such models combine the simplicity of linear eddy-viscosity models with the predictive properties of second moment closure. In this research the nonlinear k-ε models developed by Speziale in quadratic expansion, and Craft et al. in cubic expansion, have been applied to a practical tumble flow. Comparisons between calculated and measured mean velocity components and turbulence intensity were performed for simple flow structure case. The effects of quadratic and cubic formulations on numerical predictions were investigated too, with particular emphasis on anisotropy and influence of streamline curvature on Reynolds stresses

    Direct numerical simulations of a high pressure turbine vane

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    In this paper we establish a benchmark data set of a generic high-pressure turbine vane generated by direct numerical simulation (DNS) to resolve fully the flow. The test conditions for this case are a Reynolds number of 0.57 million and an exit Mach number of 0.9, which is representative of a modern transonic high-pressure turbine vane. In this study we first compare the simulation results with previously published experimental data. We then investigate how turbulence affects the surface flow physics and heat transfer. An analysis of the development of loss through the vane passage is also performed. The results indicate that free-stream turbulence tends to induce streaks within the near wall flow, which augment the surface heat transfer. Turbulent breakdown is observed over the late suction surface, and this occurs via the growth of two-dimensional Kelvin-Helmholtz spanwise roll-ups, which then develop into lambda vortices creating large local peaks in the surface heat transfer. Turbulent dissipation is found to significantly increase losses within the trailing-edge region of the vane

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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