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Belaja gvardija
No full textDas Theaterstück "Belaja gvardija", das Michail Bulgakov (1891-1940) aufgrund seines gleichnamigen Bürgerkriegsromans geschrieben hat, ist bisher nur in der dritten, den Wünschen der Zensur angepaßten Fassung unter dem Titel "Dni Turbinych" bekannt. Die Weiße Garde. In der zweiten Fassung
Il potere della creazione in "Cuore di Cane" di Michail Bulgakov
No full textRecensione a Michail Bulgakov, Cuore di cane, intr. e cura di S. Prina, Feltrinelli, Milano 2011
Rannjaja neizdannaja proza
Get PDFDiese Erstedition der frühesten Prosatexte von Michail Bulgakov, die in den Jahren 1922-1924 in heute kaum zugängigen Periodica abgedruckt waren, füllt eine wesentliche Lücke in der Bulgakov-Forschung. Sie bilden eine Bereicherung unserer Vorstellung vom Moskau der 20er Jahre. Frühe unveröffentlichte Prosa
Rannjaja neizvestnaja proza
Get PDFNach "Rannjaja neizdannaja proza" (1976) und "Rannjaja nesobrannaja proza" (1970) können nunmehr mit "Rannjaja neizvestnaja proza" (1981) zum dritten Male Texte des frühen Michail Bulgakov der Wissenschaft und dem Leser vorgelegt werden, die seit über einem halben Jahrhundert praktisch unerreichbar waren. Den Schwerpunkt bilden humoristische Feuilletons, die in der Eisenbahnerzeitung "Gudok" 1923-1926 erschienen sind
Tra sogno e realtà: Michail Bulgakov tra letteratura e cinema
Get PDFThe great masterpiece of Michail Bulgakov, Master i Margarita, represents an hypertext by which writers, literary critics and directors are still inspired. This paper focuses on the interconnection of languages and media characterizing the shift from the Bulgakov’s troubled page to the big-screen. In particular, the Wajda’s film (Pilatus und andere, 1972) and the Bortko’s tv-series (Master i Margarita, 2005) appear deeply different for both the character of hypertext of the reference novel and the historical and political context that the two authors point out.
Wajda complies with the Bulgakov’s point: both of them tell about the trial suffered by Jeshua through the Pilate’s experience. The interpretation of the Polish director is enriched by the frequent references to cultural, social and political conflicts of the last century Europe.
On the other hand, Bortko follows the Bulgakov’s novel page after page. The tv-series by Bortko becomes a kind of choral work in which the viewer can choose between the characters and different points of view.
Thus, Wajda interprets the Bulgakov work, while Bortko translates the words of the novel in artificial television images
Gli antenati di Poligraf Poligrafovič Šarikov: un aspetto dei legami di Bulgakov con Gogol’, Hoffmann e Cervantes
No full textIl superamento della vergogna negli "Appunti di un giovane medico" di Michail Bulgakov
Get PDFIn questo saggio studiamo il ciclo di racconti di Michail Bulgakov Appunti di un giovane medico (1925-1926) dal punto di vista del rapporto del protagonista con le varie accezioni del sentimento della vergogna. Il giovane protagonista è delineato sulla scorta delle esperienze autobiografiche dello scrittore russo, e le sue prime esperienze lavorative come medico di campagna nella arretrata provincia russa lo portano ad evidenziare in modo imbarazzante le sue carenze professionali ed insicurezze psicologiche. Soprattutto nei primi racconti il dottore affronta dunque la vergogna riflettendo sulla propria inadeguatezza e provando a nascondersi da coloro che lo circondano, ma nell’arco della narrazione egli addiviene ad una maggiore coscienza dei propri mezzi, imparando a gestire la vergogna e la paura in modo funzionale e costruttivo.This paper focuses on Michail Bulgakov’s autobiographical short stories A Young Doctor’s Notebook (1925-1926), taking primarily into account the protagonist’s self-reflection about the feelings of shame and professional inadequacy he has to face during his first assign- ment in a hospital located in the deep and backward Russian province. In the first stories of the cycle we mostly witness the doctor’s lack of confidence and his fear of being discovered by his co-workers and patients (which results in a combination of two different Russian concepts: “styd” and “pozor”), whereas in the following texts, as he gradually gains new experiences and self-confidence, the young doctor acquires a new insight into his own mission, which in the end leads him to a new self-balance. Through a better understanding of his own limits and the concurrent refusal of unjustified hubris he learns how to take advantage of his weakness and uncertainty to overcome the negative aspects of shame and its hindering psychological burden
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