1,721,520 research outputs found
Michael Farrell
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/436041ARC Fellowship Proposal 2011, Obesity Studies, Hunger images, correspondence, articles, 2007-2010258010
Item: [2017.0015.00328] "Michael Farrell
An Arabesque Yes. "ode ode" by Michael Farrell. [review]
No full textIt's easy to see why Michael Farrell already has something of a reputation as a stylist, though this is his first collection. Inventive, sharp-witted, entertaining and meticulously made, the poems in "ode ode" offer a lower-case, unpunctuated take on style in which style is energised, orchestrated substance.Australia Council, La Trobe University, National Library of Australia, Holding Redlich, Arts Victori
Parents of critically ill children have their needs too! A Literature Review Michael Farrell
No full textReducing the opioid overdose death toll in North America
No full textIn this Perspective, Wayne D. Hall & Michael Farrell discuss the current need for alternative strategies in the rising opioid crisis in the US and the necessity to fund evidence-based treatment initiatives to reduce the death toll
Know thine enemy - Michael Farrell picks up the perennial topic of machine translation post-editing
No full textMichael Farrell, éd. : Twenty Years On ; Derek Dunne : Out of the Maze. The true story of the biggest jail escape since the war
No full textDeutsch Richard. Michael Farrell, éd. : Twenty Years On ; Derek Dunne : Out of the Maze. The true story of the biggest jail escape since the war. In: Études irlandaises, n°14-1, 1989. pp. 237-238
Michael Farrell, éd. : Twenty Years On ; Derek Dunne : Out of the Maze. The true story of the biggest jail escape since the war
No full textDeutsch Richard. Michael Farrell, éd. : Twenty Years On ; Derek Dunne : Out of the Maze. The true story of the biggest jail escape since the war. In: Études irlandaises, n°14-1, 1989. pp. 237-238
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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