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    «Michael Collins»

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    Joannon Pierre. «Michael Collins». In: Études irlandaises, n°12-2, 1987. pp. 287-288

    À propos de Michael Collins

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    Hochard Cécile, Kitson Simon. À propos de Michael Collins. In: Vingtième Siècle, revue d'histoire, n°57, janvier-mars 1998. pp. 150-153

    Between Irish National Cinema and Hollywood: Neil Jordan's Michael Collins

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    When Neil Jordan's film Michael Collins was released in 1996, it was seen by some as a Hollywood epic, by others as a great national film. I would argue that Michael Collins combines these two traditions and occupies a space between Irish national cinema and Hollywood. The subject matter, the creative talent and the locations were Irish and the film was produced by using the Irish filmmaking infrastructure and the Irish government's support mechanisms, but it was largely financed and distributed by a Hollywood studio. Also, to make it more appealing especially globally, but probably also locally (since Hollywood is now the international standard), it makes use of Hollywood conventions, making it accessible to international audiences as well. Despite the Hollywood mode, the fact remains that Michael Collins is a national film text, and Jordan does not make too many concessions to the non-Irish audiences.Cuando la película Michael Collins de Neil Jordan se estrenó en 1996, unos la consideraron una epopeya Hollywoodiense, otros una gran película nacional. Yo sostengo que Michael Collins combina estas dos tradiciones y ocupa un espacio entre el cine nacional irlandés y Hollywood. La temática, el talento creativo y los exteriores son irlandeses y la película se realizó usando la infraestructura cinematográfica irlandesa y los mecanismos de apoyo del gobierno irlandés, pero fue mayoritariamente financiada y distribuida por un estudio de Hollywood. Por otra parte, para hacerla más atractiva sobre todo a escala mundial, pero probablemente también local (ya que Hollywood es ahora el estándar internacional), emplea convenciones de Hollywood que la hacen accesible al público internacional. A pesar del estilo Hollywoodiense, lo cierto es que Michael Collins es un texto fílmico nacional, y que Jordan no hace demasiadas concesiones al público no irlandés

    Between Irish National Cinema and Hollywood: Neil Jordan’s Michael Collins

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    When Neil Jordan’s film Michael Collins was released in 1996, it was seen by some as a Hollywood epic, by others as a great national film. I would argue that Michael Collins combines these two traditions and occupies a space between Irish national cinema and Hollywood. The subject matter, the creative talent and the locations were Irish and the film was produced by using the Irish filmmaking infrastructure and the Irish government’s support mechanisms, but it was largely financed and distributed by a Hollywood studio. Also, to make it more appealing especially globally, but probably also locally (since Hollywood is now the international standard), it makes use of Hollywood conventions, making it accessible to international audiences as well. Despite the Hollywood mode, the fact remains that Michael Collins is a national film text, and Jordan does not make too many concessions to the non-Irish audiences

    Pierre Joannon : Michael Collins, la naissance de l'I.R.A.

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    Rafroidi Patrick. Pierre Joannon : Michael Collins, la naissance de l'I.R.A.. In: Études irlandaises, n°3, 1978. pp. 126-128

    Michael Collins (1890 - 1922) - ein "Marble Man" der irischen Geschichte?

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    Der irische, republikanische Politiker Michael Collins starb 1922. Doch die Mythen um seine Person leben bis heute weiter, z.B. in Liedern, Romanen, Gedichten

    Foreword by Michael Collins

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    Meet The People Who Look After Michael Collins\u27 Grave

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    Politicians and public representatives lay wreaths on Michael Collins\u27 pristinely kept grave at official ceremonies on anniversaries and other State occasions. But who are the people that tend to the grave on a regular basis

    Why Are We So Fascinated By Michael Collins?

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    August 22nd is the 100th anniversary of the death of Michael Collins. His life has surpassed living memory, but he still continues to captivate people\u27s imagination generations later. So why are people still so fascinated with Collins
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