1,721,410 research outputs found
Michael Butler Named Women’s Golf Assistant Coach
No full textMichael Butler Named Women’s Golf Assistant Coac
AASU\u27s Michael Butler Participates In US Kids Golf Panel
Full text linkAASU\u27s Michael Butler Participates In US Kids Golf Panel. Armstrong Atlantic State head men\u27s and women\u27s golf coach Michael Butler has been invited to participate in a coaches\u27 panel on July 28th as a part of the 2010 U.S. Kids Golf Teen World Championships in Pinehurst, N.C
Michael Butler Named PBC Men\u27s Golf Coach of the Year
Full text linkMichael Butler Named PBC Men\u27s Golf Coach of the Year. Armstrong State University head men\u27s golf coach Michael Butler has been named the Peach Belt Conference\u27s Coach of the Year for 2016-17, announced tonight at the annual awards banquet prior to this weekend\u27s PBC Golf Championships in St. Augustine, Fla
Michael Butler Named GCAA Southeast Region Men\u27s Golf Coach of the Year
Full text linkMichael Butler Named GCAA Southeast Region Men\u27s Golf Coach of the Year. Armstrong Atlantic State University head coach Michael Butler has been named the Golf Pride Grips Southeast Region DII Men\u27s Golf Coach of the Year, announced by the Golf Coaches\u27 Association of America (GCAA) today
Three Pirates Earn All-PBC Women\u27s Golf Honors; Michael Butler Named Coach of the Year
Full text linkThree Pirates Earn All-PBC Women\u27s Golf Honors; Michael Butler Named Coach of the Year. The Armstrong State University women\u27s golf team placed three players on the 2016-17 Peach Belt All-Conference Team, while head coach Michael Butler was named the PBC Coach of the Year at the league\u27s annual awards banquet on Thursday evening in St. Augustine, Fla
Section 3.8 written by Divakar Yadav and Michael Butler
No full textOne aim of the Rodin project is to contribute formal methods which will underpin the creation of fault-tolerant systems. This intermediate report from WP2 (Methodology) describes progress during the second year of the Rodin project; it also discusses our plans for the final deliverable on methodology. Contributors: Many people have written material for Chapters 3 and 2; specific contributions include: Section 2.1 written by Linas Laibinis Section 2.2 written by Ian Johnson Section 2.3 written by Ian Oliver Section 2.4 written by Neil Evans and Michael Butler (on behalf of Praxis) Section 2.5 written by Maciej Koutny Section 3.1 written by Maciej Koutn
Colin Snook, Ian Oliver and Michael Butler
No full textThe UML is a popular modelling notation that has a natural appeal to hardware and software engineers and is adaptable through extension mechanisms
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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