1,721,150 research outputs found
Michael Blake, #67, 1970 MU Football team
No full textMichael Blake, #67, 1970 MU Football team, b&w. Blake was killed in the Mu plane crash. 75 members, coaches, and fans were killed in November 1970 plane crash.https://mds.marshall.edu/mu_plane_crash/1009/thumbnail.jp
Michael Blake, #67, 1970 MU Football team
No full textMichael Blake, #67, 1970 MU Football team, b&w. Blake was killed in the Mu plane crash. 75 members, coaches, and fans were killed in November 1970 plane crash.https://mds.marshall.edu/mu_plane_crash/1008/thumbnail.jp
11-08-2006 Dances With Wolves Author Speaks at SWOSU
Get PDFDances With Wolves author Michael Blake spoke to a full house during his November 8 speaking stop at Southwestern Oklahoma State University in Weatherford.https://dc.swosu.edu/barkpic06/1270/thumbnail.jp
Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue
No full textIncludes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work
11-03-2006 Dances With Wolves Author to Speak at SWOSU
Get PDFDances With Wolves author Michael Blake will speak two times on the Southwestern Oklahoma State University campus this Tuesday and Wednesday, November 7-8
Book review : Pulse edited by Wilmot James & Moira Levy, and Creating action space edited by Conrad Barberton, Michael Blake & Hermien Kotz\ue9
No full textReview of: Wilmot James & Moira Levy (eds). Pulse. Cape Town: IDASA, 1998; Conrad Barberton, Michael Blake & Hermien Kotz\ue9 (eds). Creating action space. Cape Town: IDASA & David Philip, 199
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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