197,927 research outputs found
Brief von Michael Peter Halstead an Josef Steindl
No full textBRIEF VON MICHAEL PETER HALSTEAD AN JOSEF STEINDL
Brief von Michael Peter Halstead an Josef Steindl ([1]
Wind Ensemble featuring Michael Terry, euphonium and Peter Witte, guest conductor
No full textKennesaw State University School of Music presents Wind Ensemble featuring KSU Concerto Winner Michael Terry, euphonium and special guest conductor, Peter Witte.https://digitalcommons.kennesaw.edu/musicprograms/1343/thumbnail.jp
Author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
v, Brenner (Michael) S Marsh (Peter).
No full textLondon, Croom Helm. (1978)The social contexts of method. Edited by Michael brenner_, Peter Marsh and Marylin BrennerWBEfH?I do/bo 19
Kathryn and Peter play the recorder
No full textKathryn and Peter play the recorder by Michael Wolters proves that the recorder is much more than an “annoying instrument for children”, with 25 pieces in which the composer casts his questioning eye over music history, technical virtuosity and cultural customs. Wolters? relationship with the instrument began over 20 years ago when he met the extraordinary recorder duo Kathryn Bennetts and Peter Bowman. Their exceptional skills and their enthusiasm for research into undiscovered areas of sound made them ideal collaborators for Wolters, whose music so often focuses on dismantling established boundaries.
It wasn’t just the sound of the instrument that inspired the composer, it was also its status as a former staple instrument of the music world now fallen on hard times. “The recorder is looked down on, pushed to the sidelines and ignored. I find it much more interesting to work with something that has a questionable reputation, rather than a refined high status,” Wolters explains. Modern wind instruments use complex key mechanisms, meaning the holes are either open or closed. In contrast, recorder players can use their fingers to find the pitch nuances in between. “There?s a lot more between C and D than just C-Sharp, and writing for recorder allows me to explore that. Microtonality also doesn’t have the best reputation (people think it’s sounds wrong and out of tune), so again that stimulates me. I am particularly excited by the idea of introducing microtones into pop music harmony.”
The first CD in this two-disc collection sets the recorder in a variety of contexts: with voice (7 Shakespeare Songs), voice and harpsichord (My own step-song), as an ensemble of 11 recorders (in the Cultural Olympiad commissioned
12-minute opera The Voyage) and amplified mixed ensemble (German Folk Tunes). CD2 is entirely dedicated to the monumental 40-minute Antarctica duet: Kathryn und Peter durchqueren die Antarktis (Kathryn and Peter cross the Antarctic). This is a journey through a cross-section diagram of the Antarctic, entirely composed of eighth-tones. One recorder follows the surface of the ice while the other traces the contours of the bedrock below. This haunting soundscape formed the basis for a radio play (commissioned and broadcast by DeutschlandRadio) and a stage show, both produced in collaboration with German theatre artist Marcus Droß. The piece was described as “powerfully evocative” and “spellbinding” by American Recorder magazine
Faculty recital series: Peter Zazofsky, Boaz Sharon, and Michael Reynolds, February 23, 2009
No full textThis is the concert program of the faculty recital of Peter Zazofsky, Boaz Sharon, and Michael Reynolds on Monday, February 23, 2009 at 12:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata for violin and piano by Claude Debussy and Duo for violin and cello, op. 7 by Zoltán Kodály. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund
Moral Good, the Beatific Vision, and God’s Kingdom Writings by Germain Grisez and Peter Ryan, S.J.. Edited by Peter J. Weigel
No full textFor close to half a century, the work of Germain Grisez has been highly influential, and his writings continue to receive considerable attention from philosophers and theologians of diverse viewpoints. His co-author for this work is the professor and noted moral theologian Fr. Peter Ryan, S.J., currently the executive director of the Secretariat of Doctrine and Canonical Affairs of the United States Conference of Catholic Bishops (USCCB). These two eminent scholars explore fundamental questions about Christian eschatology, moral theory, the purpose of human life, and the promise of human fulfilment. The authors examine Christian teaching on the final destiny of persons, investigating the meaning of God's kingdom, the hope of the beatific vision, and the centrality of moral goodness and divine grace in one's final end. This work is an ideal source for students, scholars, ministers and lay persons interested in basic questions of Christian theology, the philosophy of religion, ethical theory, and Catholic doctrin
De Trei à Rhizomes. Manuscrits inédits de Michael Jarrell. Présentation
No full textJarrell Michael, Szendy Peter. De Trei à Rhizomes. Manuscrits inédits de Michael Jarrell. Présentation. In: Genesis (Manuscrits-Recherche-Invention), numéro 4, 1993. Écritures musicales aujourd'hui. pp. 159-187
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