91,636 research outputs found
Towards critical event monitoring, detection and prediction for self-adaptive future Internet applications
The Future Internet (FI) will be composed of a multitude of diverse types of services that offer flexible, remote access to software features, content, computing resources, and middleware solutions through different cloud delivery models, such as IaaS, PaaS and SaaS. Ultimately, this means that loosely coupled Internet services will form a comprehensive base for developing value added applications in an agile way. Unlike traditional application development, which uses computing resources and software components under local administrative control, FI applications will thus strongly depend on third-party services. To maintain their quality of service, those applications therefore need to dynamically and autonomously adapt to an unprecedented level of changes that may occur during runtime. In this paper, we present our recent experiences on monitoring, detection, and prediction of critical events for both software services and multimedia applications. Based on these findings we introduce potential directions for future research on self-adaptive FI applications, bringing together those research directions
Civil Procedure in Classical Rome: Having an audience with the magistrate
During the classical period of Roman law, civil lawsuits were divided into two proceedings: a brief proceeding before the magistrate, who decided certain preliminary matters, and a longer proceeding before a judge, who tried the case. The first proceeding is said to take place "in iure," which roughly means "in the magistrate’s court." Unfortunately the figure "in court" has been understood too strictly to refer to the whole of the first phase, and this has given rise to the misunderstanding that the whole of the first phase took place in the magistrate’s presence. The better view is that the first phase took place both in, and around, the magistrate’s tribunal. This paper discusses several institutions of Roman civil procedure where the better view is evident. The paper concludes with a discussion of a first-century settle agreement from Puteoli; the settlement agreement illustrates the better view
Sub-regional classification of the IPCC Europe region
The IPCC sub-regional classification of the IPCC Europe region is based on a combination of the Environmental Stratification of Europe (Metzger at al. 2005), which covers the map up to 32° East, and an extension for Eastern Europe which was constructed using the same statistical methods. The combined dataset distinguishes 17 zones. To reduce the complexity, the zones have been aggregated to five main zones which were used in the IPCC 5th Assessment Reports Working Group 2 Europe Chapter (Kovats et al. 2014). Significant variation in climate, and (agro-) ecosystems remains within these zones, and further subdivision may make sense when assessing particular climate change impact. One obvious candidate for further subdivision is the ‘Southern zone’, which includes Mediterranean mountains and uplands in Anatolia that contrast starkly with other parts of the zone.This dataset contains:
1) IPCC_Europe_subregions.zip - the ESRI shape files for the IPCC Europe regions and country boundaries
2) IPCC_Europe_subregions.jpg - image of the regions
2) readme.pdf - description of the creation of the datase
Metzger (Birth, 1876-03-31)
Address: Colerain Pike1262/Pg.227/1876/F W/Amer/France/Dora Metzger & P. Wahle, Mid.Original record filed in drawer labeled 'METZE-MEYER, G'
Gisela Hellenkemper, La création du monde. Les mosaïques de Saint-Marc à Venise, traduit de l'allemand et adapté par F. Boespflug, 1986
Marcel Metzger. Gisela Hellenkemper, La création du monde. Les mosaïques de Saint-Marc à Venise, traduit de l'allemand et adapté par F. Boespflug, 1986. In: Revue des Sciences Religieuses, tome 62, fascicule 4, 1988. p. 326
Inventory for a Reverse Journey. Photographic Image and Found Object - An investigation of travel and material transformation as a paradigm of artist's practice: Ed Ruscha, Douglas Huebler, Bas jan Ader, Jimmie Durham, Gustav Metzger, Kurt Schwitters & Cian Quayle.
Inventory for Reverse Journey is the title of a collection of photographic artefacts and found objects, which I have collected over the last twenty years. The title refers to one specific type of artist's journey, which is applicable to the `chronotope' of my archive, as a `metaphorical journey in space and time' (Bakhtin 1981, p. 81). The `city',`provincial town', `road', `threshold' and `interior' are recurrent motifs, which Bakhtin fused together to describe the historical evolution of the novel in relation to its different genres. Bakhtin's motifs are expanded as the basis of an evolutionary nomenclature of the artist's-journey, as a form of spatial mapping and identity formation. Alongside other sources from literature (Alain Robbe-Grillet), cinema (Michelangelo Antonioni), psychoanalysis (Kierkegaard) and critical theory (Walter Benjamin) I have developed a theoretical framework, which initially originated in an empirical process, that is reflected in the antecedents of this project. The research process, as a journey itself, has concretised this approach within a systems-based practice. This is mirrored in the work of the artists under investigation, as their differences and similarities are highlighted within a broad contextual analysis. Accordingly the tone of the writing shifts its register at different points in the thesis.
My journey is just one example of several paradigmatic formations of `travel' as a strategy, which investigates the work of six different artists, as a voluntary or involuntary form of exile. A deskilled use of the photographic image is examined in the work of Ed Ruscha, Douglas Huebler and Bas jan Ader in the spatial mapping of their chosen locations. The work of these artists manifests travel, as a strategy, in a benign form of regional and expatriate exile. The investigation shifts its focus from the New World to Europe, where the work of Jimmie Durham, Gustav Metzger and Kurt Schwitters is analysed in relation to their transformation of found objects and materials, and their relationship with a former 'home'. Their position registers different degrees of the `impossibility of return' to a point of origin, which exists in the mind rather than as a physical location. The transience of their work, and use of disparate materials, is counterbalanced by their physical presence in the work. Conversely Ader, Huebler and Ruscha are linked by a scale of decreasing visibility, as they are sublimated within their work in the formation of, what is now construed as, a unique photographic presence. The starting point for which is a return to the formative years of conceptualism in the 1960's, which set the scene for Durham and Metzger from the 1970's onwards. The spectre of Schwitters practice of forming (Formung) and unforming (Entformung) is significant for my analysis of the dematerialisation of the art-work and artist, by processes of series and repetition, distance and proximity, movement and stasis. Although `travel' is a ubiquitous term, I continue to use it as a portmanteau, which carries with it the themes and `salient' features of a typology of artist's journeys. In a moment of perceived obsolescence as digital information systems engender a culture of `selective-amnesia', these thoughts have informed my work, which runs parallel to the artist case-studies, and the material transformation of the photographic image and found object
Nickolas Metzger, (1852-1897), purchased by Mrs. Amelia Duval on July 3, 1953.
Documents regarding the double headstone for Nickolas Metzger, (1852-1897), buried with Minnie F. Metzger, (1861-1920), purchased by Mrs. Amelia Duval. The marker was placed at Forest Cemetery in Toledo, Ohio. The stone is made of Pearl Mahogany with Sandblast letters
A Boundary Value Problem in C2
Dirichlet's problem for a single complex variable may be stated thus: given a real valued function f which is continuous on the boundary of a region R, does there exist a function h such that it is harmonic on R, continuous in the closure of R, and assumes the values of f on the boundary?ProQuest Traditional Publishing Optio
Moderne Schaufensteranlagen : Entwürfe mit Konstruktionsdetails von Architekt Franz Behring, Berlin, Ingenieur Rud. Fellermeier, Mannheim, Architekt Franz Haegele, berlin, Architekt Heinrich Platten, Hamburg, Ingenieur F. Punde, Niedersedlitz bei Dresden, Architekt O. Starke, München
zusammengestellt und herausgegeben von Architekt Max Metzger, LübeckEnthält: "30 Tafeln Ansichtszeichnungen und 34 Detailbogen mit Konstruktionsdetails nebst einer Textbeilage mit ausführlichen Beschreibungen und eingehenden Kalkulationen für sämtliche Projekte
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