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Marcus Shaden, introduced by Mette Sandbye
No full textIntroduction of keynote speaker Marcus Schaden on the photo-boo
Familiealbummet: Alt det, privatfotos fortæller:Mette Sandbye, kulturforsker, om gå på opdagelse i det private for at finde det fælles
No full textVi konstruerer fortællingen om os selv gennem de fotos, vi deler. Og ikke kun på sociale medier: Det samme gælder for de knitrende albums med sort-hvide familiefotos og ringbind med plastiklommer fuld af charterminder og konfirmationsgæster, de fleste har i familien. Samtid og selvopfattelse skinner igennem i ethvert til- og fravalg på disse hverdagsfotos, forklarer Mette Sandbye i denne episode. Og med det rette blik samler de små historier i private samlinger sig til en større, kulturhistorisk fortælling.Som landets første professor i fotografistudier forsker Mette Sandbye i fotografiets rolle i kulturhistorien, og derfor udgør almindelige menneskers privatliv og den måde, de har valgt at skildre det i fotografier fra ferier, familiefester og fodboldkampe, en vigtig del af hendes data. Feltarbejdet kræver godt fodtøj og indebærer alt fra loppemarkeder og lokalarkiver til hjemmebesøg i Japan.Hør også Mette Sandbye – der er professor ved Institut for Kunst- og Kulturvidenskab, Københavns Universitet – fortælle om, hvordan privatfotos på sociale medier påvirker fotografiforskningen, og det nordiske samarbejde om at afdække en hidtil ubeskrevet kultur af bad-ass, kvindelige fotografer omkring år 1900. Vi garanterer, at du vil se på både det gamle familiealbum og dine egne instagram-billeder med nye øjne efter denne episode
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Chapter 13 Making Pictures Talk: The Re-opening of a ‘Dead City’ through Vernacular Photography as a Catalyst for the Performance of Memories
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Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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