14,139 research outputs found

    Father Andrew Mullen 1790-1818: a study in early nineteenth century spirituality

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    This thesis is laid out in three parts: Part I. The life and death of Andrew Mullen. The life is based, to a large extent, on a long letter to his mother, Catherine Mullen, dated 7 January 1810. The letter gives a definite insight into his spirituality based on his membership of the Archconfraternity of the Blessed Sacrament. There is a hint that he had a premonition of an early death. Part II. The burial of Andrew Mullen and the immediate cult to him This is based on documentary evidence. Part III. Most of this part is a catalogue of testimonies taken from 1993 onwards. Then there is the conclusion on the popular devotion to Andrew Mullen stressing the theological aspect of the subject. In the course of writing the thesis it was decided to separate the documentary evidence from the oral tradition. This was advantageous in developing the thesis, and the documents provided a secure basis for the oral tradition. Two pieces of information were found in March 1997. They are death notices: 2 January 1819, The Leinster Journal and 7 January 1819, The Car low Morning Post. There is a slight discrepancy between the two on the date of his death. Also this discrepancy shows a slight difference from the date of the tombstone

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    author-bios-SRD-19-0063.R1 – Supplemental material for The Network Structure of Police Misconduct

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    Supplemental material, author-bios-SRD-19-0063.R1 for The Network Structure of Police Misconduct by George Wood, Daria Roithmayr and Andrew V. Papachristos in Socius</p

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Andrew Field papers

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    Andrew Field (1938- ) is a scholar, translator, and author, who has published translations of Russian literature, critical studies, biographies, fiction, essays, and travel articles. He holds degrees from Columbia University as well as a Ph.D. from the University of Queensland, Brisbane, Australia. From 1977 to 1979, he was a professor at Griffith University, Brisbane, Australia. Dr. Field's papers consist of materials relating to the writing of his 1983 study of the life and work of Djuna Barnes, Djuna: the Formidable Miss Barnes (alternately entitled Djuna: The Life and Times of Djuna Barnes). Included in the collection are correspondence, manuscripts, research notes, clippings related to the book's publication and reception, and photographs. Also included is a handwritten manuscript of a poem by Barnes

    Ep. #185 - Andrew Blum

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    This recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.Co-host Cymene reminisces this week about being the first intern hired by Wired magazine waaaay back in the day. Then (14:42) we are joined by journalist Andrew Blum (https://www.andrewblum.net)—the celebrated author of Tubes: A Journey to the Center of the Internet—to talk about his new book, The Weather Machine (Ecco/HarperCollins, 2019). We dive deep into it, beginning with our “golden age” of meteorology, and its improved computer simulations. We talk about human presence within massive information infrastructures, his interest in place philosophy, balancing attentions to weather and climate, comparing weather banality vs. weather catastrophe; and, Andrew explains to us the different ways of interpreting the history of weather forecasting. From there we turn to the intersection of war and weather, how Cold War rivalry and internationalism helped shape the weather machine as a global cooperative project, and whether private corporations like Google and IBM will control the future of forecasting. Chemtrails and other weather conspiracies make an appearance, as does the secret Nazi invasion of Canada to build a weather station. We close talking about weather and sympathy and sharing storm stories

    Servants, Aestheticism, and "The Dominance of Form"

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    The fictional representation of domestic servants reveals the relationship between aesthetic form and social domination in the work of aesthetes from Wilde to Henry James and beyond. Tracing the sources of Wilde's An Ideal Husband and Dorian Gray and James' The Ambassadors in French decadence and situating them within the history of service, I show that aestheticist depictions of servants recall, through literary form, the aesthete's dependence on servants' labor. I suggest that modernism shared this socially self-conscious concept of aesthetic form with aestheticism, precisely because it too pursued aesthetic autonomy.Published in ELH, copyright The Johns Hopkins University Press.Peer reviewe

    Fish and aquatic vegetation response to different flood regimes at The Nature Conservancy’s Emiquon and Merwin Preserves: Implications for floodplain connection

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    On April 25, 2013, the Merwin Preserve levee (99% at 446 ft asl) was overtopped at 447.52 ft asl which matched the historic river stage crest (447.52 ft asl) for the La Grange reach of the Illinois River in 1995. Once overtopped, the Merwin Preserve levee failed and the property filled within hours. The river stage continued to rise and crested at 448.04 ft asl on April 27, 2013, which was 0.52 ft higher than the former 1995 record. The only other time that the Merwin Preserve has been connected to the Illinois River was during a minor flooding event that overtopped the Merwin Preserve levee in 2002. The levee at the Emiquon Preserve, a larger TNC restored floodplain wetland upstream of the Merwin Preserve, has never had floodwater overtop its levee until 2013 when it experienced only a brief influx of river water because its levee is much higher (low spot at 451.3 ft asl and majority at 455.0 ft asl) and remained functional when breeched. The Merwin Preserve, in contrast, underwent a longer and more thorough inundation for 29 days. In addition, the legal requirement to move the water back out of the Merwin Preserve after the river returned to normal stage meant that another breach in the levee closer to the river had to be intentionally created. The levee failure and subsequent planned breeching allowed for the exchange of nutrients and organisms between the river and the Merwin Preserve. Because the goal of these projects is “to restore floodplain native plant and animal communities and to reconnect them to the Illinois River to allow movements of aquatic organisms”, it is important to consider how extreme, but infrequent flood events could potentially impact the dynamics of these and other floodplain restoration projects. Thus, the fish and aquatic vegetation monitoring conducted annually at the Emiquon Preserve was extended to the Merwin Preserve, following the historic spring flood in 2013to better understand how fish and aquatic vegetation respond to natural flood events and river connection within recently restored floodplain projects.not peer reviewedSubmitted by Susan Braxton ([email protected]) on 2015-07-27T19:36:42Z No. of bitstreams: 1 INHS2015_15.pdf: 825499 bytes, checksum: 5838046f437fc66bf038e3eb7eda31ce (MD5)Made available in DSpace on 2015-07-27T19:36:42Z (GMT). No. of bitstreams: 1 INHS2015_15.pdf: 825499 bytes, checksum: 5838046f437fc66bf038e3eb7eda31ce (MD5) Previous issue date: 2015-07-17Embargo set by: Susan Braxton for item 80068 Lift date: 2017-07-17T05:00:00Z Reason: Standard 2 year embargoLimited Restriction Lifted for Item 80068 on 2017-07-17T09:15:15Z.University of Illinois at SpringfieldNational Science Foundationunpublishe

    Interview with Andrew Knox Cass

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    Interview with Andrew Knox Cass, Author and STEM Teacher at the Energy and Environment Department. Polytechnic Institute, Aalborg. Denmark.https://digitalcommons.csumb.edu/digital-proximities_archive/1009/thumbnail.jp

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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