1,720,958 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Colors 1981
CONTENTS
Untitled, John I. C. Ramirez 2;
Love will fly, Tim Furness 3;
Untitled, Palmer Hoovestal 4;
The wave, Jerome Lightbourne 6;
The land*lord, R. Lea 7;
Song of the newborn, Heidi Muller 8;
Untitled, Mary Ostervold 9;
Good crops, Gina Larson 10;
Come, challenge the sea, Paula Schafer 12;
Untitled, Pat Dooris 14;
Untitled, Eric Peterson 16;
A flight of fancy, Tony Schaan 17;
Ode upon a london tube, Kit Warfield 18;
Sponge, Debbie Court 19;
Untitled, Debbie Court 20;
Untitled, John I. C. Ramirez 21;
Untitled, Joyce Lowry 21;
Untitled, Mary Taft 22;
Thank you, Lord [unidentified author] 23;
From generation to generation, Denise Marsh 24;
Untitled, S. M. 25;
Untitled, M. F. 26;
Brain Cramp, Francine Bergeron 27;
Untitled, Pat Dooris 28;
Untitled, Tom Mertes 30;
Untitled, John I. C. Ramirez 31;
Untitled, Dolores Bock 31;
Untitled, Christopher Perez 32;
Untitled, Pat Dooris 33;
Echoes of Innocence, Kelly Cosgrove 35;
Beloved, M. Bowen 36;
Untitled, Mary Ostervold 36
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Colors 1983
CONTENTS
Machu Picchu, Drew Smith 5;
Untitled, Drew Smith 6;
Forest home, Drew Smith 6;
They say I'm crazy, Tom Huddleston 7;
Nam sitrep, Tom Huddleston 8;
Untitled, Kitty Johnson 9;
Untitled, Kitty Johnson 10;
Michael, Don Miller 11;
Prospectives, Don Miller 12;
Reverse reality, Erin Hurley 13;
The joker's epistemology, Erin L. Hurley 14;
Brown Attentions, Joannie Chaloupka 15;
Numbers I have tried to give myself (upon reviewing for the M.C.A.T.), Francis X. McCormack 16;
In loving memory, Francis X. McCormack 17;
Cold Eye, Francis X. McCormack 17;
Untitled, Cindy Ackerman 18;
Eumenides, Cindy Ackerman 19;
The urbane renewal (a new wave experience), Julie Sullivan 20;
Journey's end, Cheryl Tursich 21;
Driving thoughts, Kerry Moudy 22;
The accountant, Jamie Neely 23;
The apocalypse, Doug Dellwo 24;
Tomorrow is another, CC Sloan 25;
Perspectives, Iris Basta 26;
Yes, Heidi Muller 27;
Dilsaver's nemesis, Cora Thompson 28;
Monday's marriage, Elaine Olsen 29;
Nikki, Gwen Williams 30;
A perfect "10", Tony Baumgartner 31;
"Dead Faith", anonymous 33;
Today..., Cindy Ackerman 39;
The last hunt, James Stout 45;CONTENTS
Machu Picchu, Drew Smith 5;
Untitled, Drew Smith 6;
Forest home, Drew Smith 6;
They say I'm crazy, Tom Huddleston 7;
Nam sitrep, Tom Huddleston 8;
Untitled, Kitty Johnson 9;
Untitled, Kitty Johnson 10;
Michael, Don Miller 11;
Prospectives, Don Miller 12;
Reverse reality, Erin Hurley 13;
The joker's epistemology, Erin L. Hurley 14;
Brown Attentions, Joannie Chaloupka 15;
Numbers I have tried to give myself (upon reviewing for the M.C.A.T.), Francis X. McCormack 16;
In loving memory, Francis X. McCormack 17;
Cold Eye, Francis X. McCormack 17;
Untitled, Cindy Ackerman 18;
Eumenides, Cindy Ackerman 19;
The urbane renewal (a new wave experience), Julie Sullivan 20;
Journey's end, Cheryl Tursich 21;
Driving thoughts, Kerry Moudy 22;
The accountant, Jamie Neely 23;
The apocalypse, Doug Dellwo 24;
Tomorrow is another, CC Sloan 25;
Perspectives, Iris Basta 26;
Yes, Heidi Muller 27;
Dilsaver's nemesis, Cora Thompson 28;
Monday's marriage, Elaine Olsen 29;
Nikki, Gwen Williams 30;
A perfect "10", Tony Baumgartner 31;
"Dead Faith", anonymous 33;
Today..., Cindy Ackerman 39;
The last hunt, James Stout 45
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