1,721,059 research outputs found

    Soviet Cultural Diplomacy in Denmark during the Cold War:The Case of the Society for Cooperation between Denmark and the Soviet Union

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    The article discusses the Soviet apparatus for cultural diplomacy abroad during the Cold War period using the worlds oldest society for friendship with the Soviet Union as a case study.The article looks at question from 3 diffrent angels:1: Organisation, planning and financing.2: Activities.3: Reception, influence and public opinio

    Central and Eastern European Media under Dictatorial Rule and in the Early Cold War

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    MERTELSMANN, Olaf (dir.), Central and Eastern European Media under Dictatorial Rule and in the Early Cold War, Bruxelles, Peter Lang, 2011, 233 p. Presentation: This volume presents case studies of media under socialist and fascist dictatorial regimes covering the period from the 1930s till the early Cold War. The regional focus is on Central and Eastern Europe. Fourteen authors from nine countries - among them historians, social scientists and media specialists - explore this interesting ch..

    The Baltic States under Stalinist Rule

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    William D. Prigge is a contributing author Sovietization, Russification and Nationalism in Post-War Latvia. , pp 71-86.https://openprairie.sdstate.edu/hppr_book/1001/thumbnail.jp

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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