1,721,169 research outputs found
Analysing Music with Point-Set Compression Algorithms
Full text linkSeveral point-set pattern-discovery and compression algorithms designed for analysing music are reviewed and evaluated. Each algorithm takes as input a point-set representation of a score in which each note is represented as a point in pitch-time space. Each algorithm computes the maximal translatable patterns (MTPs) in this input and the translational equivalence classes (TECs) of these MTPs, where each TEC contains all the occurrences of a given MTP. Each TEC is encoded as a ⟨pattern,vector set⟩ pair, in which the vector set gives all the vectors by which the pattern can be translated in pitch-time space to give other patterns in the input dataset. Encoding TECs in this way leads, in general, to compression, since each occurrence of a pattern within a TEC (apart from one) is encoded by a single vector, that has the same information content as one point. The algorithms reviewed here adopt different strategies aimed at selecting a set of MTP TECs that collectively cover (or almost cover) the input dataset in a way that maximizes compression. The algorithms are evaluated on two musicological tasks: classifying folk song melodies into tune families and discovering repeated themes and sections in pieces of classical music. On the first task, the best-performing algorithms achieved success rates of around 84%. In the second task, the best algorithms achieved mean F1 scores of around 0.49, with scores for individual pieces rising as high as 0.71
A Wavelet-Based Approach to Pattern Discovery in Melodies
Full text linkWe present a computational method for pattern discovery based on the application of the wavelet transform to symbolic representations of melodies or monophonic voices. We model the importance of a discovered pattern in terms of the compression ratio that can be achieved by using it to describe that part of the melody covered by its occurrences. The proposed method resembles that of paradigmatic analysis developed by Ruwet (1966) and Nattiez (1975). In our approach, melodies are represented either as ‘raw’ 1-dimensional pitch signals or as these signals filtered with the continuous wavelet transform (CWT) at a single scale using the Haar wavelet. These representations are segmented using various approaches and the segments are then concatenated based on their similarity. The concatenated segments are compared, clustered and ranked. The method was evaluated on two musicological tasks: discovering themes and sections in the JKU Patterns Development Database and determining the parent compositions of excerpts from J. S. Bach’s Two-Part Inventions (BWV 772–786). The results indicate that the new approach performs well at finding noticeable and/or important patterns in melodies and that filtering makes the method robust to melodic variation
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Exact Cover Problem in Milton Babbitt's All-partition Array
No full textOne aspect of analyzing Milton Babbitt’s (1916–2011) all- partition arrays requires finding a sequence of distinct, non-overlapping aggregate regions that completely and exactly covers an irregular matrix of pitch class integers. This is an example of the so-called exact cover problem. Given a set, A, and a collection of distinct subsets of this set, S, then a subset of S is an exact cover of A if it exhaustively and exclu- sively partitions A. We provide a backtracking algorithm for solving this problem in an all-partition array and compare the output of this algorithm with an analysis produced manually
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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