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Menichetti (Mauro). ...quoius forma virtutei parisuma fuit... Ciste prenestine e cultura di Roma medio-repubblicana.
No full textR. Serra Ridgway Francesca. Menichetti (Mauro)...quoius forma virtutei parisuma fuit... Ciste prenestine e cultura di Roma medio-repubblicana.. In: Revue belge de philologie et d'histoire, tome 76, fasc. 1, 1998. Antiquité - Oudheid. pp. 275-277
Menichetti (Mauro). ...quoius forma virtutei parisuma fuit... Ciste prenestine e cultura di Roma medio-repubblicana.
No full textR. Serra Ridgway Francesca. Menichetti (Mauro)...quoius forma virtutei parisuma fuit... Ciste prenestine e cultura di Roma medio-repubblicana.. In: Revue belge de philologie et d'histoire, tome 76, fasc. 1, 1998. Antiquité - Oudheid. pp. 275-277
recensione a: A. Schnapp, Le chasseur et la cité. Chasse et érotique dans la Gréce ancienne, Paris 1997
No full text"Quoius forma virtute parisuma fuit". Ciste prenestine e cultura di Roma medio-repubblicana
No full text
recensione a: A.Zaccaria Ruggiu, More regio vivere. Il banchetto aristocratico e la casa romana di età arcaica
No full textTroiae lusus. Mettere in scena le origini di Roma
No full textThe creation of Augustus’ power is also relied to tools and devices of visual culture. The movement of the young riders performing the
Troiae lusus reproduces the path of the labyrinth and the revolution of the dolphins but especially displays history and tradition about Rome’s foundation that now is renewed and reinvented by the gens Iulia. Virgil’s narration of the Troiae lusus – probably reusing a more ancient tradition – provides a narrative pattern able to match the dynastic succession and the mythical and historical tradition regarding Rome’s origin and foundation
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