262,283 research outputs found
Puppenspiele für Kasperle-Theater / hrsg. von Paul Mencke ; 5
No full textPUPPENSPIELE FÜR KASPERLE-THEATER / HRSG. VON PAUL MENCKE ; 5
Puppenspiele für Kasperle-Theater / hrsg. von Paul Mencke (-)
Puppenspiele für Kasperle-Theater / hrsg. von Paul Mencke ; 5 (5) (1)
Cover (3)
Titelseite (5)
Inhaltsverzeichnis. (7)
I. Prinz Zerbino. (9)
Faust und Gretchen. (32)
Das Familienfest. (42
Ordinis Ivre Consvltorvm In Academia Vitembergensi H. T. Decanvs Godofridvs Lvdovicvs Mencken ICtvs Potentissimi Poloniarvm Regis Et Principis Electoris Saxoniae Avlae Ac Ivstitiae Nec Non In Svmmo Provocation. Senatv Consiliarivs Itemqve Collegiorvm Qvae Vitembergae Florent Ivridicorvm Et Ivdicii Provinc. Lvsat. Infer. Assessor : [D. Vitembergae M DCC XXXVII. XXIX. Iun.]
No full textEinladung zur Verteidigung der jur. Dissertation von Leonhard Ludwig Mencke am 29. Juni 1737, enth. am Ende Lebenslauf des KandidatenVorlageform des Kolophons: Vitembergae Typis Ephraimi Gottlob Eichsfeldi[i] - Erscheinungsjahr nach Datierung am Textend
Tab. I. Mencke
No full textStammtafel der Familie Mencke[... übergeben von Johann Seifert, J. U. C. Regensburg 1716.]Erscheinungsjahr nach Datierung auf Bl. 2Enth. auch Tab. II
Performing Enlightenment: Johann Burkhard Mencke and Academic Self-Critique
Get PDFFor many Enlightenment philosophers, to do philosophy was not only to think and write, but also to live and act in the world. This performative purpose changed the meaning of philosophical texts as well as which texts could be considered as philosophical. The essay illustrates this point through the example of Johann Burkhard Mencke’s famous lectures, De charlataneria eruditorum −on charlatanry of the learned− first delivered at the University of Leipzig in 1713 and 1715. Mencke not only discussed the significance and problems of performance, but also emphasized his points by his own performance as a lecturer and as an author. He was not only critical of the false authority of others, but also of his own authority as well as that of his Enlightenment colleagues and allies. The lectures, I argue, exemplify a genre of Enlightenment philosophy that placed self-critique at the center.For many Enlightenment philosophers, to do philosophy was not only to think and write, but also to live and act in the world. This performative purpose changed the meaning of philosophical texts as well as which texts could be considered as philosophical. The essay illustrates this point through the example of Johann Burkhard Mencke’s famous lectures, De charlataneria eruditorum −on charlatanry of the learned− first delivered at the University of Leipzig in 1713 and 1715. Mencke not only discussed the significance and problems of performance, but also emphasized his points by his own performance as a lecturer and as an author. He was not only critical of the false authority of others, but also of his own authority as well as that of his Enlightenment colleagues and allies. The lectures, I argue, exemplify a genre of Enlightenment philosophy that placed self-critique at the center
Comparing the aesthetic experience of classic–romantic and contemporary classical music: An interview study
Get PDFCurrent models of aesthetic experience of music (AEM) have emerged in the recent years capitalizing on evidence from psychology and neuroscience research, thus modeling mainly cognitive and information processes in the brain. However, a large part of the empirical research on which these models are based is related to Western tonal music, while another style of Western music, namely, contemporary classical music (CCM), has been almost neglected. CCM is often dissonant and lacks a tonal hierarchical structure, as, for example, in serial musical pieces. The current study qualitatively explored aesthetic dimensions of a CCM experience by contrasting it to classic–romantic music (CM). To this end, 16 semi-structured interviews with experts of both CCM (n = 8) and CM (n = 8) were conducted. The interview guide consisted of questions relating to physiological, affective, and cognitive dimensions of music listening. We applied qualitative content analysis on the textual material and compared the emerging main and sub-themes between the groups. Our findings show that especially the categories of expectations, physiological and emotional responses, pleasurable aspects, and, lastly, existential relevance revealed striking differences which allow us to conclude that CM and CCM afford distinguishable types of AEM in listeners
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Atonal Music: Can Uncertainty Lead to Pleasure?
Get PDFIn recent years, the field of neuroaesthetics has gained considerable attention with music being a favored object of study. The majority of studies concerning music have, however, focused on the experience of Western tonal music (TM), which is characterized by tonal hierarchical organization, a high degree of consonance, and a tendency to provide the listener with a tonic as a reference point during the listening experience. We argue that a narrow focus on Western TM may have led to a one-sided view regarding the qualities of the aesthetic experience of music since Western art music from the 20th and 21st century like atonal music (AM) – while lacking a tonal hierarchical structure, and while being highly dissonant and hard to predict – is nevertheless enjoyed by a group of avid listeners. We propose a research focus that investigates, in particular, the experience of AM as a novel and compelling way with which to enhance our understanding of both the aesthetic appreciation of music and the role of predictive models in the context of musical pleasure. We use music theoretical analysis and music information retrieval methods to demonstrate how AM presents the listener with a highly uncertain auditory environment. Specifically, an analysis of a corpus of 100 musical segments is used to illustrate how tonal classical music and AM differ quantitatively in terms of both key and pulse clarity values. We then examine person related, extrinsic and intrinsic factors, that point to potential mechanisms underlying the appreciation and pleasure derived from AM. We argue that personality traits like “openness to experience,” the framing of AM as art, and the mere exposure effect are key components of such mechanisms. We further argue that neural correlates of uncertainty estimation could represent a central mechanism for engaging with AM and that such contexts engender a comparatively weak predictive model in the listener. Finally we argue that in such uncertain contexts, correct predictions may be more subjectively rewarding than prediction errors since they signal to the individual that their predictive model is improving
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
D. D. Lüderus Mencke, I. C. Consiliar. Reg. Polon. ... Ad Ventilationem Publicam Controversiarum Selectarum Iuris Naturalis ... Suscipiendam ... Iurium Cultores Peramanter Invitat
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