1,356,412 research outputs found
Letter, 1936 June 4, Lafayette, Ind., to G. Stanley Meikle, Lafayette, Ind.
No full textLetter from Stuart, Stuart, & Devol to G. Stanley Meikle acknowledging receipt of letter discussing donations for the world flight project, June 4, 193
Letter, 1936 Feb. 14, Lafayette Ind., to G. Stanley Meikle, West Lafayette, Ind.
No full textLetter from Stuart, Stuart, & Devol to G. Stanley Meikle suggesting statement to add to Earhart world flight agreement concerning return of money in the event of abandonment of the flight project, February 14, 193
Letter, 1936 Mar. 7, Lafayette, Ind., to G. Stanley Meikle, Lafayette, Ind.
No full textLetter from Stuart, Stuart, & Devol to G. Stanley Meikle suggesting Amelia Earhart or George Putnam write a letter to Edward Elliott outlining the importance of the intention to establish an aeronautics research fund and the desire to use the facilities of the airport for collection of scientific data, March 7, 193
Ohio Star quilt, by Katie Violetta Meikle Ewing
No full textImage of Ohio Star quilt created in 1934 by Katie Violetta Meikle Ewing. Also includes questionnaires describing the quilt completed by Delva Ewing Kofoed as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. The quilt was a wedding gift to Delva from her mother in 1941; quilter made quilts for church, pleasure, Therapy, to give as gifts, and out of necessit
Introduction: Transformation and Continuity
No full textFirst paragraph of introduction: News matters. It remains the main forum for discussion of issues of publicimportance. It offers an arena in which journalists and media firms,politicians, other high-status sources of information, and audiences cometogether to inform, persuade, influence, endorse or reject one another in acollaborative process of making meaning from events. But the news ischanging in ways that are not yet well-understood. The news environment ofthe twenty-first century is being shaped by both emerging transformationsand contested continuities. Content, distribution channels, geographicalconstraints, production values, business models, regulatory approaches andcultural habits are all changing as new media technologies are adopted andadapted by users, often in unexpected ways. Established media organisationsare in many cases struggling to adapt to a changed environment - eventhough, paradoxically, they have driven many of the changes themselves
Meikle, Thomas Ivan, VX23599
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/404611Surname: MEIKLE. Given Name(s) or Initials: THOMAS IVAN. Military Service Number or Last Known Location: VX23599. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 29655.241470
Item: [2016.0049.36894] "Meikle, Thomas Ivan, VX23599
Ressenya a Katherine Walker-Meikle, Medieval cats, Londres, The British Library, 2011; i Katherine Walker-Meikle, Medieval pets, Woodbridge, Boydell and Brewer, 2012
No full textRessenya a Katherine Walker-Meikle, Medieval cats, Londres, The British Library, 2011, 89 pp. ISBN 978-0-7123-5818-7; i Katherine Walker-Meikle, Medieval pets, Woodbridge, Boydell and Brewer, 2012,</span
Bad Spirits exhibition: Gayle Meikle
No full textA performance and reading by Gayle Meikle on motherhood and feminismJoin us at Bad Spirits at 2pm on Mothering Sunday (31st March) with Gayle Meikle who will take us through a short informal reading through curatorial Practice // love //mothering and there will be cake! An installation of texts and foliage / Sunday cocktails/ pancakes.Gayle Meikle is a Scottish curator and researcher based out of Newcastle Upon Tyne, England. Her practice is located within the curatorial with a deep interest in the spatial, socio-political implications of such.Currently, she is undertaking a practice-led PhD at the BxNU Institute (Northumbria University). Her forthcoming thesis (2016 – 2019) titled The Erotic Curatorial: A Feminist approach to a critical spatial practice in curating explores a situated and embodied approach to curating. She is also the co-editor of the the forthcoming publication The ATLAS Lexicon due for release later in the year
A review of the 2011 construction survey and results from the World Bank International Comparison Program
No full text[Extract] Making credible international price level comparisons is difficult. Commercial exchange rates do not necessarily reflect real differences in purchasing power between countries and a single currency convertor does not accurately represent price level differences across different components of an economy. The World Bank, through its International Comparison Program (ICP), is responsible for the production of Purchasing Power Parities (PPPs) for both national economies (Gross Domestic Product, GDP) and for sub-components of GDP for around 200 countries (see World Bank 2018a). PPPs are alternatives to market exchange rates and are intended to reflect price level differences across countries more accurately. One of the sub-components of GDP in the ICP is construction, part of Gross Fixed Capital Formation (GFCF) or investment.The main components of GFCF are machinery and equipment, and construction. In terms of content and price levels these two are very different: machinery and equipment items are generally internationally traded and as a result are likely to have PPPs that are broadly similar to commercial exchange rates; the bulk of construction, on the other hand, is an essentially local activity and is likely to have PPPs that are markedly different to exchange rates or machinery and equipment PPPs. In poorer countries, construction price levels and, therefore, construction volumes are likely to be understated using exchange rates, while in richer countries, the opposite is often the case
Studio portrait of Miss Meikle [or Meihle].
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/264992A studio portrait of a woman standing alongside an elaborate wicker chair in front of a painted background.
Inscription: ‘Miss Meikle [or Meihle]’ is written on the negative edge.204798
Item: [1988.0137.00755] "Studio portrait of Miss Meikle [or Meihle].
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