1,721,394 research outputs found
Overzicht van geldstromen naar kust en zee: uitvoering, financiering en ondersteuning van het marien wetenschappelijk onderzoek in Vlaanderen
Detection and degradation of environmental DNA (eDNA) in the marine environment: a lab and field approach using plaice
Metatranscriptome of a marine pelagic crustacean community using nanopore sequencing
Due to their rapid responses to environmental variation, planktonic organisms are used as bio-indicators of ecosystem changes. Most zooplankton monitoring studies focus mainly on variability in biodiversity, densities and biomass. Advances in practical, cost-effective molecular approaches can help overcome the issues with morphology-based biomonitoring. While molecular studies are growing in popularity, a fundamental challenge remains the transport of biological material to a laboratory for DNA/RNA extractions and sequencing. The MinION™, a portable nanopore-based DNA/RNA sequencing platform (Oxford Nanopore Technologies), offers big potential advantages in the context of biodiversity research, i.e. portability and low costs of instrument and reagents. It weighs less than 100 g, is therefore easily transportable and is powered to sequence RNA using the USB port on a standard laptop, hence making it suitable for mobile research setups and real time monitoring campaigns onsite. In a first step, we wanted to understand how the gene expression in zooplankton fluctuates over the course of a short time period. Therefore, we monitored the gene expression of the dominant zooplankter, the calanoid copepod Temora longicornis, over a short time span (one day), making use of the infrastructure of the research vessel Simon Stevin. We compared gene expression results with in situ determined biotic and abiotic patterns. Moreover, due to the recent development of the VolTRAX, a small device designed to perform library preparation automatically, for the first time we were able to prepare a biological sample for analysis in situ and hands-free, making in-field, molecular monitoring of marine life possible
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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