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Mccarthy, John Herbert, 401388
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/402636Surname: MCCARTHY. Given Name(s) or Initials: JOHN HERBERT. Military Service Number or Last Known Location: 401388. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 47307.222282
Item: [2016.0049.34929] "Mccarthy, John Herbert, 401388
Comparative markedness
No full textThe markedness constraints of classic Optimality Theory assign violation-marks to output candidates without reference to the input or to other candidates. This article explores an alternative conception of markedness: markedness constraints compare the candidate under evaluation with another candidate, the most faithful one. Com-parative constraints distinguish two situations: the candidate under evaluation contains an instance of a marked structure that is also present in the fully faithful candidate; or it contains an instance of a marked structure that is not present in the fully faithful candidate. Empirical consequences of comparative markedness are explored, including grandfather effects, derived environment effects, non-iterating processes, and counter-feeding opacity. Comparative markedness is found to have some advantages and some disadvantages in comparison with classic OT and alternatives like local conjunction, stratal OT, sympathy, and targeted constraints. Optimality Theory (Prince and Smolensky 1993) has two types of con
Conclusion [The Oil Palm Complex: Smallholders, Agribusiness and the State in Indonesia and Malaysia]
No full textAlien Registration- Mccarthy, John C. (Bangor, Penobscot County)
Get PDFhttps://digitalmaine.com/alien_docs/11818/thumbnail.jp
McCarthy, John F., Andrew McWilliam, and Gerben Nooteboom. The Paradox of Agrarian Change: Food Security and the Politics of Social Protection in Indonesia.
No full textMcCarthy, John F., Andrew McWilliam, and Gerben Nooteboom. The Paradox of Agrarian Change: Food Security and the Politics of Social Protection in Indonesia. Singapore: National University Singapore Press, 2022
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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