329,957 research outputs found
Barry McCarthy
No full textIn a short text McCarthy writes about his experience as an artist and his sensitivity to the world around him. Biographical notes
Letter from E. McCarthy to Hagan
No full textHolograph letter from E. McCarthy, St. Paul's, Arran Quay (Dublin), to (Hagan), regretting he cannot travel to Rome; enclosing a cheque towards expenses
J. Postele, McCarthy, & E. Buist to James C. Furman
No full textA two page letter and envelope from J. Postele, McCarthy, & E. Buist to James C. Furma
Letter from E. McCarthy to Hagan
No full textHolograph letter from E. McCarthy, The Presbytery, James Street, Dublin, to Hagan, enclosing a card from 'M.', St. Scholastica's (Teignmouth, England), asking to have his Roman friends obtain the papal blessing for the abbess of Teignmouth abbey. - Also stating that Hagan's friend Morrissey is in good form; so are the 'old Gentlemen' so that there is no chance of his promotion toP.P. Also commenting 'the Custom House is gone and there is no sign of peace'
Tenant's installing satellite dishes
No full textElectronic data.; Title from title screen.; "July 20, 2004."; Updates OLR research report 1999-R-0915: Federal preemption of antenna regulation / by Kevin E. McCarthy.; Discusses whether under federal law, landlords must allow tenants to install satellite dishes and whether a landlord can require a tenant to waive his rights by contract.; Harvested from the web on 8/6/0
«Strange affinities». McCarthy e il cinema: un’influenza reciproca?
No full textFranco Lonati, partendo dalle analogie fra il giudice Holden e il colonnello Kurtz di Apocalypse Now, riflette sulla mutua influenza fra la narrativa di McCarthy e il cinema, suggerendo possibili analogie fra i personaggi dei suoi romanzi e i protagonisti di alcuni western revisionisti di cineasti come Terrence Malick, Michael Cimino e Sam Peckinpah
Notification of repair cost minimum under the Emissions Inspection Program
No full textElectronic data.; Title from title screen.; "April 30, 2004."; Previouly issued as OLR research report ; 2004-R-0286 : Emissions Inspection Program / by Kevin E. McCarthy.; Discusses 1.) whether it is Agbar's obligation under the emissions inspection contract to inform each motorist receiving a test about the minimum cost for repairs necessary to qualify for a compliance waiver, and if so, 2.) how is this notice given.; Harvested from the web on 5/28/0
Figure di padri tra dissolvenza e persistenza: McCarthy e Coetzee
No full textIl saggio, rialeborazione dell'intervento omonimo al Convegno padovano "Letteratura e Conflitti generazionale" del dicembre 2012, prende in esame due opere della letteratura contemporanea ("The road" di McCarthy e "Disgrace" di Coetzee) rilevando costanti e varianti del trattamento del personaggio del padre e delle situazioni relazionali istituite, rispettivamente, dai protagonisti con un piccolo figlio e con una figlia adulta, in uno scenario di violenza e di degrado della civiltà. L'interpretazione si confronta in particolare con alcune recenti letture di testi letterari da parte della psicoanalisi contemporanea (in particolare la tesi lacaniana di Recalcati, relativa al "complesso di Telemaco" e all'eclissi della figura paterna nello scenario ipermoderno), problematizzandone, alla luce di un'indagine critica, narratologica e soprattutto tematica, i risultati
Ketchup and Blood: Documents, Institutions and Effects in the Performances of Paul McCarthy 1974-2013
No full textSince the 1970s, the work of Los Angeles-based artist Paul McCarthy (b. 1945) has included live performance, video, sculpture, kinetic tableaux, and installation. Tracing the development of McCarthy’s work between 1974 and 2013, I undertake a critical discussion of the development of performance in relation to visual art practices. Using one artist’s work as a guide through a number of key discussions in the history of performance art, I argue that performance has influenced every aspect of McCarthy’s artistic practice, and continues to inform critical readings of his work.
My thesis follows the trajectory of McCarthy’s performance practice as it has developed through different contexts. I begin with the early documentation and dissemination of performance in the Los Angeles-based magazine High Performance (1978-83), which established a context for the reception of performance art, and for McCarthy’s early work. I then examine specific examples of McCarthy’s practice in relation to his critical reception: live performances and videos from the 1970s are discussed alongside critical readings of his work influenced by psychoanalysis; and the wider public recognition of McCarthy’s object-based art in the 1980s and early 1990s. I then look more broadly at the recent trend of re-enacting historical performances in the Getty’s Pacific Standard Time project (2011-12), as a mode of engaging with performance history and exploring how histories of ephemeral art are re-iterated over time. Finally, I discuss a number of McCarthy’s recent exhibitions and installations that mobilises a wider consideration of the histories of performance and ephemeral practices in art institutions.
McCarthy’s work is firmly established in the art world, and I argue that his work also provides a significant touchstone for histories of performance. I look historically at how McCarthy’s work has been documented, disseminated, curated, and re-performed, and open wider discussions about ways of engaging with performance history. In turn, I complicate the relationship between performance and the art world; between ephemeral art and object-based art practices; and between scholarly engagements with performance history, and the public presentation of performance in curatorial practices and institutional contexts.This project was funded by a College Studentship from Queen Mary, University of London. Additional financial support for a research trip to Los Angeles in 2012 to undertake primary research and conduct interviews was provided by the Queen Mary Central Research Fund (now the Postgraduate Research Fund). I would also like to acknowledge the support of the Glynne Wickham Scholarship fund, which contributed to travel expenses for a conference presentation at Stanford University in 2013
Mccarthy, B E, NX66837
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/402656Surname: MCCARTHY. Given Name(s) or Initials: B E. Military Service Number or Last Known Location: NX66837. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 23799.222302
Item: [2016.0049.34949] "Mccarthy, B E, NX66837
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