1,720,956 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Shakespeare and Metatheatrical Representation
Get PDFForholdet mellom scenisk representasjon og metateater hos Shakespeare har tradisjonelt blitt oppfattet antagonistisk: publikum ses enten som fanget inn av scenens skinn av virkelighet, eller som fremmedgjort og skeptisk distansert fra den. Min forskning viser imidlertid at Shakespeares drama kun realiseres gjennom forfalskende effekter og posisjoner, men at det likevel ikke er noe motsetningsforhold mellom representasjon og metateater. Tvert imot suspenderes virkningen av hver enkelt modalitet; begge forblir i spill, og dramatikeren kan utnytte det generative potensialet som ligger i hver av dem. Kort sagt, representasjon og metateater flettes sammen som et overordnet kunstgrep. Dette er en risikabel estetisk strategi som på hvert trinn lett kan feile. Jeg analyserer hvordan Shakespeare lar motsetning, simulering og parodi virke sammen, og hevder at han med dette bidrar til å gi renessanseteatret en unik form for estetisk representasjon.publishedVersio
Political Shakespeare and the Blessing of Art
Get PDFThis text attempts to detail the functions and effects of some of Shakespeare\u27s aesthetic strategies, and to determine their relationship to ideology. While this is critical territory that cultural materialists and new historicists have extensively mapped, the current text avoids the preferred methods of enquiry that these lines take. Rather than giving focus to the containment strategies of a dominant ideology, my investigation proceeds via a close reading of certain elements from Act 5 of Shakespeare\u27s A Midsummer Night\u27s Dream. I attempt to demonstrate that meaning in the play is determined and encompassed within the self-reflective and dissimulating structures of Shakespeare\u27s art. I suggest that such an aesthetic premise offers a set of conditions that allows the play to operate in a manner which distinguishes it from its immediate cultural circumstances. This also means that when the ideological world beyond the stage is given re-presentation within the performance\u27s illusory structures, it necessarily undergoes something like a disfiguration. I end by briefly remarking how even if the aesthetic structures of Shakespeare\u27s plays realise themselves as distinct from, and as disfiguring of, ideology, they may still nonetheless be subject to it
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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