1,721,025 research outputs found
Collaborative research in the digital humanities
This is a Fest (celebration) in the form of a Schrift (publication) honouring the professional career of an extraordinary man, Harold Short, by looking at his work and, beyond it, to the digital humanities which he has done so much to establish, in the style and with the trajectory that he has helped to give to the field. But it is also a liber amicorum, a testament of friends to the enduring and improving difference he has made through an inseparable combination of love, imagination, thought, patience and stubbornness: love, in energetic devotion to our subject and to many of its practitioners; imagination, technical, intellectually critical and administrative; thought, in puzzling out the implications of computing and attending to all the details of implementing it collaboratively; and, yes, both patience and plain stubbornness in the face of uncomprehending resistance to new ideas and ways of working. He reminds us that at the centre of all that we do are people, some very special people. This introduction attempts to point toward the significance of what Harold has done
Introduction
In this broad-reaching, multi-disciplinary collection, leading scholars investigate how the digital medium has altered the way we read and write text. In doing so, it challenges the very notion of scholarship as it has traditionally been imagined. Incorporating scientific, socio-historical, materialist and theoretical approaches, this rich body of work explores topics ranging from how computers have affected our relationship to language, whether the book has become an obsolete object, the nature of online journalism, and the psychology of authorship. The essays offer a significant contribution to the growing debate on how digitization is shaping our collective identity, for better or worse
The residue of uniqueness
"To build an argument for the supervening importance of agenda, the author locates the digital humanities within the context of a central human predicament: the anxiety of identity stemming from the problematic relation of human to non-human, both animal and machine. He identifies modeling as the fundamental activity of the digital humanities and draws a parallel between it and our developing confrontation with the not-us. The author then goes on to argue that the demographics of infrastructure within the digital humanities, therefore in part its emphasis, is historically due to the socially inferior role assigned to those who in the early years found para-academic employment in service to the humanities. He does not specify an agenda, rather conclude that modeling, pursued within its humane context, offers a cornucopia of agenda if only the 'mind-forged manacles' of servitude' s mind-set can be broken." (author's abstract
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Review of On deep history and the brain, by Smail, D. L.
This book asks: how do digital images function as cultural artefacts? And how have these artefacts been appropriated and managed by libraries, galleries and museums, systems Terras defines as 'memory institutions'? Important themes emerge from these questions, principally, user experiences and their relationship with the 'memory institutions' of libraries, galleries and museums; the current proliferation of digital media tools via the Internet; and the role of the information professional as educator and interface between private users and public institutions
(Ch. 4) From Index Locorum to Citation Network: an Approach to the Automatic Extraction of Canonical References and its Applications to the Study of Classical Texts
Chapter 4 of my doctoral dissertation
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