104,637 research outputs found
Mccarthy, B E, NX66837
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/402656Surname: MCCARTHY. Given Name(s) or Initials: B E. Military Service Number or Last Known Location: NX66837. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 23799.222302
Item: [2016.0049.34949] "Mccarthy, B E, NX66837
Mccarthy, E W, VX29437
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/402674Surname: MCCARTHY. Given Name(s) or Initials: E W. Military Service Number or Last Known Location: VX29437. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 38964.222320
Item: [2016.0049.34967] "Mccarthy, E W, VX29437
Mccarthy, E J, NX15139
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/402645Surname: MCCARTHY. Given Name(s) or Initials: E J. Military Service Number or Last Known Location: NX15139. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 6930.222291
Item: [2016.0049.34938] "Mccarthy, E J, NX15139
Mccarthy, E, VX4450
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/402676Surname: MCCARTHY. Given Name(s) or Initials: E. Military Service Number or Last Known Location: VX4450. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 5630.222322
Item: [2016.0049.34969] "Mccarthy, E, VX4450
Mccarthy, E, NX34465
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/402652Surname: MCCARTHY. Given Name(s) or Initials: E. Military Service Number or Last Known Location: NX34465. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 23419.222298
Item: [2016.0049.34945] "Mccarthy, E, NX34465
Data for: Revised estimates of Taung's brain size growth
No full textDatasets for McCarthy RC, Zimel E. Revised estimates of Taung's brain size growth. S Afr J Sci. 2020;116(7/8), Art. #5963, 7 pages. https://doi.org/10.17159/sajs.2020/5963
* Dataset 1 ('Taung_gr_data.xlsx'): Data used to calculate growth curves for Gorilla beringei (GBERI), Pan troglodytes (PTROG), and two samples of Homo sapiens (HSAP1, HSAP2) [.xls file];
* Dataset 2 ('Taung_cv_data.xlsx'): Data used to calculate coefficients of variation for historical A. africanus samples [.xlsx file];
* Dataset 3 ('Taung_dev_sim.csv'): Data used to calculate developmental simulations [.csv file]
Mccarthy, R E G, NX40604
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/402653Surname: MCCARTHY. Given Name(s) or Initials: R E G. Military Service Number or Last Known Location: NX40604. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 1136.222299
Item: [2016.0049.34946] "Mccarthy, R E G, NX40604
Ketchup and Blood: Documents, Institutions and Effects in the Performances of Paul McCarthy 1974-2013
No full textSince the 1970s, the work of Los Angeles-based artist Paul McCarthy (b. 1945) has included live performance, video, sculpture, kinetic tableaux, and installation. Tracing the development of McCarthy’s work between 1974 and 2013, I undertake a critical discussion of the development of performance in relation to visual art practices. Using one artist’s work as a guide through a number of key discussions in the history of performance art, I argue that performance has influenced every aspect of McCarthy’s artistic practice, and continues to inform critical readings of his work.
My thesis follows the trajectory of McCarthy’s performance practice as it has developed through different contexts. I begin with the early documentation and dissemination of performance in the Los Angeles-based magazine High Performance (1978-83), which established a context for the reception of performance art, and for McCarthy’s early work. I then examine specific examples of McCarthy’s practice in relation to his critical reception: live performances and videos from the 1970s are discussed alongside critical readings of his work influenced by psychoanalysis; and the wider public recognition of McCarthy’s object-based art in the 1980s and early 1990s. I then look more broadly at the recent trend of re-enacting historical performances in the Getty’s Pacific Standard Time project (2011-12), as a mode of engaging with performance history and exploring how histories of ephemeral art are re-iterated over time. Finally, I discuss a number of McCarthy’s recent exhibitions and installations that mobilises a wider consideration of the histories of performance and ephemeral practices in art institutions.
McCarthy’s work is firmly established in the art world, and I argue that his work also provides a significant touchstone for histories of performance. I look historically at how McCarthy’s work has been documented, disseminated, curated, and re-performed, and open wider discussions about ways of engaging with performance history. In turn, I complicate the relationship between performance and the art world; between ephemeral art and object-based art practices; and between scholarly engagements with performance history, and the public presentation of performance in curatorial practices and institutional contexts.This project was funded by a College Studentship from Queen Mary, University of London. Additional financial support for a research trip to Los Angeles in 2012 to undertake primary research and conduct interviews was provided by the Queen Mary Central Research Fund (now the Postgraduate Research Fund). I would also like to acknowledge the support of the Glynne Wickham Scholarship fund, which contributed to travel expenses for a conference presentation at Stanford University in 2013
The influence of ocean variations on the climate of Ireland
No full textThe influence of the ocean circulation on the climate of Ireland is more subtle than it first appears. Temperatures in Ireland are warmer than similar Pacific maritime climates. It is heat - carried primarily in the Atlantic overturning circulation - released over the Atlantic that provides this additional warmth. We investigate variations in Irish climate using long-term station-based time series. The Atlantic multidecadal oscillation (AMO) explains over 90% of the pronounced decadal temperature and summer precipitation variation. Understanding the impact of these ocean variations when interpreting long climate records, particularly in the context of a changing climate, is crucial
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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