377 research outputs found
Artificial Intelligence Evidence-Based Current Status and Potential for Lower Limb Vascular Management
Consultation prioritization is fundamental in optimal healthcare management and its performance can be helped by artificial intelligence (AI)-dedicated software and by digital medicine in general. The need for remote consultation has been demonstrated not only in the pandemic-induced lock-down but also in rurality conditions for which access to health centers is constantly limited. The term “AI” indicates the use of a computer to simulate human intellectual behavior with minimal human intervention. AI is based on a “machine learning” process or on an artificial neural network. AI provides accurate diagnostic algorithms and personalized treatments in many fields, including oncology, ophthalmology, traumatology, and dermatology. AI can help vascular specialists in diagnostics of peripheral artery disease, cerebrovascular disease, and deep vein thrombosis by analyzing contrast-enhanced magnetic resonance imaging or ultrasound data and in diagnostics of pulmonary embolism on multi-slice computed angiograms. Automatic methods based on AI may be applied to detect the presence and determine the clinical class of chronic venous disease. Nevertheless, data on using AI in this field are still scarce. In this narrative review, the authors discuss available data on AI implementation in arterial and venous disease diagnostics and care
E. G. Polonskaya and K. A. Fedin: To the history of the relationship
The article analyzes the correspondence of E. G. Polonskaya and K. A. Fedin, members of the literary group Serapion Brothers, formed in Petrograd in 1921. The short but bright period of the existence of the association is still of interest to many researchers. Particularly relevant is the study of documentary sources, which make it possible to fi ll in the factual gaps in the history of both the Serapion fraternity itself and the relationships of its individual members. The author of the article draws on previously unpublished materials from the archive of K. A. Fedin and on their basis considers how the theme of Serapion is refl ected in the epistolary of Polonskaya and Fedin of 1925–1968. Of a particular interest is Polonskaya’s letter of 1925: written during the active work of Serapion Brothers, it refl ects the current view of the author on the events of the literary life of the 1920s. The bulk of the correspondence covers the period of the late 1950s – early 1960s. At this time, Polonskaya begins to work on her memoirs, some of which she dedicates to the Serapion Brothers: Konstantin Fedin and Mikhail Zoshchenko. She fi rst publishes them in 1963 in the Academic Proceedings of the Tartu State University. The manuscript sent to Fedin for review before publication becomes for the correspondents the starting point of a conversation about the uniqueness of the memoir genre, about the revival of interest in the Serapions, and about future research. The recurring theme of all letters is the feeling of belonging to the Serapion fraternity, friendly support over the years and the signifi cance of this for each of them
The calculation of the melt surface shape and its influence upon energy and electric characteristics of the induction crucible furnace
The genre model of K. Fedin's microcycle "Skazochki"
Рассматриваются ключевые особенности жанровой модели двухкомпонентного микроцикла К. Федина "Сказочки" с точки зрения структуры и семантики художественного целого. В рамках статьи сформировано представление о культурно-исторических особенностях начала XX в., как о существенном моменте для понимания индивидуального авторского замысла. На основе наблюдений за прозаическим микроциклом, созданным в 1920-е гг. в России, сделаны выводы о новой семантике архаической модели жанра в контексте данного произведения. На материале произведения К. Федина исследуется художественный мир микроцикла, а также его связь с приметами послереволюционного времени. В частности, приводится суждение о влиянии концепции всенародного счастья на идеологический корпус метатекстов 20-х годов XX века. В рамках статьи представлен анализ механизмов взаимоотношения внутри пространства микроцикла. Прослеживаются приемы и авторские методы, благодаря которым Федину в рамках жанровой модели удается выйти за границы времени, реальности и в соответствии с жанровой памятью сказки перевести разговор о частном в плоскость всеобщего, универсального.The article is considered the main particulars of genre model of twocomponent prose microcycle "Small fairy tales" (Skazochki) by K. Fedin in the context of structural and semantic point of view. In article was formed idea about cultural and historical particulars in early 20th century, which one of the main moment for comprehension of individual author's intent. The author draws conclusions about new semantic of archaic model of the genre within this literary work based on the prosaic microcycle created in the 1920s in Russia. On the stuff of novel by K. Fedin we are studied artistic potential of microcycle and his connection with postrevolutionary age. In particular author brings judgment about impact at conception of the wholenational happiness on ideological metatexsts framework in 1920s. In this article, the author submits analysis of microcycle's methods of inner space mutual relations. The present article dwells upon an individual author's methods, which helped Fedin to break reality and time borders in genre model according to fairy tale's memory of genre and remove private discussion in universal plane
The genre model of K. Fedin's microcycle "Skazochki"
Рассматриваются ключевые особенности жанровой модели двухкомпонентного микроцикла К. Федина "Сказочки" с точки зрения структуры и семантики художественного целого. В рамках статьи сформировано представление о культурно-исторических особенностях начала XX в., как о существенном моменте для понимания индивидуального авторского замысла. На основе наблюдений за прозаическим микроциклом, созданным в 1920-е гг. в России, сделаны выводы о новой семантике архаической модели жанра в контексте данного произведения. На материале произведения К. Федина исследуется художественный мир микроцикла, а также его связь с приметами послереволюционного времени. В частности, приводится суждение о влиянии концепции всенародного счастья на идеологический корпус метатекстов 20-х годов XX века. В рамках статьи представлен анализ механизмов взаимоотношения внутри пространства микроцикла. Прослеживаются приемы и авторские методы, благодаря которым Федину в рамках жанровой модели удается выйти за границы времени, реальности и в соответствии с жанровой памятью сказки перевести разговор о частном в плоскость всеобщего, универсального.The article is considered the main particulars of genre model of twocomponent prose microcycle "Small fairy tales" (Skazochki) by K. Fedin in the context of structural and semantic point of view. In article was formed idea about cultural and historical particulars in early 20th century, which one of the main moment for comprehension of individual author's intent. The author draws conclusions about new semantic of archaic model of the genre within this literary work based on the prosaic microcycle created in the 1920s in Russia. On the stuff of novel by K. Fedin we are studied artistic potential of microcycle and his connection with postrevolutionary age. In particular author brings judgment about impact at conception of the wholenational happiness on ideological metatexsts framework in 1920s. In this article, the author submits analysis of microcycle's methods of inner space mutual relations. The present article dwells upon an individual author's methods, which helped Fedin to break reality and time borders in genre model according to fairy tale's memory of genre and remove private discussion in universal plane
TAMIZDAT. PROBLEM OF INTERPRETATION
The article presents the methods of publication, distribution and reading of “tamizdat” works, which were banned for publication in the USSR. The article describes the legal aspects that took place during the era of totalitarian state in the 60-80s the XX century, as well as the influence of legislation on the authors and recipients of “tamizdat” literature.
Being published outside of the totalitarian state, the works were spread in the USSR in the form of “tamizdat” books through copies, photographs, etc. A unique method of obtaining information was implemented, i.e. a “samizdat–tamizdat–samizdat” circuit.
In addition, this article contains definition examples of the term “tamizdat” proposed by witnesses of the period under study. The author proposes versions of the scientific definition of “tamizdat”, which appeared and was applied in Russia since the late 50s of the XX century, influencing the modern literary and publishing process.
Purpose. The article is devoted to the issue of censorship and publication of prohibited literature, as being quite topical in the modern political and economic conditions. The subject of the analysis are the works of Soviet writers published abroad. The author aims to reveal and define the concept of “tamizdat” literature.
Methods and methodology. The basis of the research is formed by the following bibliological methods: historical-typological and analytical-thematic, as well as the systematic approach.
Results. The results of the work are that the author explores the repertoire and methods of prohibited works publishing. The author proposes hypotheses and formulations of the term “tamizdat” and proves that this concept should be distinguished from the concept of “literature of the Russian expatriate community”.
The scope of the results. The results of the research can be applied in the field of studying the history of literary studies, domestic and foreign publishing, its development
Determination electrical parameters lumpy ferromagnetic charge when heated to the Curie point
Determination electrical parameters lumpy ferromagnetic charge when heated to the Curie point
The article investigates the changes in the electrical parameters of the induction crucible furnace with a ferromagnetic
lumpy charge. Methods of research change the settings of the induction furnace with heating to the Curie point was
chosen physical modeling as an analytical description of the system to obtain extremely difficult
Private Enterprise and Fight of the State in the 1945-1953 (on the materials of the Lower Volga Region)
The paper analyzes the key trends states attitude towards private enterprise in the postwar period, with examples of areas of the Lower Volga region, where the main types of private business were an organization of small tanneries, chuvyachnyh and similar industries, and shipbuilding. The prosecutors offi ce, party authorities took decisive struggle against privateers. That was the aim of the legislative acts. However, the author concluded that the authorities have failed, despite the very stringent legislation to destroy the illegal methods of production and trade
ДЕЯТЕЛЬНОСТЬ ИЗДАТЕЛЬСТВ В СИСТЕМЕ ТАМИЗДАТА (ИЗДАТЕЛЬСТВО ИМЕНИ ЧЕХОВА, ИМКА-ПРЕСС, ИД ПОСЕВ)
The article deals with significant foreign publishers involved in the production and distribution of tamizdat in the USSR in the 60-80-ies of XX century, both operating at the moment and ceased to function.Purpose. To analyze the history of the three largest publishers of the censorship period – «Chekhov Publishing House of the East European Fund», «YMCA-Press» and The Posev publishing house. The thematic repertoire of publishers, important moments of interaction with the Soviet authors, the composition of editorial boards and a list of works published during the period of the publishing house are considered.Methods and methodology. The basis of the study is book-based methods: historical-typological and analytical-thematic, as well as a systematic approach.Results. The results of the work are that the author analyzed the activities of foreign publishers, their repertoire and ways of publishing prohibited works in the USSR. The author came to the conclusion that the studied publishers and their activities served the purpose of preserving the Russian cultural heritage.The scope of the results. The results of the study can be applied in the field of study of the history of literary studies, domestic and foreign publishing, in studies of Russian abroad.В статье рассматриваются значимые иностранные издательства, причастные к производству и распространению тамиздата на территории СССР в 60-80-х годах XX века, как действующие на данный момент, так и прекратившие свое функционирование.Цель. При анализе деятельности трех крупнейших издательств цензурного периода – «Издательства имени Чехова», «ИМКА-пресс» и издательства «Посев» выявить тематический репертуар издательств, важные моменты взаимодействия с советскими авторами, состав редакторских коллегий и список произведений, изданных на протяжении периода работы издательств.Метод или методология проведения работы. Основу исследования образуют методы: историко-сравнительный, историко-типологический и аналитико-тематический, а также системный подход.Результаты. Автор проанализировал деятельность зарубежных издательств, их репертуар и способы издания запрещенных произведений в СССР. Автор пришел к выводам, что исследуемые издательства и их деятельность послужили цели по сохранению русского культурного наследия. Были выявлены особенности работы издательств и их характеристики, такие как: ориентированность на выпуск произведений советских авторов, запрещенных в СССР; участие российских эмигрантов в редакционных коллегиях и в руководстве издательств; редакционная политика, направленная на русскоязычное население с представлением противоположной точкой зрения официальным издательствам СССР.Область применения результатов. Результаты исследования могут быть применены в сфере изучения истории литературоведения, отечественного и зарубежного издательского дела, в исследованиях русского зарубежья
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