9,485 research outputs found
Lo difícil es recrear. El recorrido editorial de Jusep Torres Campalans, de Max Aub
No full textAlthough Jusep Torres Campalans, the peculiar literary creation of Max Aub, has been the subject of numerous commentaries, studies and exhibitions, the publishing adventure of the work – a decisive aspect for its proper evaluation and reception – has, to date, scarcely attracted the interest it deserves. In order to make up for this oversight, the article first focuses on the intentional and conjunctural framework of its first appearance, and then displays an adapted exercise in analytical bibliography in which the first edition is subjected to a brief structural and formal analysis that is then contrasted with each and every one of the editions in different languages that have followed since 1958. Beyond looking at the different versions of a work originally characterized by careful construction of word, image and material form, the article aims to promote reflection on the risk that certain editorial routines imply for those literary works that go beyond the margins of convention.Aunque Jusep Torres Campalans, la peculiar creación literaria de Max Aub, ha venido siendo objeto de numerosos comentarios, estudios y exposiciones, la peripecia editorial de la obra –un aspecto determinante para su adecuada valoración y recepción– apenas si ha captado el interés que merece hasta la fecha. Con el propósito de suplir esa carencia, el artículo se detiene en primera instancia en el marco intencional y coyuntural de su primera aparición y despliega después un ejercicio adaptado de bibliografía analítica donde la edición príncipe es objeto de un somero análisis estructural y formal y se ve después sometida a contraste con todas y cada una de las ediciones en distintos idiomas que, desde 1958, se han venido sucediendo. Más allá de atender a las distintas versiones de una obra caracterizada en origen por una cuidada articulación de palabra, imagen y hechura material, el artículo aspira a promover la reflexión sobre el riesgo que entrañan ciertas rutinas editoriales para aquellas obras literarias que desbordan los márgenes de la convención
Situació de Màrius Torres en el context de la poesia europea de la primera meitat del segle xx
No full textThis article analyzes focuses on Màrius Torres’ situation in the context of European poetry in the first third of the twentieth century: as a reader and author, as a translator and with attention to his interest in great poetical trends of the time. The analysis is based on three elements: Màrius Torres’ poetry translations; his affinities with some significant European poets, and the commentary of some representative poems: «La màscara», «En el silenci obscur d'unes parpelles closes...», «Abendlied,» which illustrate the situation of his poetry in an European context
Max Aub, "Jusep Torres Campalans", "A mosca cieca"
No full textRecensione di:
Max Aub
Jusep Torres Campalans
Prólogo de Giuseppe Panella, traducción de Andrea Russo Rimini, Theoria, 2018, 349 pp.
A mosca cieca
Prólogo de Giuseppe Panella, edición al cuidado de Andrea Russo Rimini, Theoria, 2018, 473 pp
The hero's path in a post-apocalyptic future: the heroism of Max Rockatansky
No full textNúmero dedicado a: El viaje del héroeEn este trabajo estudiamos la heroicidad de Max Rockatansky plasmada en Mad Max: Furia en la carretera, cuarta parte de la icónica saga postapocalíptica. Basándonos en la perspectiva del profesor Jesús González Requena, este personaje aparece poco antes de la década de los ochenta, dentro del desplazamiento del cine de masas al modo de relato postclásico. Tras un análisis intertextual, encontramos que la saga, postclásica, reflejaría inquietudes de su contexto histórico de producción, representando, no obstante, el acto heroico un horizonte de redención. Mad Max: Furia en la carretera narra la restitución de un héroe despojado y negado, enfrentado a un ejército de fundamentalistas religiosos, relato que reclama la vuelta de una heroicidad mítica desde y para una civilización, Occidente, traumatizada tras el 11-S y sus consecuencias, despojada de todo sistema simbólico mitológico y capaz de la peor barbarie, que encontraba en DAESH la encarnación de sus pesadillas.In this paper we study the heroism of Max Rockatansky in Mad Max: Fury Road, the fourth part of the iconic post-apocalyptic saga. Based on the perspective of Professor Jesús González Requena, this character appears shortly before the eighties, within the displacement of mass cinema to the post-classical story mode. After an intertextual analysis, we find that the post-classical saga, would reflect concerns of its historical context of production, representing, nonetheless a horizon of redemption with the heroic act. Mad Max: Fury Road narrates the restitution of a stripped and denied hero, confronted with an army of religious fundamentalists, a story that claims the return of a mythical heroism from and for a civilization, the West, traumatized after 9/11 and its consequences, stripped of any mythological symbolic system and capable of the worst barbarism, which would find in DAESH the embodiment of its nightmares.Depto. de Teorías y Análisis de la ComunicaciónFac. de Ciencias de la InformaciónTRUEpu
Interview with Eliseo Torres, 1990.
No full textAuthor of multiple books on Mexican folk healing using herbs and rituals, Torres discusses plants, animals, and techniques as well as famous curanderos
Gender and generation in native title
No full textWhile gender and age are often noted as being important dimensions of Indigenous leadership and governance, they have rarely been examined in detail. This paper focuses specifically on the gender and age of directors on the boards of prescribed bodies corporate (PBCs), the corporations established to hold and/or manage native title rights and interests.
A predominant view persists of Aboriginal and Torres Strait Islander women as excluded or marginalised in native title. Statistical data for the year 2011–12 reveals, however, that women’s representation on PBC boards is higher than that found in mainstream sectors, while the literature reveals a complex picture of cultural, historical, demographic, institutional and intercultural factors that influence men’s and women’s participation and power in the native title arena.
A key generational concern is the relatively low number of older people and the growing number of young people in the Aboriginal and Torres Strait Islander population. Viewed in relation to the Aboriginal and Torres Strait Islander population and projected changes, the pool of potential PBC directors looks likely to grow in coming years. This paper argues that, as an increasingly significant sector, PBCs have the potential to both contribute to and benefit from the strengthening of community capacity but this potential will not be realised until the constraints on the capacity of PBCs to meet their statutory obligations and pursue native title holder aspirations are addressed.
[Published under the imprint AIATSIS Research Publications
Modelos de Gestión para la Elaboración y Producción de Camisas Fernando Torres
No full textEl siguiente trabajo investigativo, se desarrolló con el objetivo de determinar el mercado, estudio técnico, plan de marketing para el análisis de rentabilidad de la empresa, Fernando Torres para el modelo de gestión de producción y elaboración de camisas, formales, sport y casuales de caballeros dentro de la ciudad de Cuenca, en el centro de la ciudad, con una ubicación estratégica, de acuerdo al análisis se observa rentable el negocio en base a la cantidad de demanda que tiene este tipo de producto, en la ciudadanía, ya que las personas diariamente buscan vestir elegantes, para sentirse bien o verse bien.
Esta empresa busca posicionarse en el mercado local, nacional e internacional, con su propia marca e impactando al mercado textil, sus diseños están a la altura de la moda internacional, con las mejores telas nacionales e importadas.
De acuerdo al análisis que se hizo las personas encuestadas del 100% solo hombres, el 44% de los encuestados tiene un salario fijo, por ende, son futuros clientes, porque les gusta el diseño original que, Fernando Torres ofrece.
La producción de camisas, Fernando Torres, nos permite conocer de una manera más cercana cada uno de los procesos para la confección de una camisa de hombre y a su vez nos ayuda a conocer el rol de cada una de las personas que forman parte de la empresa, desde la parte administrativa, hasta la parte operativa.The following research work aims to determine the market, technical study, and marketing plan to analyze of the company's profitability: Fernando Torres, which deals with the management model of production and development of formal, sportive, and casual shirts within the city of Cuenca. It is placed in the city's center, in a strategic location. According to the analysis, the business is profitable based on the demand that has these types of products in the citizenship, as people seek to dress elegantly, feel good or look good.
This company seeks to position itself in the local, national, and international markets with its brand and impact the textile market. Its designs are at the height of global fashion, with the best national and imported fabrics.
According to the analysis of the 100% male respondents, 44% of those surveyed have a fixed salary. Therefore, they are future customers because they like the original design that Fernando Torres offers.
The production of shirts, in the company “Fernando Torres”, allows us to know in a closer way each of the processes for the manufacture of a man's shirt and, likewise, helps us to see the role of each of the people who are part of the company, from the administrative function to the operative position.Tesi
Fotografía de Pata Torres
No full text"In these pages, I show some of the concerts given by national and international artists, who, in one way or another, were important to me. These pictures are dreams come true". In this way, Pata Torres (Montevideo, Uruguay) presents this series of pictures for dixit. The author is an arquitect by the University of the Republic and a photographer. For the past 10 years, she has covered, with her pictures, the music scene. Since october 2012, she is responsible for the photography of Yamp!, a web site dedicated to Uruguayan music. Previously, she worked for Freeway magazine and covered events such as "Fiesta de la X", "Pilsen Rock" and "Bicentenario Uruguay". The Cure, Green Day, Keane, Franz Ferdinand, among others, have been captured by her lense. After seeing the book of live music pictures En Vivo (Sudamericana, 2010), of which Pata Torres was a co-editor, Paul McCartney chose her as the official photographer of his recital and stay in MontevideoEn estas páginas hago una pequeña muestra de algunos recitales de artistas nacionales e internacionales que, de una u otra forma, fueron importantes para mí. [Estas fotos] son sueños cumplidos”. Así presenta Pata Torres (Montevideo, Uruguay) esta serie de fotografías para dixit. La autora es arquitecta por la Universidad de la República y fotógrafa. Desde hace 10 años se dedica al registro fotográfico de la escena musical. Desde octubre de 2012 es responsable de la fotografía de Yamp!, portal de música uruguaya; antes trabajó en la revista Freeway y estuvo al frente de la fotografía de eventos como “Fiesta de la X”, “Pilsen Rock” y “Bicentenerio Uruguay”. Por la lente de Pata Torres pasaron The Cure, Green Day, Keane, Franz Ferdinand y REM, entre otros. Luego de conocer el libro de fotografías de música En Vivo, coeditado por Pata Torres (Editorial Sudamericana, 2010), Paul McCartney la eligió como fotógrafa oficial de su estadía y recital en Montevideo.
Fotografía de Pata Torres
No full text"In these pages, I show some of the concerts given by national and international artists, who, in one way or another, were important to me. These pictures are dreams come true". In this way, Pata Torres (Montevideo, Uruguay) presents this series of pictures for dixit. The author is an arquitect by the University of the Republic and a photographer. For the past 10 years, she has covered, with her pictures, the music scene. Since october 2012, she is responsible for the photography of Yamp!, a web site dedicated to Uruguayan music. Previously, she worked for Freeway magazine and covered events such as "Fiesta de la X", "Pilsen Rock" and "Bicentenario Uruguay". The Cure, Green Day, Keane, Franz Ferdinand, among others, have been captured by her lense. After seeing the book of live music pictures En Vivo (Sudamericana, 2010), of which Pata Torres was a co-editor, Paul McCartney chose her as the official photographer of his recital and stay in MontevideoEn estas páginas hago una pequeña muestra de algunos recitales de artistas nacionales e internacionales que, de una u otra forma, fueron importantes para mí. [Estas fotos] son sueños cumplidos”. Así presenta Pata Torres (Montevideo, Uruguay) esta serie de fotografías para dixit. La autora es arquitecta por la Universidad de la República y fotógrafa. Desde hace 10 años se dedica al registro fotográfico de la escena musical. Desde octubre de 2012 es responsable de la fotografía de Yamp!, portal de música uruguaya; antes trabajó en la revista Freeway y estuvo al frente de la fotografía de eventos como “Fiesta de la X”, “Pilsen Rock” y “Bicentenerio Uruguay”. Por la lente de Pata Torres pasaron The Cure, Green Day, Keane, Franz Ferdinand y REM, entre otros. Luego de conocer el libro de fotografías de música En Vivo, coeditado por Pata Torres (Editorial Sudamericana, 2010), Paul McCartney la eligió como fotógrafa oficial de su estadía y recital en Montevideo.
Building audiences: Aboriginal and Torres Strait Islander arts
No full textBuilding Audiences examines the barriers to and the strategies for increasing audiences in the Aboriginal and Torres Strait Islander arts sector. This research investigates the attitudes, beliefs and behaviours of current and potential audiences.
What is in the report?
The findings reveal the key barriers facing audience attendance include:
uncertainty about how to behave at cultural events and fear of offending
lack of awareness with audiences not actively seeking information about Indigenous arts
and outdated perceptions of the sector – that it is only perceived as ‘serious or educational’.
Building Audiences also considered several strategies to build audiences for Indigenous arts:
providing skills development, advice and resourcing to Indigenous practitioners within the arts sector;
increasing representation of Indigenous artists in the main programing of arts companies by including more Indigenous people in decision making roles;
promoting relationships between Indigenous arts and non-Indigenous companies to present their work to wider audiences;
introducing children and young people to Indigenous arts through schools and extracurricular activities;
allowing audiences to feel comfortable engaging by creating accessible experiences;
implementing long-term strategies to change negative perceptions of Indigenous arts.
The project was commissioned by the Australia Council for the Arts and funding partners include Australia Council for the Arts; Faculty of Business and Law and Institute of Koorie Education, Deakin University; Melbourne Business School, The University of Melbourne
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